Printed51 pagesHeinrich von EichenfelsFranz von Pocci | 1859 | Munich, Germany | GermanPrologueSongStoryMonologueRunning awayTransforming sceneryBabyFamilyGypsiesCavernLost childThiefWarLiterary tonesDramaticAnimations techniquesString marionetteAudienceYoung audiences
Printed35 pagesDas Glück ist blindFranz von Pocci | 1869 | Munich, Germany | GermanAllegoryMonologueOff-stage voicesFlying machineSongDevil's apparitionVersified passagesPact with the devilWord for anotherThunderboltChorusStoryMetatheatreMetamorphosisTransforming sceneryAddress to the publicDespairThirstDestinyDebtSlapHappinessBlindnessWidowerHot air balloonJailPhilosophyGriefBreaking outLatin MythologyBingoInnTavernLiterary tonesMarvelous, BurlesqueAnimations techniquesString marionetteAudienceYoung audiences
Printed20 pagesDon JuanEine moralische Scene mit einem unmoralischen NachspielAlexander von Bernus | 1907 | Munich, Germany | GermanEpilogueAllegorySpying sceneAppearanceLight effectsAddress to the publicDisguiseStorySeductionMoralityDamnationFemme fataleViceSecessionArt nouveauLiterary tonesSatirical, Parodistic, BurlesqueAnimations techniquesShadow theatreAudienceNot specified
Printed27 pagesTeste caldeStorie del RisorgimentoGigio Brunello, Gyula Molnár (aka Giulio Molnár) | 2011 | Mogliano Veneto, Italy | ItalianNarratorChange of size on sightLetterLove storyDeceived naivetyPeasant accentAccumulation of eventsStoryChange of social statusMurder on stageAdulteryTreasonDeceptionDeceived deceiverRisorgimentoKingdom of ItalyItalian unityLiterary tonesRealistAnimations techniquesAnimated objectAudienceNot specified
Electronic text8 pagesCideI doni di papà CerviMarina Allegri | 2021 | Parma, Italy | ItalianStoryNarrative TheaterAlternating narrative / dialogueAddress to the publicNarratorInserting poetryAvistaCaricatureDialogue with the audienceMurder on stageFratelli CerviCervi, AlcideResistanceResistance fighterPartisan strugglePoliticsExecutionFascismMurderBrotherLarge familyFamilyCommunismFriendshipCommunityFarmingAnimated objectGiftLiterary tonesDidactic, RealistAnimations techniquesObject theatre, Rod puppet, Direct Manipulation Bunraku-type PuppetryAudienceAll audiences