Punch is furious because his sister, Mopsa, has been insulted. He offers to avenge her, but Mopsa prefers to go to court to ask their father, the magistrate Gormoncho, to punish the insult. Gormoncho comes on. The stage direction states that he should be wearing regalia, but that thieves have attacked the puppeteers on their way to the city and have stolen it. In court, Wyario, the clerk, reads Gormoncho an accusation against unknown people for robbing the regalia. The magistrate promises to punish the thieves, and moves on to the next case – Mopsa’s complaint. Mopsa accuses Alanio of having sung a bawdy song under her window. Alanio bursts into the room attended with two constables: it turns out that the thief is none other than Gormoncho himself.

Ireland

Printed

Revenge

Judgment

Thief

Morality

Burlesque

English

Magistrato

Clerk

Daughter

Constable

Sergeant

Arrest scene

Court scene

Burlesque upon Magistracy; or, Punch out of Humour

Don Juan witnesses Donna Amarilles' declaration of love to Don Philippo and decides to get to the meeting place before his rival. Through the intervention of his servant Hans Wurst, he asks his father Don Alfaro for ten thousand thalers. The latter has two coins given to them, so that they can both buy ropes to hang themselves. Don Juan beats his father and robs him. He tries to abduct Donna Amarilles but he is caught by her father, Don Pedro, and kills him. The boat Don Juan and Hans Wurst flee on sinks but they both survive and find shelter with a hermit in the woods. Don Juan is disguised – he is wearing the hermit’s trousers – and kills Don Philippo who was chasing him. He then tries to rape a shepherdess and a princess he met in the woods. He kills the princess because she was fighting him. Don Juan and Hans Wurst finally reach the cemetery where Don Pedro’s equestrian statue stands, and they invite him over for dinner. The statue agrees, but in the end, Don Juan will go to it for a midnight feast in the cemetery. Don Pedro urges him to do penance, but he refuses and is damned. He then repents for his sins. An angel offers him forgiveness for his sins. He does not think he is worthy of it and is carried away by Furies from the Underworld. As for Hans Wurst, he drives out two devils who offered him a similar dinner.

Not specified

France

Strasbourg

Seducer

Unwelcome seducer

Assassination

Servant

Valet

Murder

Serial murder

Phantom

Revenant

Religion

Abduction

Kidnapping

Fish

Leviathan

Jonas

Forest

Cemetery

Didactic

German

Straßburger Don Juan-Puppenspiel

Don Alfaro

Don Juan

Don Pietro

Donna Marillis

Don Filippo

Sheperherdess

Hermit

Hanswurst

Angel

Ghost

Devil

Apparition

Flying machine

Final intervention of the devil

Disguise

Word for another

Dialogue between characters who do not see each other

Murder on stage

Bawdy equivocation

Light effects

Don Juan oder der Steinerne Gast

Don Juan or the Stone Guest

The governor of Barcelona, Don Pietro, banishes Don Juan on behalf of the king of Spain, and he refuses to let him marry his daughter – whom he offers to his rival Don Philippo. Jealous, Don Juan tries to abduct Donna Marillis just as Don Philippo is about to take her to a ball – since it is carnival time. However, he is caught by Don Pietro, kills him and then flees with his servant Hans Wurst. In the woods, they meet a hermit whom Don Juan kills in order to steal his trousers. Thus disguised, he also murders Don Philippo, who went after him. The two fugitives reach a first inn, then a second one, where Don Juan invites the statue of Don Pietro, which is standing not far. When Don Pietro’s ghost arrives, Don Juan and Hans Wurst are already eating the salad. The statue summons its murderer at midnight, in the cemetery, and hands out its hand to take him to Hell.

Germany

Augsburg

Aristocracy

Nobility

Spain

Carnival

Augsburger Don Juan-Spiel

Lipperl

Guard

Landlady

Statue

Letter

Inn scene

Comical regional accent

Apparition of the Devil

Don Juan und Don Pietro, oder das Steinerne-Todten-Gastmahl

Don Juan and Don Pietro, or the gruesome Feast of stone

Rosalinde, dressed as a male student, enters Doctor Faust’s home and gives him a book of magical spells. As a consequence, Faust believes he is making a deal with the devil, but he is in fact the victim of a trick orchestrated by the young woman, who conspired with Faust’s houseboy – Hans Wurst. When Satan comes back at midnight, he tells Faust that he has no intention of keeping his promises, and that the poor man has sold his soul for nothing. And yet, he grants him a final trial, which could save him from Hell: Faust must resist the gorgeous Helen of Troy. But he gives in the moment that she appears to him. Rosalinde then reveals that she was both the devil and the beautiful Helen: it is to her that he has devoted his body and soul. The play ends with two weddings, as Rosalinde’s servant, Lisette, is Hans Wurst’s sweetheart.

Scholar

Sorcery

Madness

Humour

Professor

Gluttony

Doctor

Sophism

Joke

Woman

Seduction

Comical

Parodistic

Satirical

Title page of the play in Johann Scheible's Das Kloster (1847)

Faust

Domestic servant

Student

Helen of Troy

Monologue

Aside

Cross-dressing

Metadiscourse on puppet theatre

Sung scenes

Chorus

Pact with the devil

Misunderstanding

Scene of recognition

Final wedding

Final song

Johann Faust oder der gefoppte Doktor

Johann Faust or the duped doctor

Don Juan tries to blindside his rival Don Philippo by abducting Donna Amarillis during the night. But he is caught by her father – the governor of Seville Don Pietro – whom he kills in a duel. Then he tries in vain to borrow money to an old cousin (or to his own father, whom he eventually murders in the second version). When he mentions selling his soul, Hans Wurst wants to help him out by making the devil appear thanks to a formula he learnt from a magician. However, Don Juan mocks the devil and Hans Wurst is swept into the air on a giant sausage – thankfully, he lands at the inn where his master was waiting for him. After a shipwreck, the two men reunite in a wood near Seville. There, they also meet a hermit and Don Juan forces him to give him his clothes. Don Philippo arrives and drives them out of the woods. Don Juan stabs him and leaves him for dead. Then he attempts another time to seduce a shepherdess and Donna Amarillis, who also went hunting. Don Philippo’s men are still after Don Juan and Hans Wurst, who manage to get to an inn near the church’s cemetery. Don Juan invites the statue of the governor Don Pietro for dinner, then agrees to follow his guest into the vault, where he dies in the pains of hell. As for Hans Wurst, he marries the manager of the inn.

Dresden

Gangster

Parricide

Don Juan, der vierfache Mörder, oder das Gastmahl um Mitternacht auf dem Kirchhofe

Der steinerne Gast

Pantolfius

Court usher

Hunter

Fury

Song

Metamorphosis

Lazzi

A dove is saved from a vulture by the knight Theobald and finds shelter in the knight’s daughter’s (Agnes) lap. At this moment, their neighbour – a widow called Rosalinde – and her daughter Emma come to ask for Theobald’s protection against Ulrich von der Wart, who wants to grab her land. As a token of friendship, Agnes gives Emma her dove. Ulrich has hired a robber to break into Theobald’s castle to put it to the fire and the sword with the help of his group. The robbers dress as pilgrims and stop at Rosalinde’s place. But Casperl, Rosalinde’s servant, uncovers their plot and tells his madam. Theobald, his family and servants would have been lost had Emma not thought of sending the dove to Agnes, with a message to warn them. The robbers find themselves powerless. Theobald besieges Ulrich’s castle, and the latter is killed during the fight.

String marionette

Young audiences

Pocci Franz von

Munich

Middle Ages

Widow

Knighthood

Justice

Rapacity

Friendship

Pilgrimage

Castle

Drink

Crusades

Siege

Dramatic

Illustration by Franz Pocci for the first edition of the play

Nach einer Erzählung von Christoph Schmid in vier Aufzügen dramatisch bearbeitet

Knight

Dietrich le Noir

Kasperl

Horserider

Off-stage voice

Story

Die Taube

The Dove

Don Juan tries to seduce Donna Anna, but they are spied on by her confessor: An argument ensues, after which Don Juan is carried off to hell by the statue of the Commander. The Devil returns in the guise of Donna Anna to take away the confessor, who has set his sights on the young woman. Then the Devil takes the guise of the confessor to seduce Donna Anna. Virtue, in the guise of a hideous woman, tries to warn her off, but Donna Anna still prefers to give herself to the Devil. The Fool concludes the scene by chasing away Virtue and inviting the audience, for this evening, to enjoy the pleasures of love.

Shadow theatre

Bernus Alexander von

Eternal punishment

Femme fatale

Vice

Secession

Eine moralische Scene mit einem unmoralischen Nachspiel

Anna

Priest

Stone Guest

Virtue

Fool

Epilogue

Allegory

Spying scene

Address to the public

A Priest, whose face looks like those painted by Fra Angelico, gets out of his house, smiling at life. While hearing noise from the modern city and the industrial world, he changes his expression and his voice to better fit the expectations of a churchman. He sees a Soldier and accuses him of having a mistress. The Soldier tells him that his wife is living with the Lawyer. The Lawyer comes and shares his disapproval concerning the Merchant, who openly commits adultery with the Doctor’s wife. The Merchant then exposes the affair between the Doctor and the Actor’s wife, as well as the one between the Actor’s wife and the Doctor’s wife and the Doctor’s daughter’s passion for the Actor. Each of these revelations is followed by the exclamation “It is too much!” from the previous characters, and with a change of expression emphasizing the hypocrisy of their outrage. The Doctor and the Actor enter together, and the Doctor declares that all the women of the village are in love with the Poet. All men rush to their homes to find their wives. The Priest remains alone and asks Mary, his servant, who we can tell is his partner, to set the table to receive the Poet for lunch. He will be accompanied by all of his wives and the children he had with them. The play ends when the children get on stage, through a door opening in the sky and under a rain of rose petals.

Craig Edward Gordon

Italy

Marina di Pisa

Hypocrisy

Unfaithfulness

Indignation

Soldier

Merchant (man)

Actor

Poet

Lover (woman)

Off-stage noise

Change of head on sight

Running gag

Avista

Entrance by a hole in the back cloth

Rain of flowers

It is too much

C'en est trop

Fasolino and his companions enter the stage singing a song about a goose that was stolen in a henhouse and cooked by the innkeeper Brighella. Sandrone expresses his anger, as his most beautiful goose has been taken; he suspects Fasolino to be the thief. He gets close to the place where Fasolino and the other characters are eating, and he hears them sing. Sandrone recognises Fasolino’s voice and asks Brighella to confirm that he is in the inn. Brighella certifies it and Sandrone lashes out on Fasolino, but Brighella goes back to serve his clients and advises Sandrone to watch his language.Florindo arrives with Arlecchino, who reveals to Sandrone that, during the night, Gervasa’s son saw Fasolino with a goose on his shoulders heading to Brighella’s inn with other people. Sandrone wants to call several people to punish Fasolino and his accomplices, but Florindo urges him to be careful because it would make him guilty and could force him to face a trial. Instead, he advises him to go see the Mayor and file a complaint. However, Sandrone does not trust justice, and his anger increases when he hears Fasolino loudly rejoicing to be eating the goose. Florindo promises to help Sandrone, and Arlecchino accompanies Sandrone to see the Mayor. The second act begins with Balazone’s monologue about the deposition of Sandrone. Florindo arrives and says that he is on holiday and, talking about various things, offers to attend the trial for the theft of the goose. Sandrone is questioned, and Balanzone puts him in a difficult position. He assures him that he has two witnesses, but Fasolino announces that he has fifteen or twenty of them, which, according to Balanzone, should make him win the trial. Arlecchino steps in as Sandrone’s witness, but Balanzone accuses him of having made a false testimony. Florindo reveals that he is the first judge and president of the court, declares Dottor Balanzone’s work to be unsuitable, and accuses Fasolino and his accomplices of having stolen Sandrone’s goose. He announces that a trial will take place. The play ends with a moral addressed to the audience.