Kasperl returns drunk from the tavern and his wife Grethl refuses to let him in. He meets the night watchman, whom he frightens by pretending to be a ghost. He picks up the halberd and the lantern that the watchman dropped in his flight. That night, the moon is off duty and wanders through the streets. Kasperl apprehends it for wandering at night: as the moon refuses to comply, he strikes it in the face with his halberd, which destroys it. He then meets death and beats it with a stick. Finally the rooster crows. Kasperl is annoyed that the rooster can't say anything except "cock-a-doodle-doo" and kills it, then brings it back to Grethl for a meal: when she sees the poultry, she lets him come inside.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Printed

Drunkenness

Drunkard

Couple

Night

City

Village

Celestial body

Phantom

Ghost

Halberd

Poultry

Chicken

Tavern

Fantasy

Burlesque

German

Kasperl

Madame Kasperl

Night watchman

Moon

Death

Cock, cockerel

Apparition

Disguise

Animated natural element

Personification

Domestic scene

Versified passages

Fight

Metatheatre

Kasperl als Nachtwächter

Kasperl the night watchman

Lord Grey and John Bull are looking for a pretext to declare war on Germany, which is competing with England in the field of industrial development. The announcement of the murder of François-Ferdinand in Sarajevo, related by Kasperl, Grey’s servant, provides them with one such pretext, but they have to distort the event and make it seem as if Austria attacked Serbia. Grey and John Bull gather their allies from the Triple Entente, Prince Wodkasoff and Delcassé. They also join forces with the devil of lies. Kasperl lets a word of indignation slip, and he is thrown in prison. On the German side, Germania warns her husband Michel about the rapacity of their neighbours, when Kasperl, just escaped from prison, comes to warn them about the conspiracy planned by the countries of the Entente. The devil of lies tries to play Hans off against his parents, Germania and Michel, but he is struck with a stick. Wary of Italy, the Germans ally themselves with Josef (the Czech) and Janos (the Hungarian): the Triple Entente goes to war. In 1914-1915, the countries of the Entente fail to make progress against the enemy. Desperate, Grey seeks advice in hell, where King Edward VII plays cards with Pluto and Kitchener. Mammon, the devil of money, is thus sent to corrupt the countries who remained neutral. In Italy, he will even corrupt the poet D’Annunzio in order to make the people rise against Germany. In order to hasten Mammon’s return, Pluto puts the clock forward by one year: it is now 1916-1917, and Grey has been replaced by Lloyd George, a more energetic man. But Lloyd George also goes seek advice in hell. Mammon’s intervention was not sufficient to weaken Germany’s resistance. The devil of lies comes again on the stage, disguised as an angel of peace, to announce that the United States have entered the war. There is an uproar in hell. Pluto concludes the play with a reminder that he will always be the one to win, no matter what: either Germany is victorious, and he retrieves the souls of Grey, Lloyd George, Iswolski, Northcliff, Delcassé “and so on”, or England wins, and planet Earth becomes hell, meaning that Pluto could enjoy his retirement.

Not specified

Fritz von Ostini (Friedrich von Ostini, aka Fritz von Ostini)

England

Hell

Propaganda

Conspiracy

Politics

Government

Treason

Italy

Gabriele d'Annunzio

Austria-Hungary

Bohemia (Czech republic)

United States of America

Russia

France

Trade

Industry

Money

Capitalism

Imperialism

First World War

Satirical

Title page of Grey &amp; Co, showing a caricature of Lord Grey

King Edward's unselige Erben

Devil

Black Man

Germania

Hans

Pluto

King Edward VII

Mammon

Moneylender

Fury

Allegory

Catastrophe

Apparition of the Devil

Political allegory

Splitting of the body

Play in verse

Pact with the devil

Caricature

Final intervention of the devil

Grey & Co

A runaway slave meets a dragon which threatens to breathe fire on him; he asks the dragon whether it has the sultan’s permission to do so, predicting that the dragon will eat his former master before the guard kills it. But things do not turn out exactly as expected. Right before the audience, the dragon meets a knight who wants the sultan to recognise his superiority to become a knight too. The sultan refuses to talk, appointing the dragon to speak in his stead and authorising him to breathe fire on the knight. The slave returns in order to sit on the throne that he thinks empty – and it is indeed soon to be the case, because the sultan suddenly decides to follow in the deceased knight’s footsteps and take his place. Meanwhile, the fat Katja, who was dancing and singing for the sultan, has moved in with the dragon, and everyone is invited for coffee.

Fühmann Franz

Märkisch Buchholz

Tyranny

Slave

Emancipation

Animals, Mythical

Reign

Despotism

Turkey

Forecast

Discussions

Tolerance

Vocation

Coffee

Slogan

Civism

Love

Society

Black

Humorous

Wie wird man Oberdiskutierer

Magician

Fat lady

Dragon

Sultan

Knight

Spectacular turn of events

Intervention of the audience

Imbroglio

Talking animal

Song

Object coming to life

Prologue

Address to the public

Optional scene

Dialogue of the deaf

Improvised scene

Der glückliche Ritter von Trinitat

The happy Knight of Trinitat

The collection brings together small stories or short heterogeneous dialogues, everyday or absurd scenes on various themes: family, school, work, social conflicts, justice, war, mendicancy, etc. The human turns out to be disposable, just like crumpled paper is.

Drawn character

Clermont-Ferrand

Trash can

Dehumanisation

Humanity

Remembrance

Paper

Daily

Consumer society

Disposable human

Absurd

Dramatic

French

ou On est bien peu de chose quand même !

Doctor

Leader

Father

Mother

Daughter

Woodworker

Actor

Cook

Salesman

Postman

Schoolteacher

African

Child

Nurse

Policeman

Old man

Soldier

Puppeteer

Judge

Prosecutor

Defendant

Flower

Young girl

Lady

Grandmother

Garbage man

Comic distortion of language

Apparition of the puppeteer

Change of head on sight

Soliloquy

Punching

Metamorphosis

Court scene

Recounting of memories

Histoires post-it

Post-it stories

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.