Polichinelle has cloistered himself in a barrel to escape the world’s malice. Despite the pleas of Pierrot, Cassandre and a pork butcher, he is determined to stay cloistered (although he took the wine, the money and the ham they brought to try and lure him out). Everyone misses the old Polichinelle and his love for life, but Pierrot comes up with an idea. He makes sure that Polichinelle watches a puppet show in which a harmless Polichinelle has withdrawn from the world. The real Polichinelle is outraged – he knocks the booth over and drives the puppeteer out. Meanwhile, Pierrot takes the barrel away. Polichinelle sorely misses his barrel, which he claims was a trick to better swindle people. The policeman arrives to arrest Polichinelle, for “disturbance to civilisation”, but the latter escapes. Pierrot, who fled when he saw the policeman, comes back with his arms full of the wine, ham and money he found in the barrel.

Glove-puppet

All audiences

France

Paris

Printed

Hypocrisy

Misanthropy

Cunning

Vanity

Wine

Money

Depression

Withdrawal from the world

Parodistic

Comical

Farcical

Frontispiece of Polichinelle withdrawn from the World.

French

Polichinelle

Pierrot

Constable

Pork butcher

Cassandre

Cassandra

L’Acteur faisant le personnage de Polichinelle

Actor

Manipulator

L’Acteur faisant le personnage de Pierrot

Theatre within the theatre

Blow-with-a-stick

Hidden character

Apparition of the puppeteer

Characterisation through onomatopoeia

Polichinelle retiré du monde

Polichinelle withdrawn from the world

Mr. Fish pays a visit to Mrs. Bones and starts a conversation with her. Mrs. Bones uses different excuses to get angry and threaten to kill Mr. Fish. She then asks him to get divorced from his wife, while offering to get a divorce from her husband for them to marry. Mr. Fish, frightened, begs Teddy, his puppeteer, to save him from this situation. The latter pulls at the puppet’s strings to take him back to the fly loft. Then a hand comes down (the puppeteer’s) and threatens Mrs. Bones, while her strings are cut one by one. Cockatrice, Mrs. Bones’ “old friend,” wants to seduce her and take her with him, but Mrs. Bones can no longer move. Cockatrice thus sends for a girl in the audience to take the puppet, which is now merely a doll. The play ends with the appearance of the face of the Governor (the puppeteer) and with a grand finale for Mrs. Bones, who ascends to heaven, to the surprise amazement of a myriad of glove puppets watching her.

String marionette

Not specified

Craig Edward Gordon

Italy

Bologna

Rapallo

Argument

Divorce

Anger

Woman

Punishment

Doll

Whim

Satirical

Edward Gordon Craig, drawing of the heads of Mrs Bones and Mr. Fish

English

Cockatrice

Young girl

Puppeteer

Metadiscourse on puppet theatre

Flying machine

Comedy of language

Address to the public

Intervention of the audience

Ascension

Mr Fish and Mrs Bones

Doña Caracolines, the wife of the merchant Don Berrendo, flirts with Infiernillo more than she should. Infiernillo is a shop assistant who writes sentimental poems to court her. The parrot of the house, Hermógenes, observes them. Don Berrendo comes back from his trip sooner than expected. Don Cristóbal gives him the order to clear his name. But as Don Berrendo tries to come closer to the lovers, a strange power stops him. The puppeteer (Titiritero) appears to remind them that they are not the masters of their own movements, but that they are handled by him. An argument starts, with the puppets demanding their independence and fighting for the author’s will against the manipulation of the puppeteer. The puppeteer disappears. Don Cristóbal explains to the audience that this conflict is the same conflict as the one between external reality and the reality invented by art, and he demands that the performance goes on as if nothing had happened. Don Berrendo has regained his freedom of movement and throws himself at Infiernillo. He beats him to death with his stick, accuses his wife of being unfaithful and is preparing to make her suffer the same fate as Infernillo when two Guards appear and stop him. Don Cristóbal discourses on the misfortune caused by women’s romantic desires, but Doña Caracolines tries to seduce him and to give him a kiss. Don Cristóbal resists: he asks for the curtain to fall in order to hide this indecency. Doña Caracolines claims her right to rebel against the author just like Don Cristóbal has rebelled against the Puppeteer. Then she becomes even more affectionate and Don Cristóbal eventually yields to her kisses.

Actor and puppet

Spain

Valencia

Love

Unfaithfulness

Freedom

Revolt

Playwright

José Ricardo Morales, Burlilla de don Berrendo. Madrid: Taurus, 1969 (front cover)

Spanish

Don Cristobita

Parrot

Guard

Neighbour

Seduction scene

Metatheatre

Burlilla de Don Berrendo, Doña Caracolines y su amante

Little jest with Don Berrendo, Doña Caracolines y su amante

From a bag, the Montreur (Puppet Master) takes the puppets of Punch and Tobby the dog to perform his show. Punch and Tobby meet a deceptive fortune-teller who foresees a tragic future for Punch. Punch and Tobby steal her money, run away, and play a nasty trick on Commissaire (superintendent) Gambrinus. The Adjoint (second in charge) goes after them but ends up being beaten up with a huge stick. Punch meets Judith, and the Montreur pairs them as pimp and prostitute: she seduces the clients and he knocks them out. Later on, Judith gives birth to an adult Anatole, and Punch kills the Professeur (professor) Levieux. The Hydre (Hydra) (“a constant pain in the arse”, at the same time solicitor and social worker) wants to withdraw the custody of Anatole from his father, Punch. They argue and behead the child. Punch kills the Hydre and then strangles Judith. The Commissaire and the Adjoint catch Punch. The trial requires a psychiatrist, but Punch hits the Psycha-cho-chiatre (play on the French word for psychiatrist) and runs off again. He sleeps with Commissaire Gabrinus’ wife, but the Commissaire catches them in the act. Punch is sentenced to death, but he manages to have the Bourreau (executioner) beheaded instead. The Diable (Devil) appears as Tobby and fights Punch but Punch kills him, escaping the fortune-teller’s prediction.

Adults

Choisy-le-Roi

Cruelty

Serial murder

Prostitution

Couple

Abortion

Education

Justice

Revenge

Stick

Polemical

Gore

La Ballade de Mister Punch, poster, 1976.

Punch

Judy

Child

Police Superintendant

Policeman

Physician

Guardian

Social worker

Judge

Voice

Hand

Psychiatrist

Lawyer

Executioner

Devil

Mise-en-abyme

Slaps

Dialog between a puppet and its puppeteer

Song

Chase

Domestic scene

Allusion to current political events

Childbirth on stage

Murder on stage

Character thrown out of the scene

Hanging scene

Final intervention of the devil

La Ballade de Mister Punch

Mister Punch’s ballad

The puppeteer apologises to the audience because he is not ready to perform Macbeth: instead, he will perform an unpublished comedy by Goldoni, The Jealous Emigrant (which is, in fact, a fake written on purpose by Brunello). But one of his glove puppets, Arlequin, disagrees and organises a rebellion, convincing the other puppets to perform Macbeth. The tragedy begins, but Arlequin, who has dared to step out of his role, must die like Macbeth. The same applies to his antagonist King Duncan, who - as we discover at the end - is no other than the puppeteer himself.

Bare hand

Brunello Gigio

Molnár Gyula (aka Giulio Molnár)

Mogliano Veneto

Rebellion

Self-consciousness of puppets

Rewriting

Adaptation

Fake unpublished

Shakespeare

Tragic

Ironic

Italian

Rodolfo

Colombina

Brighella

Lady Macbeth

Arlecchino

Macbeth

Pantaloon

Macduff

Balanzone

Generico

Witch

Messenger

Sicaire

Monkey

Comical regional accent

Double characters

Rehearsal (play within a play)

Surprise effect

Captatio benevolentiae

Tragic irony

Tragic conflict

Parody of formal language

Avista

Macbeth all'improvviso

Improvised Macbeth

The collection brings together small stories or short heterogeneous dialogues, everyday or absurd scenes on various themes: family, school, work, social conflicts, justice, war, mendicancy, etc. The human turns out to be disposable, just like crumpled paper is.

Polichinelle retiré du monde

Mr Fish and Mrs Bones

Burlilla de Don Berrendo, Doña Caracolines y su amante

La Ballade de Mister Punch

Macbeth all'improvviso

Histoires post-it

ou On est bien peu de chose quand même !

Objeto Encontrado Perdido

Curtas em papel, osso e fel