Kasperl leaves for America on a boat, but is swallowed by a whale that spits him out on an island inhabited by cannibals. They salt him and smear him in whale fat. Attracted by the smell of fat, an eagle kidnaps Kasperl on the verge of being eaten and takes him back to Europe. Kasperl manages to escape and meets a horseman who takes him back to his family. The play ends as a prologue with an invitation to take a seat in front of the puppet theatre for the start of the main performance.

Shadow theatre

Young audiences

Pocci Franz von

Germany

Munich

Printed

Boat

Navigation

Navy

America

Shipwreck

Fish

Leviathan

Unknown land

Island

Sausage

Beer

Thirst

Hunger

Cannibalism

Savage

Kidnapping

Horse

Family

Fantasy

Comical

German

Kasperl

Baleine

Cannibale

Eagle

Horserider

Madame Kasperl

Child

Monologue

Play in verse

Chorus

Sung scenes

Macaronism

Unexpected turn of events

Puppet theatre within the theatre

Kasperl bei den Menschenfressern

Kasperl among the anthropophagi

While the Countess von Eichenfels is running to the aid of her husband, who is seriously wounded at the end of a victorious campaign, their only child Heinrich is taken from his cradle by a Gypsy woman, old Juta. Eight years later, Heinrich escapes from the cave where he was held captive by the gypsy band, while the Gypsies are out robbing on the highways. He finds refuge with Menrad, a hermit and a former comrade-in-arms of the Count's squire, Hannes. In pursuit of the robbers, he stops at the hermitage and, with Menrad's help, surprises the two Gypsies who were looking for Heinrich. In the meantime, Juta has been arrested and has confessed everything to the Count. Hannes and Menrad bring Heinrich back to his parents after eight years in captivity.

String marionette

Infant

Gypsies

Cavern

Lost child

Thief

Dramatic

Count

Countess

Hermit

Prologue

Song

Story

Running away

Transforming scenery

Heinrich von Eichenfels

Hans is a happy new father but when the infant screams, he beats it. His wife Liesel worries, but she is in denial. Then Hans wants to baptise the child in beer. They quarrel again and eventually agree to call the infant Stiefele (boot), so that it will always have good shoes. The innkeeper Schnallans must prepare a feast, but they do not agree on the menu and Hans beats him to death. A police officer grabs him and wants to hang him, but Hans hangs him instead. Liesel worries because of the double murder which weights on her husband’s conscience and, above all, because there is no one to prepare the feast anymore. Hans settles the matter by fetching a whole Swiss cheese.

Not specified

Müller Alphons

Frankfurt

Household

Couple

Father

Feast

Party

Meals

Police

Justice

Gallows

Assassination

Serial murder

Cheese

Hanswurst

Farcical

Front cover of the collection Sechs neue Lust-Spiele für das Porzinell-Theater

Idyllisches Lustspiel in einem Akt

Mother

Baby

Innkeeper

Police officer

Murder on stage

Comic Equivocation

Hanging scene

Versified passages

Fight

Domestic scene

Die Taufe

The Christening

A Stranger discovers the body of a drowned young girl. Accompanied by an Old Man, he observes by a lighted window the quiet life of the family to which he has to tell the news to as as the procession carrying the drowned girl's body is getting closer.

Maeterlinck Maurice

Belgium

Ghent

France

Paris

Death

Drowning

Silence

Procession

Pity

Check up on

Bad news

Tragic

French

Old man

Foreigner

Petite-fille

Peasant

Crowd

Daughter

Offstage

Teichoscopy

Silent play

Intérieur

Interior

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.

Actor and puppet

Jumping Jack

Brive-La-Gaillarde

Rewriting

Quest

Childhood

Friendship

Disobedience

Dream

Cruelty

Wealth

Deception

Learning

Director of the theatre

Pinocchio

Talking Cricket

Blue Fairy

Raven

Barker

Announcer

Personification

Initiatory quest

Mise-en-abyme

Metamorphosis

Building a puppet on sight

Lengthening of a character

Talking animal

Chase

Narrator

Ceci n'est pas un nez

This Is Not a Nose

Alcide Cervi was a farmer. In 1934 he moved with his family to Gattatico, near Reggio Emilia, on a piece of land called Campirossi ("red fields"), which nobody wanted because it was infertile. He lives there with his nine children: seven boys and two girls. With hard work, they manage to make these fields prosper, and the family can afford to buy a tractor. The Cervi family is known for their anti-fascist political positions. After July 1943, when the Americans landed and Mussolini was arrested, all seemed well. But in November of the same year, a hundred fascists besieged the Campirossi house. The seven brothers try to resist, but they are arrested and eventually executed. As a sign of support and respect, Alcide Cervi never ceased to receive gifts from all sides: a Bible from the Fiat factory workers in Turin, a globe from the agricultural cooperative workers in Santa Vittoria, skittles for his grandchildren from some friends of the boules club. Finally, the puppeteer himself, Maurizio Bercini, wants to give Alcide a gift: a puppet with his features, with which he can transform pain 'into serenity and play'.