The play begins with the sinking of Ulisse’s (Ulysses’) boat. Ulisse is saved by Almira, who was making a sacrifice to Minerva on the beach with a choir of young girls. The young woman falls in love with Ulisse and has him escorted to the Court of her father, Alcinoo (Alcinous). In the following scene, Delfo, Ulisse’s hunchback servant, comes out of the water on a dolphin’s back. Cirene, Almira’s fickle daughter, also falls in love with Ulisse, who is now staying at Court. The two sisters fight for the stranger’s love, while Ormindo, Cirene’s unhappy lover, learns that she is wooing Ulisse. The first act ends with a dance of gardeners, both male and female. Cirene speaks to Ulisse as she stands before her mirror: the prince confesses that he loves her, after Delfo made a few bawdy innuendos. Ormindo denounces his fickle lover to Ulisse, while Almira also confesses her love; her confession is echoed by Lisa’s farcical innuendos. Ulisse hesitates between the two sisters. Taking revenge on Cirene, Almira exposes her sister’s debauchery to Alcinoo, who swears that he will punish her. During a scene in which Ormindo draws Cirene’s portrait, the old nurse Lisa believes that the young man is pining for her. Disappointed when she learns the truth, she decides to take revenge on her rival by speaking in favour of Almira to Ulisse. Cirene’s father walks in on her as she is writing a letter to confess her love to the Prince of Ithaca. To save herself, she accuses Almira of having written the letter: Alcinoo disowns (his daughter) Almira. Ulisse, who received the letter which Delfo says was written by Almira, is at a loss to understand the situation, and he falls asleep. In his sleep, Minerva speaks to him and reminds him of his duty to his country and to his wife Penelope: when he wakes up, he decides to leave Phaeacia. Cirene, wearing a mask, dismisses Ormindo. Ulisse takes leave of Alcinoo and of his daughters. Alcinoo decides to marry Ormindo and Cirene, who refuses herself to her suitor: the king then offers him to marry his daughter Almira.

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Italy

Venice

Printed

Love

Shipwreck

Jealousy

Hospitality

Sister

Lyrical

Parodistic

Fantasy

Filippo Acciaiuoli, L'Ulisse in Feacia. Venezia: Francesco Nicolini, 1681 (title page).

Italian

King

Alcinoos

Young woman

Nausicaa

Prince

Lover (man)

Ulysses

Captain

Servant

Nurse

Minerva

Music

Play in verse

Dancing entertainment

Interlude

Love duet

Love story

Shipwreck scene

Love rivalry

Seduction scene

Board meeting

Soliloquy

Sleeping character

Letter

Masked characters

Dilemma

Dreamt scene

Deus ex machina

Flying machine

L'Ulisse in Feaccia

Ulysses in Phaeacia

Pulcinella, keeper of a psychiatric institution, is organising a ball in honour of his ward Corinda and her lover Florante. During the ball, Delia, a resident of the asylum, recognises Florante as her unfaithful ex-lover. Vaiano, a sorcerer who wants to marry Corinda, decides to stop the marriage: he tells Pulcinella that he is bound to marry his rich ward. Delia asks for Pulcinella’s help; but he believes that she is insane and in love with him. When she meets with Florante, he apologises and promises to love her: the old Garbina overhears the conversation and understands that he is about to leave Corinda. Delia tells Vaiano about Florante’s promise; he rejoices. The sorcerer gives Pulcinella a rock that should attract Corinda's love, but Pulcinella believes that the rock is attracting Delia instead: she is still pursuing him. Believing Pulcinella, Garbina tells Florante that Delia is being unfaithful to him. Disappointed, Florante decides that he will marry Corinda, but Vaiano tells him that Corinda found a new lover: the couple quarrels. To get rid of Pulcinella, he sends him to look for a treasure and tells Garbina that Pulcinella wants to marry Corinda for her money, even though he truly loves Corinda. These fake confidences spark global confusion. In the woods, Pulcinella rides a donkey; they are surrounded by spirits and monsters. Delia just asked for Vaiano’s help. He promises the young woman that Florante will come back to her. Pulcinella distrusts Vaiano and imagines that he wants to make him fall in love with Delia. Florante rejects Corinda, whom he believes to be in love with Vaiano; he also rejects Delia, believing that she is in love with Pulcinella despite her repeatedly denying it. Seeing Corinda walk into Vaiano’s house, he believes that she is unfaithful. When he stumbles upon Delia, chained like a madwoman, he is finally convinced of her faithfulness. The old lovers reconcile. Corinda, disappointed, reveals that she promised to marry Vaiano if Florante rejected her. Pulcinella is disappointed, but he refuses to marry Garbina.

String marionette

Villifranchi Giovanni Cosimo

Florence

Lucca

Fiancé

Unfaithfulness

Charlatan

Wedding

Heroic

Melodramatic

Burlesque

Comical

Pulcinella guardiano de pazzarelli, 1705 (title page)

Guardian

Legal guardian

Pulcinella

Ward

Fiancée

Lover (woman)

Magician

Old woman

Enchantment

Scene of recognition

Spying scene

Magic spell

Demons dance

Apparition of a monster

Release of a prisoner

Revelation

Final wedding

Pulcinella guardiano de' pazzarelli

Pulcinella keeper of the insane

The play begins with Colombo (Colombus) sailing the sea with his wife Anarda and their son Fernando. They meet a choir of mermaids, then of tritons, all of which are taken away by Fortuna. The ship berths at Motenzuma, the capital of Peru. Tendilla, daughter of Ginacra, the king of Peru, advocates against welcoming the foreigners. Her lover Guascarre speaks against his wife’s empty fears. Ginacra sends him to the ships to meet the strangers, who have brought presents. When the Court and the strangers meet, Colombo fears that his wife Anarda will be tempted; she assures him that she is faithful. Their son falls in love with Tendilla. The servant Giumbè is leading two camels carrying many gifts. This is followed by a dance of monkeys trying to imitate human dances. Ginacra wooes Anarda. As she rejects him, he tries to force Colombo to give his wife to him. The two husbands ask for Guascarre’s help, although he himself is jealous of Fernando. Taken to the temple to be sacrificed, Anarda accepts her coming death—to prove her love for Colombo. Trying to make her change her mind, Ginacra turns her into a goddess: faced with a renewed rejection, he takes her to prison. Colombo is set on dying for his wife. Fernando asks Tendilla to intercede with the tyrant on behalf of his mother. The interlude stages the European nations dressed in colourful costumes. At night, Anarda is waiting in her cell for her husband to save her: Colombo arrives, carrying a torch, and with Giumbè’s help manages to see Anarda. Ginacra also arrives at the prison. Anarda pretends to like him and suggests that he kills Colombo in a duel, to win her love. Colombo hears the end of the conversation, displays jealousy and tries to kill himself at his wife’s feet. She prevents him from doing so and explains her plan to fight, disguised as him. Tendilla declares her love to Fernando: as a true gentleman, Guascarre promises his rival mutual love. Colombo cross-dresses and offers to fight the duel in Ginacra’s stead: the fight now opposes Anarda cross-dressed as Colombo, and Colombo cross-dressed as the king’s champion. Hurt by Anarda, Colombo falls to the ground; When she discovers her opponent’s true identity, she faints. Learning about Anarda’s feats, Ginacra decides to leave her alone. Tendilla hesitates between her two suitors: her father decides that she will marry Guascarre, the oldest of the two.

Automaton

Ottoboni Pietro

Rome

Peru

Geographic discoveries

Explorer

Rivalry in love

Sacrifice

Edifying

Pietro Ottoboni, Il Colombo ovvero L'India scoperta, 1690.

overo L'India scoperta

Christopher Columbus

Wife

Slave

Interpreter

Lady-in-waiting

Mermaid

Chorality

Thwarted love

Boat mounted on wheels

Clouds

Night scene

Fall of a character

Sword fight

Duel scene

Disguised character (false identity)

Character mistaken as a member of the other sex

Il Colombo

The shepherd Mitridate took Elcino in and raised him as the brother of his daughter Erenia. Erenia’s love for Arsace, Artemio’s son, and the love of Sandane, Artemio’s daughter, for Elcino are disrupted by the hatred opposing their families. Mitridate tells Erenia that, years before, the King Astiage (Astyages) entrusted Arpago with getting rid of his grandson Ciro (Cyrus) because of a dream. Alone, Erenia remembers that her mother gave birth to a stillborn child, and that his father substituted Elcino for him, caring for him as for his own son. Owing to their love for their respective sisters, Arsace and Elcino reconcile. At the palace, Astiage, suspecting Arpago of not having fulfilled his task, pretends to feel remorse and to wish that Ciro could come back to life. Arpago, Mitridate and Erenia rejoice at this change of heart, and decide to present Elcino to the king: they organise a sacrifice during which Astiage feels drawn to Elcino. To warn him against the tyrant, Mitridate tells Elcino the story of Ciro: the young man decides to take revenge on behalf of the child. When Sandane walks in on him, she confesses her love to him. The act ends with a dance of temple guards. In the forest, Astiage rushes to Erenia’s rescue, as she is being chased by a wild beast. To take revenge for Elcino’s severity toward Arsace, she tells him that the young man is not her brother, and she promises to bring him the baby blanket with which he was found. Elcino, who came back to his flocks, has grand dreams. He is invited to eat with the king, and Arpago tells him that Ciro is alive. Seeing the baby blanket, Astiage understands who Elcino is, and he appeals to the goddesses for revenge. To avenge himself of Arpago’s poor services, the tyrant has him drink a cup filled with his son’s blood; he also sends Elcino to prison. The sky darkens, the sea becomes turbulent, and furies come out of clouds and begin to dance. Sandane worries about her lover’s fate. When she sees him in chains, they exchange vows quickly before Elcino is taken back to his dungeon. Erenia, overcome with guilt, tells Sandane about Ciro’s identity, and she declares her Queen. Astiage declares his love to Sandane: she rejects him and asks to die by her husband’s side, which sparks Astiage’s jealousy. The tyrant decides to set Ciro on fire before his wife’s eyes; but the guards have stopped obeying him. In the meantime, Arsace and Arpago have freed Elcino, who is now arriving with the conspirators. He learns about his true identity from Sandane, and takes the tyrant’s place. Erenia confesses to her father that she betrayed him and revealed Ciro’s identity to the King: he forgives her, because she allowed for fates to be accomplished. The play ends with Ciro’s accession: he ascends the throne accompanied by Sandane.

Tyrant

Child abandonment

Conjuration

Magnanimity

Prophetic dream

Anthropophagy

Pastoral

Pietro Ottoboni, Il Ciro, 1712 (title page)

Father

Shepherd

Chorus

Expository scene

Account of a dream

Invisible force

Hunting scene

Monologue

Procession

Apparition of demons

Destruction of set elements

Thunderbolt

Scene in the dark

Change of social status

Il Ciro

Cyrus

Ipodamia (Hippodamia), the widow of the Armenian King, begs her daughter Aurinome to choose between her two suitors, Eurimedonte (Eurymedon) and Timocleone (Timoleon), to bring peace to the kingdom. Aurinome puts their love to the test, and they compete using words. Oronte, the general of the army, is secretly in love with Aurinome; Acrone discovers it and tells Ipodamia. The latter is set on stopping him to prevent her daughter from ending up in the hands of an unworthy man, and to spare the kingdom the anger of the princes. During a hunt, Oronte saves Aurinome from the mouth of a lion; he declares his love to her. Aurinome demands that the brave general receive a reward, but Ipodamia and the two suitors downplay his courageous act. Aurinome fell in love with Oronte. She tells the princes to meet her at the altar of the great Jupiter. As she is late, they hesitate over embarking with their respective armies, but Ipodamia convinces them to stay. Aurinome asks Oronte to arrive before her at the temple: he obeys her, and she asks him to choose one of her suitors. Oronte does not know what to answer, and he is interrupted by Acrone. Aurinome promises to choose between her suitors before the entire kingdom. As Eurimedonte and Timocleone, standing by the Avernus, are contemplating suicide, Acrone announces that Oronte will soon be dead. Inside a gorgeous room where royal weddings are celebrated, Aurinome asks the princes to promise that they will respect her choice; at this moment, Oronte arrives, armed: he has been saved by partisans and entrusts his fate to the Princess: she pronounces him husband and King.

Zanetti Girolamo

Suitors

Decisions

Royals

Haughtiness

Eurimedonte e Timocleone, Teatro di San Girolamo (1746)

ovvero I Rivali delusi

Queen

Widow

Princess

General

Counselor

Crowd

Public announcement

Fight

Set that comes to life

Transforming scenery

Eurimedonte e Timocleone

Eurymedon and Timoelon

Christians (prince and king of Denmark) gathers his vassals and asks them to approve of his decision to marry. He has decided to propose to Églantine. She is the daughter of king Arthus of England, whom he has defeated several times. After his vassals agree, he sends his seneschal Tchantchès to Arthus to submit his proposal. Arthus rejoices at the news, but Églantine worries. She is under a spell - if the one who marries her cannot solve a riddle and save her life on the day of their wedding, she will be changed into a statue. Églantine presents the prince Christians with the riddle and he cannot solve it. On the day of the wedding, Chevalier Jasmin (Knight Jasmin), who is in love with Églantine, arrives at the castle and reproaches Églantine for betraying their love. She tries to reassure him. Then Chevalier Jasmin sees Christians, who conceals his identity and repeats the riddle presented by Églantine. Jasmin solves it, and Christians repeats the answer to Églantine. A dragon appears - only Chevalier Jasmin comes to Églantine’s aid and kills it. As Christians tries to imitate Chevalier Jasmin, he suffers a deadly fall. Arthus sends Tchantchès on the Danish camp to inform the people of Christians’ death. However, his message is misunderstood and Chevalier Guldenstern, who believes Arthus has killed Christians, sends the Danish troupes to his castle. Following the advice given by his knights, Arthus asks Jasmin to defend the drawbridge. Tchantchès offers to assist Jasmin, then Églantine joins them too. The three of them fight the Danish army and repel it. As a reward, Arthus makes Jasmin his son-in-law. He wonders at the feats the three of them achieved.