King Mirambole is tyrannical, vain and hypochondriac, and he wants to marry. Three rival courtiers (the Doctor, the Astrologer and the Goldsmith) flatter the King, smear one another and conspire to persuade him to choose a woman from their respective families as his wife. The Doctor convinces the King that only a comet put on his forehead will cure him of all his pains. To cause the Astrologer’s downfall, he also advises the King to leave this task to him. The Astrologer suggests that the King ask the Goldsmith to make one, while the Goldsmith persuades the King to entrust the Doctor and the Astrologer with the task. In the end, the valet Pierrot commits to bringing the king a comet. Pierrot goes to his brother, an innkeeper, brings back a bottle of “comet wine” and convinces his niece Balibutte to follow him. When he comes back to the palace, he introduces his niece as a comet embodied in a woman, and he cures the king with the wine. Balibutte relates a dream to the king, which both exposes the courtiers’ betrayals and tells him how to punish them. The king executes the courtiers, marries Balibutte and names Pierrot grand vizier.

Glove-puppet

All audiences

France

Paris

Printed

Brokers

Ambition

Flattery

Conspiracy

Tyrant

Wedding

Vanity

Cabaret

Wine

Self-deception

Cruelty

Comet

Cure

Illness

Dream

Rivalry

Melancholy

Satirical

Fantasy

Comical

Front page of La Comète du Roi Mirambole, 1862.

French

Astrologer

Physician

Executioner

Pierrot

Cabaret owner

Herald

Blow-with-a-stick

Aside

Off-stage noise

Public announcement

Execution scene

Account of a dream

Monologue

La Comète du Roi Mirambole

The Comet of King Mirambole

Having graduated from the University of Heidelberg, Anselme has become an assistant at old Hans’s toyshop, in Nuremberg, in order to grow closer to his employer’s daughter, Wilhelmine, whom he secretly loves. The son of the adviser Paykul also courts her. The Jew Mardochée sells them dolls which look like little women sleeping, and he says that they come from the Moon. In the evening, when Anselme is alone, Queen Lunaria and her companions wake up and tell him that they have come from the Moon. Anselme protects them from the monster Angramanyou, genie of underground fire, by delivering toys to him instead. Spiders threaten the women of the Moon, then different objects (household utensils, balloons) become animated, introduce themselves one after the other and dance. Anselme confesses his love to Lunaria, who grows and reveals herself to be Wilhelmine, the two women having been mistaken for one another in a dream. With Hans’s permission, Anselme and Wilhelmine decide to get married.

Maurice Sand (Maurice Sand)

Nohant

Moon

Impossible love

Doll

Genie

Sleep

Shyness

Fantastic

Frontispiece for the volume containing the play Jouets et Mystères

Merchant (man)

Baroness

Young girl

Maid

Queen

Spider

Balai

Plumeau

Brosse

Balloon

Love rivalry

Fight

Engulfment

Ballet

Dance

One character replaced by another

Plot twist

Apparition

Apparition of a genie

Chorus

Prosopopoeia

Jouets et mystères

Toys and Mysteries

A poet comes out of his bath to walk on a bridge and enjoy the sunset. A gardener walks past him and mentions the glorious life he gave up in order to cultivate flowers. A young man relates his day spent hunting alone. Then comes a stranger, and after him a girl who is listening to a traveling singer. Night has now fallen. A group of three people arrives on the bridge: a madman, his servant, and a doctor. The madman is a young nobleman who had a life of abundance before devoting himself to solitude and to roaming. He meditates on the illusion of all things while leaning on the bannister. He tries to throw himself in the water, but his comrades prevent him from doing so.

Not specified

Hofmann, Edler von Hofmannsthal Hugo Laurenz August

Austria

Bad Fusch

Bath

Evening

Landscape

Flowers

Loneliness

Glory

Misery

Hunting

River

Childhood

Night

Destiny

Madness

Illusion

Suicide

Lyrical

German

Oder die Glücklichen

Gardener

Poet

Street singer

Fool

Domestic servant

Teichoscopy

Light effects

Song

Off-stage voice

Das kleine Welttheater

The small theatre of the world

The play takes place on a island of dreams. Mère-Grand learns that Myrrhine has distanced herself from her five sisters to dream on her own by the sea. She worries about it, as this daydreaming can only carry the young woman off towards reality. Myrrhine confirms that the “bandeau d’illusion” (the blindfold of illusion) has indeed been lifted from her eyes, and that she no longer believes in fairytales, only in love: she loves the Chevalier Tavonin (Knight Tavonin) and believes that she is loved by him too. The Knight appears on a small boat with Aurore, his new lover, and rejects Myrrhine. In her despair, she calls on the Génie des Arbres (the Genie of the Trees) and the Fée des Mousses (the Moss Fairy), but they are powerless—they cannot console her now that she has lost her illusions. Myrrhine kills herself by jumping into the sea. Mère-Grand blames her death on the Knight, but he replies saying that he is Love incarnated and that all of Myrrhine’s sisters will suffer the same fate, as their eyes will eventually be opened too.

Belgium

Love

Reality

Unfaithfulness

Death

Belief

Island

Teenagers

Fairy

Plant world

Funeral procession

Tragic

Grandmother

Knight

Revelation

Allegory

Le Bandeau d'illusion

The Blindfold of illusion

A sick man has visions; under the watchful and worried eye of his chambermaid, he talks to himself and believes that he is seeing a woman and a masked ball. A woman dozing in her living room has a fever dream in which she sees the man she has loved. Her daughter, who is looking after her, struggles to bring her back to her senses.

Shadow theatre

Bernus Alexander von

Germany

Munich

Spiritual union

Vision

Separation

Past happiness

Fever

Melodramatic

Dora Polster and Doris Wimmer, flat figures and scenery for the first scene of Vormitternacht.

Schattenspiel der Seele

Sick person

Home-nurse

Daughter

Duplication

Vormitternacht

Before midnight

The first scene is set in the infirmary of a prisoner camp in Germany, at midnight, during the First World War. A French prisoner thinks about his lost loved ones: his wife, his son Jean (a pilot who died in combat), and his grand-children who were left orphans. At that moment arrives the Lune (Moon), “the Queen of Dreams”; she takes him to the land of dreams, and shows him a nursery in Hostiaz.
The second scene introduces an Ours en peluche (teddy Bear) sleeping on a child’s bed. The Lune addresses the Ours and during their conversation we learn that the Ours is in fact a shady businessman who fled to South America after ruining his shareholders. In vain, the Lune tries to convince the Ours to return the stolen money (represented by a diamond hidden in the Ours’ belly). She then starts sharing her heartbreaks: she is in love with Paul, a pilot who was amputated of both his legs. Having learnt of the Lune’s wealthiness, the Ours offers his services to help her gain the Aviateur’s (Pilot’s) love.
Paul opens the third scene, which is set in a living room, where he is with another character, the Rhabilleur (Clock restorer). The Lune tries to seduce Paul but he is the object of the Ours’ mockeries because he received a break-up letter from his fiancée. The Ours tries, in vain, to convince Paul to find comfort with the Lune. We learn that Paul is the brother-in-law of Jean, the dead pilot and son of the prisoner who appeared in the first scene.
A certain Rhodô, who is in love with Jean, took care of the children. The Ours decides to marry Paul to Rhodô because he is attracted to her, but she stays faithful to Jean. The Ours then tries to kiss Rhodô to get hold of her wallet. This triggers a general fight during which the Ours, with his belly ripped open, lets the diamond slip – it explodes in a blinding light. As the sun rises, all the characters run away. 
The fourth scene starts. All the puppets are on the main road. The Ours feels light now that he is rid of the diamond. The Choeur (Choir) and Rhodô teach Paul how to float in the air like a kite. A black dwarf arrives, driving a car. The puppets all climb into the car and drive off to a world beyond. 
The play ends at dawn with the Prisonnier (Prisoner) waking up. After having experienced the bliss of mystical freedom in his dream, he is now condemned to go back to this “eternal captivity”.

Brazil

Jail

Adventure

Bear

Money

Rivalry in love

Fighting

Renunciation

Freedom

Philosophical tale

Cover for the first edition: La Nouvelle Revue française, Gaston Gallimard, Paris, 1919.

Personification

Illusory world

Dreamt scene

Brawl

Ascent to heaven

L'Ours et la lune

The Bear and the Moon

Gretl complains about Casperl's absence, as he always comes home late and very drunk. When he finally arrives, she gets angry and wishes he would go to the Gold Star or the Silver Moon (these are the names of the taverns Casperl frequents) and never return. Her wish seems to come true when a small gold star appears to Casperl asleep and takes him against his will to the moon. At the end of an adventurous journey through different regions of the sky, Casperl is welcomed by the moon; but, exhausted, he falls asleep. When he wakes up, he is in his bed. Did his cosmic journey ever take place? No matter: Casperl resumes his tour of the taverns on behalf of the drinkers' association founded the day before and which has elected him inspector of drinking establishments.

String marionette

Klinger-Schmid Babette

Manuscript

Tavern

Journey

Cloud

Spirits

Fear

Tempest

Cold

Spaceship

Man in the moon

Excessive drinking

Beer

Flight

Ein Casperlerlebnis in 3 Aufzügen

Mrs Kasperl

Kasperl

Star

Spirit

Divinity

Inhabitants on the moon

Veau lunaire

Domestic scene

Word for another

Animated natural element

Thunderbolt

Transforming scenery

Instrumental tune

Casperls Mondfahrt

Casperl's moon trip

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.

Ceci n'est pas un nez

This Is Not a Nose