At the market, Esopo (Aesop) is sold to a new master: the philosopher Xanto. Xanto’s daughter, Filena, is in love with one of her father’s followers, Periandro: Esopo is bought as a matchmaker. Xanto confides in him: he is in love with his wife’s lady-in-waiting, Geringonça. The latter becomes infatuated with Esopo, who rejects her. During a symposium, Xanto bets that he can empty the sea: Esopo helps him untangle himself from this bet, in exchange for freedom. Esopo, drunk, tells Geringonça that his master loves her; his wife Eurípedes hears this too: upset, she leaves the house. Disguised as another woman, Filena is courted by Periandro: she accuses him of being unfaithful and leaves him. Esopo has been sent to prison. He is freed by Xanto, who thus settles his promise; he now promises to free Esopo on condition that he bring Eurípedes back. While Temístocles (Themistocles) and Cresso are waging war against Athens, one of Jupiter’s eagles lands on Esopo, who becomes commander of the armies. Esopo manages to make Eurípedes so jealous that she decides to go back to her husband. As Cresso’s army is standing outside Athens, Esopo begins to tell a fable about love, punctuated with macaronic Latin. The two couples (Xanto and Eurípedes, Periandro and Filena) reconcile. Esopo, who is in love with Filena, recites a sonnet to her, and makes her write an ambiguous letter intended for him. Called to duty, Esopo triumphs over Temístocles, through betrayal and plays on words. During a night scene, Eurípedes goes to the court where Xanto is meeting Geringonça. Xanto meets his daughter there, waiting for her lover. Eurípedes pretends to be Geringonça, to expose her husband’s infidelity. Esopo is fooled, and Geringonça shouts that she has been robbed. After the defeat of the town has been announced, Esopo dresses as a woman and draws Temístocles’ attention: he has fallen in love with the beautiful young woman. Esopo is imprisoned and Cresso tasks him with building a tower in the air. After another turnaround, the King pardons him and he goes back to Athens, where his fellow citizens make peace with him as he narrates a fable to them.

Rod and string marionette

Not specified

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Slave

Philosophy

Love

Unfaithfulness

Enfranchisement

Parodistic

Comical

Burlesque

Philosophical tale

Esopaida, title page and summary of the play (1759)

Portuguese

ou Vida de Esopo

Croesus

King

Xeno

Philosopher

Slave master

Lover (man)

Disciple

Themistocles

General

Daughter

Wife

Maid

Aesop

Soldier

Choir

Music

Philosophical dialogue

Love story

Thwarted love

Dinner scene

Statue coming to life

Change of social status

Allusion to theatrical events of the time

Metadiscourse on puppet theatre

Macaronic Latin

Fight

Oracle

Battlefield scene

Cross-dressing

Esopaida

Aesop’s Life

Following a brawl in the tavern, Kasperl tells his wife that he is becoming a misanthrope and is withdrawing from the world. He also leaves the role of the police commissioner. His misfortunes lead him to the European residence of the Egyptian prince Tamino and his wife Pamina, which is also the retreat of the aging magician Sarastro. The Moor in the service of the Queen of the Night, Monostatist (the Monostatos of The Magic Flute), helps Kasperl, who presents himself as a learned traveller, to break into the palace: he hopes that he will stir up trouble. The hungry Kasperl proves to be an extremely rude host, and the frequent visits of the Queen of the Night, which plunge the scene into darkness each time, add to the confusion. Sarastro is nevertheless prepared to initiate the so-called scholar into the mysteries of Freemasonry, but Kasperl mainly amuses himself by banging the gong and then stamping his foot on the lodge master's table: Sarastro forbids him to do so, they quarrel and Kasperl knocks him out, then runs away with the protection of the Queen of the Night. Pursued by Tamino's lion, he is narrowly saved by the hunter Thomerl, who shoots the lion. They then return home with their trophy, much to the amazement of the police. The Queen of the Night appears to wish the audience good night.

Young audiences

Pocci Franz von

Germany

Munich

Opera

Freemasonry

Magic

Mother-in-law

Egypt

Orientalism

Beer

Tavern

Breakfast

Black

Lion

Bureaucracy

Misanthropy

Classical music

Hermeticism

Esotericism

Fantasy

German

Queen of the Night

Lady-in-waiting

Monostatos

Kasperl

Police Superintendant

Thomerl

Police officer

Allegory

Word for another

Talking animal

Song

Instrumental tune

Metatheatre

Address to the public

Light effects

Transforming scenery

Casperl in der Zauberflöte

Kasperl in the Magic Flute

A runaway slave meets a dragon which threatens to breathe fire on him; he asks the dragon whether it has the sultan’s permission to do so, predicting that the dragon will eat his former master before the guard kills it. But things do not turn out exactly as expected. Right before the audience, the dragon meets a knight who wants the sultan to recognise his superiority to become a knight too. The sultan refuses to talk, appointing the dragon to speak in his stead and authorising him to breathe fire on the knight. The slave returns in order to sit on the throne that he thinks empty – and it is indeed soon to be the case, because the sultan suddenly decides to follow in the deceased knight’s footsteps and take his place. Meanwhile, the fat Katja, who was dancing and singing for the sultan, has moved in with the dragon, and everyone is invited for coffee.

Esopaida

ou Vida de Esopo

Casperl in der Zauberflöte

Der glückliche Ritter von Trinitat

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