Polichinelle has cloistered himself in a barrel to escape the world’s malice. Despite the pleas of Pierrot, Cassandre and a pork butcher, he is determined to stay cloistered (although he took the wine, the money and the ham they brought to try and lure him out). Everyone misses the old Polichinelle and his love for life, but Pierrot comes up with an idea. He makes sure that Polichinelle watches a puppet show in which a harmless Polichinelle has withdrawn from the world. The real Polichinelle is outraged – he knocks the booth over and drives the puppeteer out. Meanwhile, Pierrot takes the barrel away. Polichinelle sorely misses his barrel, which he claims was a trick to better swindle people. The policeman arrives to arrest Polichinelle, for “disturbance to civilisation”, but the latter escapes. Pierrot, who fled when he saw the policeman, comes back with his arms full of the wine, ham and money he found in the barrel.

Glove-puppet

All audiences

France

Paris

Printed

Hypocrisy

Misanthropy

Cunning

Vanity

Wine

Money

Depression

Withdrawal from the world

Parodistic

Comical

Farcical

Frontispiece of Polichinelle withdrawn from the World.

French

Polichinelle

Pierrot

Constable

Pork butcher

Cassandre

Cassandra

L’Acteur faisant le personnage de Polichinelle

Actor

Manipulator

L’Acteur faisant le personnage de Pierrot

Theatre within the theatre

Blow-with-a-stick

Hidden character

Apparition of the puppeteer

Characterisation through onomatopoeia

Polichinelle retiré du monde

Polichinelle withdrawn from the world

Following a brawl in the tavern, Kasperl tells his wife that he is becoming a misanthrope and is withdrawing from the world. He also leaves the role of the police commissioner. His misfortunes lead him to the European residence of the Egyptian prince Tamino and his wife Pamina, which is also the retreat of the aging magician Sarastro. The Moor in the service of the Queen of the Night, Monostatist (the Monostatos of The Magic Flute), helps Kasperl, who presents himself as a learned traveller, to break into the palace: he hopes that he will stir up trouble. The hungry Kasperl proves to be an extremely rude host, and the frequent visits of the Queen of the Night, which plunge the scene into darkness each time, add to the confusion. Sarastro is nevertheless prepared to initiate the so-called scholar into the mysteries of Freemasonry, but Kasperl mainly amuses himself by banging the gong and then stamping his foot on the lodge master's table: Sarastro forbids him to do so, they quarrel and Kasperl knocks him out, then runs away with the protection of the Queen of the Night. Pursued by Tamino's lion, he is narrowly saved by the hunter Thomerl, who shoots the lion. They then return home with their trophy, much to the amazement of the police. The Queen of the Night appears to wish the audience good night.