Jan Klaassen announces to the audience that he has just married Katrijn and talks vulgarly about her. When she arrives, he beats her and continues insulting her. Kleine Ko (a puppet with a very long and expandable neck) arrives on stage dancing, his back to the audience. Jan Klaassen calls out to him, but Kleine Ko shakes his head at every question to answer “no”. His neck expands until it reaches the ceiling, while Jan Klaassen tries to pull him downwards, but Ko disappears. Jan Klaassen calls Katrijn to get a suit out of his suitcase because it is his birthday. Katrijn initially refuses, but Jan insists, and when she opens the case, he pushes her inside it and locks her in. Jan Klaassen tries to sell the suitcase to a merchant. When the latter opens it, Katrijn grabs him, and Jan pushes them both inside. He leaves singing. Jan Klaassen is about to become a soldier. A general arrives and tries to train him in weaponry, but Jan Klaassen plays tricks on him. The general is offended and challenges Jan to a duel. They both fight, using guns as swords. Jan Klaassen deceives the general, kills him and calls the undertakers to bury him. They have a difficult time putting the general in the coffin, but they finally manage it and leave singing. An executioner is setting up the gallows. Jan Klaassen asks the public whether he should be hanged there. When the executioner comes back to hang him, Jan Klaassen pretends not to know where to put his head and asks the executioner to show him. Jan Klaassen takes advantage of the situation and hangs the executioner instead.

Glove-puppet

Marotte

Not specified

Netherlands

Amsterdam

Printed

Swearing

Wedding

Trunk

Trap

Duel

Cunning

Farcical

Comical

Janus Cabalt, Jan Klaassen en Katrijn, screenshot from a 1929 anonymous amateur film.

Dutch

Jan Klaassen

Katrijn

Merchant (man)

General

Gravedigger

Executioner

Dialogue with the audience

Nervous breakdown

Confinement

Blow-with-a-stick

Lengthening of a character

Hanging scene

[Jan Klaassen en Katrijn]

Jan Klaassen and Katrijn

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.