The ambitious Doctor Faust begins learning black magic and makes a deal with the devil Mephistopheles: he promises him his soul on condition that the latter agrees to serve him. Faust goes to Parma with Mephistopheles and his houseboy Hans Wurst. The houseboy was asked to keep the identity of his master secret, but he gives it away to the duke of Parma as soon as he arrives there. Faust makes several spectacular natural phenomena appear before the duke (Mount Etna erupting, a sea tempest) but the duke’s courtiers hate him for showing the duke their true nature. Faust is forced to flee. Although Hans Wurst is dismissed, he finds refuge with Wagner, Faust’s servant. Mephistopheles eventually secures Faust’s soul by making Helen of Troy fall in love with him. He also shows him that his generosity will not save him, because its benefits also had harmful effects on his protégés. Faust understands that he is damned, takes leave of Hans Wurst and Wagner, and hands himself over to Hell when midnight strikes.

Not specified

Germany

Augsburg

Printed

Scholar

Wittenberg

Necromancy

Sorcery

Vice

Cheekiness

Nature

Navy

Brokers

Scatology

Crucifix

Hell

Eternal punishment

Vanity

Tragic

Burlesque

First page of the play in Johann Scheible's edition, Das Kloster, 1847

German

Ein Trauerspiel in 3 Theilen und 9 Aufzügen. (Vom Augsburger Puppentheater.)

Faust

Genie

Guardian angel

Satan

Christoph Wagner

Hanswurst

Mephistopheles

Devil

Duke of Parma

Helen of Troy

Monologue

Dilemma

Instrumental tune

Board

Improvised scene

Lazzi

Word for another

Repetition of a word

Apparition

Pact with the devil

Bawdy equivocation

Flying machine

Diorama

Versified passages

Johann Faust

Don Juan tries to seduce Donna Anna, but they are spied on by her confessor: An argument ensues, after which Don Juan is carried off to hell by the statue of the Commander. The Devil returns in the guise of Donna Anna to take away the confessor, who has set his sights on the young woman. Then the Devil takes the guise of the confessor to seduce Donna Anna. Virtue, in the guise of a hideous woman, tries to warn her off, but Donna Anna still prefers to give herself to the Devil. The Fool concludes the scene by chasing away Virtue and inviting the audience, for this evening, to enjoy the pleasures of love.