The Docteur (Doctor) and Marinette are castaways on an island, where they pretend to be mute and have been asked to guard Grazinde – a virgin girl who must be sacrificed to a monster called Endriague. Elfridérigelpot – the son of the sacrificer Caudaguliventer – lets them flee because he wants to keep Grazinde for himself. But he cannot save her in the end: the genius Popocambechatabalipa holds Grazinde prisoner in the Endriague’s stomach. The Genius turns the indigenous population to stone as a punishment for doing such sacrifices. A new castaway, Arlequin, tries to revive them, without success. The Génie (Genie) tasks him with fetching Espadavantellados the knight, who will free Grazinde and break the spell. The Endriague appears and swallows Arlequin, but he manages to escape. At Arlequin’s request, the spell is removed from Scaramouche, who was turned to stone, and Scaramouche roams the town. With the help of Arlequin, Espadavantellados the knight fights the Endriague and frees Grazinde. The islanders are revived, but in order to fully break the spell, the knight must touch the part where their hand was at the time they were petrified.

Costume puppet

Not specified

Piron Alexis

France

Paris

Printed

Monster

Sacrifice

Human turned into a statue

Enchantment

Theaters of the Parisian fairs

Knighthood

Comical

Fantasy

French

Arlecchino

Scaramouche

Il Dottore (Commedia dell'arte)

Marinette

Prosecutor

Daughter

Terpsichore

Metamorphosis

Speechless character

Archaic speech

L'Endriague

The Endriague

Don Quixote takes up his role as a wandering knight and asks Sancho Pança (Sancho Panza) to help prepare before they leave, while his niece and the childminder beg him to stay. Sancho Pança gives instructions for his will and bids farewell to his wife and daughter. Don Quixote declares his love to a woman peasant whom he believes is Dulcineia under a spell. He mistakes comedians for giants, but the fight is avoided thanks to Sancho Pança’s donkey. In a forest, they meet Sansão Carrasco (Sansón Carrasco), who pretends to be a wandering knight. Don Quixote challenges him to a duel and unhorses him. Then, he attacks a caged lion, kills it and declares that he will now have to be called the Knight of the Lions. When he learns that a wandering knight is imprisoned in the cave of Montesinos, Don Quixote descends into it and tries to remove a spell from Lord Montesinos and from Belerma, the lady of the knight Durorante. The earth shakes and he is carried into the air with Sancho Pança. Back in the forest, Don Quixote believes that Dulcineia has been changed into Sancho Pança and declares his love to him; Sancho threatens to kick him until Don Quixote’s illusion is broken. The muse Calíope (Calliope) comes down from a cloud and asks Don Quixote to fight the bad poets. Don Quixote chases them off. Apolo (Apollo) offers Pancho’s son, who is a poet, to join the Parnassus. After embarking on a boat, Don Quixote and Sancho are shipwrecked. They are taken in a palace. Sancho asks for the island promised by his master. A devil on a donkey announces that the evil spell put on Dulcineia has come to an end. After being flogged, Sancho is appointed governor of the island. He passes several burlesque judgements, dictates a fanciful letter for his wife and then goes out to have lunch. He is forced to consult a doctor and quarrels with a judge about whether eating is good or not. Touring his island, Sancho wants to stop a serenade, but he flees after a sword fight. The scene ends with a fake attack on his island: Sancho avoids being killed.
The Countess Trifaldi asks Don Quixote to remove her spell. Mounting a horse that came down from the sky, he leaves and starts his quest as a wandering knight again, while Sancho announces that he plans on going back home. Carrasco tries one last time to bring Don Quixote back to reality, fights him in a duel, unhorses him and forces him to go back home. Sancho complains that he has won nothing in this adventure.

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Madness

Illusion

Deception

Adventure

Trap

Mock-heroic

Parodistic

Burlesque

António José da Silva, Vida do grande D. Quixote de la Mancha e do gordo Sancho Pança, stage direction by Émilie Valantin, Comédie-Française, 2008.

Portuguese

Sancho Panza

Niece

Nurse

Notary

Peasant (female)

Devil

Calliope

Apollo

Muse

Miller

Sailor

Gentleman

Lady

Clerk

Merlin

Violinist

Physician

Surgeon

Innkeeper

Old woman

Horseman

Bearded lady

Chorus

Aside

Aria

Flying machine

Apparition of a god

Disguised character (false identity)

Fight with an animal

Earthquake

Avista

Shipwreck scene

Scene of flagellation

Court scene

Vida do grande D. Quixote de la Mancha e do gordo Sancho Pança

Life of the great Don Quixote of la Mancha and of the fat Sancho Panza

Dragonne, the Génie’s daughter, is bored. She can neither talk with humans nor leave the forest, because the rivers are controlled by her father’s enemy, Fée Écrevisse (Fairy Crayfish). Being far-sighted, the Génie has prepared a gift for his daughter: the Jam-e-Jam Numai, or the mirror of the universe. This magical mirror shows everything one could want to see, across the entire world. However, the Génie imposes a condition on his daughter: she must never say the name of Fée Écrevisse; if she does, she would fall under her power – irreversibly so. Once she has the mirror, Dragonne watches a fight, hoping that she will find her husband. She focuses on a young warrior, Prince Belle-Épine (Beautiful-Thorn). She orders her father, the Génie, to plan her wedding with this knight. However, the young man is under the protection of Fée Écrevisse, and the king has already decided to marry him to his own daughter Églantine (French medieval name, literally meaning dog rose). Furious, Dragonne laments her fate and says that she is the most unhappy person in the world. Then, looking into the mirror again, she sees the princess Églantine: she orders the Génie to abduct her and make her prisoner. Prince Papillon (Butterfly) arrives at the king’s palace. Chevalier Belle-Épine, the king’s future son-in-law, has given princess Églantine three magical animals: a cat whose fur bristles every time someone tells a lie, a serin that can speak, and a mouse that can sneak everywhere. However, many at court are against this wedding: they do not trust a man capable of obtaining such gifts. Prince Papillon arrives and immediately seduces the entire assembly. He reveals that he has been defeated by Reine Abeille (Queen Bee); he asks the king to protect him. Benevolent, the king offers to accommodate him for three days at the palace. The audience then learns that Prince Papillon wants to marry Princesse Églantine. The third scene begins with Princesse Églantine going missing. The entire court accuses Chevalier Belle-Épine, because the magical animals he has given the princess have also disappeared. Soon after, Prince Papillon also vanishes. Distraught, the knight asks Fée Écrevisse for help: no one but her can counter the power of the Génie, who is the only one capable of catching the magical animals. In the fourth scene, Princesse Églantine, the animals and Prince Papillon are in Dragonne’s cave. The latter wonders whether Chevalier Belle-Épine will come to save his beloved. She demands that the prince and the princess marry, so that the knight can stay with her. She locks them both in a cage, with the animals. The mouse escapes and the serin points the princess to the magical mirror, which is behind the cage. Thanks to it, they can know what is happening in the kingdom. In a hurry, the knight steps on the mouse and kills it. Dragonne comes back; thanks to the mirror, she sees the knight approaching the cave. She hides the prince and the princess in a place even more secret. Meanwhile, the cat manages to leave the cage and hides.
Dragonne welcomes the knight and relates that she saw Princesse Églantine, radiant, in the forest, walking with a prince that looked like a butterfly. The knight takes her word for it. However, the cat suddenly crosses the stage; his fur is bristling. The knight understands that he has been lied to: he declares that he loves Princesse Églantine and promises to take revenge. He steals the magical mirror to give it to Fée Écrevisse, who would do anything to obtain it. Dragonne tells the knight to bid the princess and the prince goodbye, as they will be left with the tigers in the forest. But the knight runs towards the mirror and calls Fée Écrevisse: she appears, furious. With a magical gesture, she turns Dragonne into a lioness. The knight and Princesse Églantine’s wedding can finally be celebrated. The fairy also conjures Reine Abeille, so she can resolve her conflict with Prince Papillon. After a short but decisive conversation, Reine Abeille agrees to marry Prince Papillon. Together, they go back to their kingdom.

String marionette

Young audiences

Bernard Laure

Le Havre

Father-daughter relationship

Forest

Whim

Fairy

Magic

Prince

Rivalry in love

Kingdoms

Princess

Kidnapping

Happy marriage

Illustration for Le Jam-e-Jam Numai ou Miroir magique (Laure Bernard, Théâtre de marionnettes, 1837).

King

Knight

Genie

Queen

Governess

Dancer

Mouse

Bird

Apparition of a genie

Object magically appearing

Talking animal

Initiatory quest

Hidden character

Magical formula

Character represented in animal form

Change of head on sight

Le Jam-e-Jam Numai ou Miroir magique

The Jam-e-Jam Numai or the Magical Mirror

Kasperl is the knight Kuno’s squire. While hunting in the woods, he meets a hermit who offers him food and drink. As he is in a good mood, Kasperl slaps him in the face. The situation degenerates and he ends up skewering the hermit on his halberd. Kuno arrives, unaware of this. The magician Murischuripixtimixtistopheles sets out to capture them both and cook them in his wizard's kitchen. He transforms into a monster and wants to eat Kasperl: Kasperl feeds him the hermit's corpse, but this is not enough to satisfy him. Kasperl then hits him with his halberd until he collapses, dead. The knight Kuno finally arrives, but the magician suddenly reappears: the monster was only an illusion. Kuno runs away. Kasperl does not have time to follow him. The magician takes him into his service and gives him a cauldron to watch over, threatening to cook him in the cauldron if he does his job badly. But instead, Kasperl pushes him into the cauldron, which explodes: Kasperl flies to the moon and returns to Earth after visiting all the taverns there...

Pocci Franz von

Germany

Munich

Middle Ages

Troubadour

Squire

Dragon

Wood

Gluttony

Sorcery

Moon

Heroism

Assassination

Animals, Mythical

Tavern

Farcical

German

Ein Ritterstück aus dem finstern Mittelalter

Hermit

Kasperl

Der Zauberer Murischuripixtimixtistopheles

Magician

Sung scenes

Address to the public

Monologue

Versified passages

Metatheatre

Word for another

Parody of formal language

Blow-with-a-stick

Murder on stage

Apparition of the Devil

Pyrotechnics

Magic act

Stichomythia

Macaronism

Kasperls Heldentaten

The heroic deeds of Kasperl

Accompanied by his horseman Kasperl Larifari, prince Roseroth (Red-rose) is desperately looking for princess Lilienweiß. The fairy Liebinniglich appears in his dream and reveals that Lilienweiß (White Lily) was turned into a flower by the magician Negromanticus: it is a way for him to take revenge on the women who turned him down. With the help of the knight Hugo von Felseck–turned into a bear by the magician–Rosenroth fights and kills the dragon that was keeping the enchanted oak: a branch of this tree will allow Rosenroth to turn the flowers and animals back into humans. They all manage to enter Negromanticus’ garden, apart from Kasperl who is turned into a donkey. Rosenroth rescues the women that were turned into flowers, as well as Hugo von Felseck and of course Kasperl. The fairy Liebinniglich defeats the wizard once and for all, as he disappears amidst the flames.

Love

Hunger

Idealism

Flowers

Garden

Astronomy

Tale

Fairy play

Title page of the play in the original edition of Pocci's comedies

Die bezauberte Lilie

Bear

Dream

Apparition

Song

Animated natural element

Lazzi

Deus ex machina

Prinz Rosenroth und Prinzessin Lilienweiß

Prince Red-Rose and Princess White Lily

On the advice of his companion Bluteck, the cruel knight Barbe-Bleue (Blaubart) decides to remarry for the seventh time and kidnaps Bertha, the eldest daughter of the rich Geldsack. The next day, Barbe-Bleue leaves the castle and gives Bertha all the keys, including the one to the secret cabinet, which he nevertheless forbids her to enter. But Bertha disobeys him and discovers the decapitated bodies of his previous wives. To punish her for her curiosity, Barbe-Bleue sentences her to death. She is saved by her former suitor Hugo von Hohenfels, who, with the help of the servant Kasperl, enters the castle and kills Barbe-Bleue.

Cruelty

Hunting

Wedding

Romanticism

Young girl

Deafness

Curiosity

Women's condition

Murder

Dramatic

Barbe-Bleue

Disguise

Dance

Talking at cross-purposes

Blaubart

Bluebeard

A dove is saved from a vulture by the knight Theobald and finds shelter in the knight’s daughter’s (Agnes) lap. At this moment, their neighbour – a widow called Rosalinde – and her daughter Emma come to ask for Theobald’s protection against Ulrich von der Wart, who wants to grab her land. As a token of friendship, Agnes gives Emma her dove. Ulrich has hired a robber to break into Theobald’s castle to put it to the fire and the sword with the help of his group. The robbers dress as pilgrims and stop at Rosalinde’s place. But Casperl, Rosalinde’s servant, uncovers their plot and tells his madam. Theobald, his family and servants would have been lost had Emma not thought of sending the dove to Agnes, with a message to warn them. The robbers find themselves powerless. Theobald besieges Ulrich’s castle, and the latter is killed during the fight.

Gangster

Widow

Justice

Rapacity

Friendship

Pilgrimage

Morality

Castle

Drink

Crusades

Siege

Nach einer Erzählung von Christoph Schmid in vier Aufzügen dramatisch bearbeitet

Die Taube

The Dove