The people are against the reign of the countess Jeanne de Flandre (Joan of Flanders) and demand the return of her father, Comte Baudoin (Count Baldwin). Sire Raoul de Mauléon (Lord Raoul of Mauléon), Jeanne’s faithful servant, asks her for an audience. He reminds her of all the crimes he committed to get her the crown, and demands a reward. Their meeting is suddenly interrupted by the arrival of Sire Hubert (Lord Hubert) who announces that Comte Baudoin is alive and on his way to the court. As soon as he arrives, Jeanne will lose her crown. Determined to keep her power, she summons Burgue, another servant, and orders him to search for the man pretending to be Comte Baudoin. Shortly after, she announces that she will marry Sire Raoul de Mauléon, but she is interrupted by Comte Baudoin. The confrontation between the father and the daughter leads them to be summoned before the Court of Roi Louis VIII (King Louis VIII). During the trial, the Roi asks three questions in order to verify the identity of Comte Baudoin. The Comte fails to answer the last one. However, Sire Hubert intervenes, accompanied by Marguerite, another daughter of the Comte. Marguerite recognises her father, but it is not enough: Jeanne requires the “judgement of God”–a fight. Mauléon will fight for her, and Pierre de la Cy will defend Comte Baudoin. At the end of the fight, Pierre de la Cy is defeated and killed. Marguerite begs the Roi to let her follow her father in prison, and he accepts. Jeanne then goes to see the imprisoned Comte to force him to deny his identity by signing a document, but he refuses. Later, Sire Raoul de Mauléon is very remorseful and tries to convince Jeanne to end their criminal activity. She firmly refuses and orders Burgue to suppress him. However, Mauléon survives. Meanwhile, Sire Hubert and other Seigneurs (Lords) manage to free Comte Baudoin. Mauléon comes back and murders Jeanne before the eyes of Comte Baudoin and of the people; he is then killed by Sire Hubert.

String marionette

All audiences

France

Printed

People

Countess

Crime

Crown

Power

Father-daughter relationship

Justice

Jail

Freedom

Remorse

Death

Melodramatic

French

Count

Lord

Knight

King

Cardinal

Guard

Soldier

Daughter

Off-stage noise

Aside

False exit

Court scene

Fight to the death

Death on stage

Release of a prisoner

Jeanne de Flandre

Joan of Flanders

The scene takes place in the countryside not far from Paris. A wealthy horticulturist, Labouture (literally, The-Cutting), died without writing a will. The Gratin family, distant relatives, claim to be the rightful heirs. After moving in the property, they welcome the notary Dussiflet (literally, Of-the-Whistle), and his nephew Onésime, in charge of the inheritance. Madame Gratin and Dussiflet consider [corriger faute FR] marrying Onésime and Flore, the Gratins’ daughter. When Flore meets Onésime, he is immediately in awe of her beauty, but she thinks that he is neither attractive nor intelligent. Meanwhile, Monsieur Gratin is bathing; when he wants to get out, he cannot find his clothes. Freezing cold, he calls for help. Ledru (literally, The-Thick), Labouture’s godson, enters the house and rescues M. Gratin, mistaking him for Labouture. Jean, the servant, discovers a letter that Ledru had sent to Labouture. Meanwhile, Ledru meets Flore and expresses the wish to marry her. Jean takes advantage of a private moment with Ledru to convince him to chase Gratin out of the house. Ledru writes a fake will in which Labouture states that Ledru is his secret son, and that he splits his goods between Ledru, Jean, and Flore. Madame Gratin inherits a bundle of thorns, and Monsieur Gratin is given the boot that Labouture kicked him with. In the end, the Gratins agree to the wedding of Ledru and Flore.

Glove-puppet

Maurice Sand (Maurice Sand)

Nohant

Servant

Family

Last will and testament

Marrying for money

Inheritance

Comical

Satirical

Burlesque

Fatale baignoire

Merchant (man)

Husband

Notary

Gardener

Sergeant

Nephew

Wife

Monologue

Misunderstanding

Situation comedy

Letter

Reading of a will

Plot twist

Funeste oubli

Macabre omission

Lord Grey and John Bull are looking for a pretext to declare war on Germany, which is competing with England in the field of industrial development. The announcement of the murder of François-Ferdinand in Sarajevo, related by Kasperl, Grey’s servant, provides them with one such pretext, but they have to distort the event and make it seem as if Austria attacked Serbia. Grey and John Bull gather their allies from the Triple Entente, Prince Wodkasoff and Delcassé. They also join forces with the devil of lies. Kasperl lets a word of indignation slip, and he is thrown in prison. On the German side, Germania warns her husband Michel about the rapacity of their neighbours, when Kasperl, just escaped from prison, comes to warn them about the conspiracy planned by the countries of the Entente. The devil of lies tries to play Hans off against his parents, Germania and Michel, but he is struck with a stick. Wary of Italy, the Germans ally themselves with Josef (the Czech) and Janos (the Hungarian): the Triple Entente goes to war. In 1914-1915, the countries of the Entente fail to make progress against the enemy. Desperate, Grey seeks advice in hell, where King Edward VII plays cards with Pluto and Kitchener. Mammon, the devil of money, is thus sent to corrupt the countries who remained neutral. In Italy, he will even corrupt the poet D’Annunzio in order to make the people rise against Germany. In order to hasten Mammon’s return, Pluto puts the clock forward by one year: it is now 1916-1917, and Grey has been replaced by Lloyd George, a more energetic man. But Lloyd George also goes seek advice in hell. Mammon’s intervention was not sufficient to weaken Germany’s resistance. The devil of lies comes again on the stage, disguised as an angel of peace, to announce that the United States have entered the war. There is an uproar in hell. Pluto concludes the play with a reminder that he will always be the one to win, no matter what: either Germany is victorious, and he retrieves the souls of Grey, Lloyd George, Iswolski, Northcliff, Delcassé “and so on”, or England wins, and planet Earth becomes hell, meaning that Pluto could enjoy his retirement.

Not specified

Fritz von Ostini (Friedrich von Ostini, aka Fritz von Ostini)

Germany

Munich

England

Hell

Propaganda

Conspiracy

Politics

Government

Treason

Italy

Gabriele d'Annunzio

Austria-Hungary

Bohemia (Czech republic)

United States of America

Russia

Trade

Industry

Money

Capitalism

Imperialism

First World War

Title page of Grey &amp; Co, showing a caricature of Lord Grey

German

King Edward's unselige Erben

Devil

Kasperl

Black Man

Germania

Hans

Pluto

King Edward VII

Mammon

Moneylender

Fury

Ghost

Disguise

Allegory

Catastrophe

Apparition of the Devil

Political allegory

Splitting of the body

Play in verse

Personification

Pact with the devil

Caricature

Final intervention of the devil

Grey & Co

Young candidates for marriage are swallowed whole by the Trou du Mariage (the Marriage Hole). Tévibar, who was swallowed, manages to come back out of the Hole. The Grand Sage Matoumoisien (The Great Wise Matoumasian) lets him know that this Hole makes the fake, the ugly, and the bad disappear; and because he was not swallowed, he might be the one who has come to forgive everyone and put an end to the threat of the Hole. Tévibar introduces himself to the assembly of the Grands Sages (the Great Wise Men) pretending to be who they expect him to be: Matoum. However, he has to accomplish three miracles and overcome the trial of the Trou de Justice (Hole of Justice). Tévibar makes the Grands Sages believe that he has overcome the first two miracles and then knocks them all out. He becomes a tyrant to all the people of Matoumoisie but ends up having to pass the trial of the Trou de Justice - it swallows him whole as he confesses to his deception. Matoum arrives to accomplish all the expected miracles. He transforms Matoumoisie, spreading joy and reconciliation but Tévibar stabs him. When the time comes to bury Matoum, his coffin is empty. Everybody bursts out laughing.

Shadow theatre

Albert-Birot Pierre

Paris

Donkey

Wedding

Prophecy

Announcement of a messiah

Impostor

Levitation

Virgin mother of a child

Play on words

Cephalophoria

Racing car

Ugliness

Childbirth

Miracle

Decollation

Forgiveness

Reconciliation

Resurrection

Laughter

Lyrical

Philosophical tale

Serge Férat, suggestion of scenery for Matoum en Matoumoisie, 1937

Matoum

Tévibar

Wise man

Fiancé

Fiancée

Virgin

Singer

Cook

Sommelier

Tailor

Bootmaker

Architect

Eunuch

General director

Dancer

Passer-by

Address to the public

Double characters

Metamorphosis

Glory

Entering with vehicle

Dance

Aria

Matoum en Matoumoisie

Matoum in Matoumoisie

In a prison, two exceptional prisoners, Jesus and Pinocchio, talk to each other from the communicating wall of their prison cells, without seeing each other. They talk about the gymnastics they do to distract themselves, about homecountry and homesickness, about their fiancées, everything they miss outside of these four walls. Pinocchio does not believe in the miracles Jesus tells him, but when questioned, he claims to believe in them and his nose gets longer. In their dialogue, they discover they have a lot in common: their condition as persecuted by justice or the fact that they can both walk on water. In the end, the guards come for Jesus; while he is happy and thinks that the men have realised that they have made a mistake in imprisoning him, Pinocchio has a bad feeling and, in vain, shouts at him from his cell not to follow them.

Adults

Brunello Gigio

Mogliano Veneto

Imprisonment

Innocence

Nose lengthening

Tragic

Italian

Pinocchio

Heureux ceux qui sont persécutés pour la justice, car le royaume des cieux est à eux.

Jesus

Dialogue between characters who do not see each other

Conversation

Confinement

Beati i perseguitati a causa della giustizia perché di essi è il regno dei cieli

Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.