Puppetplays

  • fr
  • en
3 results

Printed

80 pages

Il Ciro

Pietro Ottoboni
| 1712 | Rome, Italy | Italian
  • Music
  • Chorus
  • Interlude
  • Expository scene
  • Account of a dream
  • Disguised character (false identity)
  • Invisible force
  • Hunting scene
  • Board meeting
  • Monologue
  • Procession
  • Apparition of demons
  • Destruction of set elements
  • Thunderbolt
  • Release of a prisoner
  • Scene in the dark
  • Love rivalry
  • Scene of recognition
  • Change of social status
  • Clouds
  • Flying machine
  • Final wedding
  • Tyrant
  • Child abandonment
  • Conjuration
  • Magnanimity
  • Prophetic dream
  • Anthropophagy
Literary tones
Edifying, Heroic, Pastoral
Audience
Not specified

Printed

16 pages

Les Boudins de Gripandouille

| 1861 | Paris, France | French
  • Running gag
  • Final intervention of the devil
  • Fall of a character
  • Brawl
  • Gag
  • Chase
  • Headbutt
  • Character dragged by their feet
  • Character spun in the air by another character
  • Character thrown in the air
  • Blow with an object
  • Strangulation
  • Destruction of set elements
  • Characterisation through onomatopoeia
  • Hunger
  • Black pudding
  • Lust
  • Basket
  • Punishment
  • Trade
  • Resurrection
  • Tantalus punishment
Literary tones
Farcical, Comical
Animation Techniques
Glove-puppet
Audience
All audiences

Printed

2 pages

School

or Thou Shalt not Commit (The 11th Commandment)

Edward Gordon Craig
| 1916 | Marina di Pisa, Italy | English
  • Classroom scene
  • Comical pose
  • Offstage
  • Off-stage noise
  • Destruction of set elements
  • Teaching
  • England
  • Composure
  • Indifference
  • Calm
Literary tones
Comical, Satirical
Animation Techniques
Glove-puppet
, String marionette
Audience
Not specified