After performing a traditional guarattelle show, the puppeteer and his Pulcinella think they won’t have anything to eat as the audience left without paying. They both decide to leave Naples for France. When they arrive at court, the King carefully examines Pulcinella with a magnifying glass, and finds him too poor, so drives him away. Pulcinella beats the King with a stick and the guards come to arrest him. The puppet escapes from the puppet booth with the Puppeteer, who explains that if the puppet wants to eat, he must “change his face”.
The Puppeteer then turns Pulcinella into Polichinelle, giving him new, luxurious clothes decorated with ribbons and little bells, two bumps (one on the belly and the other on the back) and a white mask to hide his black half-mask. Thus transformed, Pulcinella moves and speaks far more slowly, but his new lazzi with a cock amuse the King greatly. The puppet and the Puppeteer are able to eat a big plate of pasta in front of the puppet booth and go to sleep with a full belly. Woken by the Marseillaise, they enter the puppet booth, believing a party is going on. On stage, in front of a guillotine, Robespierre and Danton debate whether the King should be tried. After cutting off the heads of Danton and the King, Robespierre also wants to kill Polichinelle, who is friends with the King. First, he cuts off one bump, and then the other, and finally the white mask. Polichinelle, who has now gone back to being “Pulcinella the revolutionary”, cuts off Robespierre’s head and then, like Napoleon Bonparte, proclaims himself emperor and uses a stick to beat, one after the other, the emperor of Austria and the Pope who has come to crown him. He shows his emperor’s crown to the Puppeteer: it means he’ll be able to eat for 200 years. The Puppeteer comes out of the booth for a last monologue at the end of which he dons the black half-mask and proclaims himself to be Pulcinella.

Glove-puppet

All audiences

Leone Bruno

Italy

Naples

Printed

Hunger

Quest

Poverty

Wealth

Revolution

Marseillaise

Plurilingualism

Capital executions and executors

French Revolution

Guillotine

People and history

Emperor

Comical

Farcical

French

Puppeteer

Pulcinella

Louis XVI

King

Minister

Guard

Polichinelle

Danton

Maximilien de Robespierre

François I d'Autriche

Pie VII

Dialog between a puppet and its puppeteer

Dialect as a social marker

Blow-with-a-stick

Word warping

Building a puppet on sight

Disguised character (false identity)

Monologue

Beheading

Swazzle

National language as a social marker

Destruction of a puppet

Pulcinella et la Révolution française

Pulcinella and the French Revolution

In his theatre, Mimmo is both an actor and a puppet showman. He is the boss of all the characters and can play all the roles: he plays the Harpo, an 'oggre' (ogre). But when he meets Lili, a "fragile and seductive" little puppet, everything falls into chaos. He wants to hold her, manipulate her as he pleases, and even eat her, and swallow her. She wants to escape, be able to move on her own, or even become human. Little Kouki, "the puppet’s puppet", wants the same thing, but Harpo and Mimmo prevent them from escaping. The dolls' bodies are abused, forced and violently injured. However, Harpo is finally unable to eat little Lili, even though his hunger makes him scream in pain. The scary ogre has fallen in love. The theatre becomes the backdrop for a fierce and hopeless love story.

Bare hand

Shadow theatre

Not specified

Lemahieu Daniel

France

Paris

Bourg-en-Bresse

Electronic text

Ogre

Woman

Wrestling

Love

Impossible love

Doll

Gender-based violence

Violence

Death

Murder

Manipulation

Poetry

Prosthesis

Tale

Fairy play

Noise

Hits

L'Ogre et la poupée

Guignol

Avista

Splitting of the body

Engulfment

Allegory

Chase

Fight

Metadiscourse on puppet theatre

Disappearance

Childbirth on stage

Active stage directions

Shape shifting

Change of size on sight

Grammelot

Repetition of a word

L'Oggre et la poupée

The ogre and the doll

Bouffefeu (Eatfire), the director of the theatre, announces that he is going to tell a rewritten version of Pinocchio’s adventures. Just as he is about to start carving a piece of wood, Père (Father) sees it morph into a puppet. He adopts it as his own child and, even though he is poor, gives it all he can. Instead of going to school, Pinocchio, accompanied by Grillon (Cricket), sells everything he owns to enter the funfair. Bouffefeu, the owner of the funfair theatre, takes pity on Pinocchio’s poverty and gives him five coins. They decide to head home and meet Chat (Cat) and Renard (Fox) on the way. Pinocchio shows them his money. Then, Chat and Renard dress up try to steal his money but Pinocchio and Grillon manage to escape and hide from them. On the advice of Fée Bleue (Blue Fairy), the allegory of Pinocchio’s mother, they hit the road. They encounter Chat and Renard again, who make Pinocchio believe that if he if he sows his money, a tree will grow out of it and will produce new coins. Pinocchio is gullible; he believes them and complies.
At another funfair, the Bonimenteur (Barker) changes him into a donkey, but he manages to escape. In the stomach of a sea monster, Pinocchio and Grillon find Père again. The three of them manage to get back onto dry land. Back to the Field of Miracles where Pinocchio buried his money, Pinocchio discovers trees laden with gold coins. He meets the Fée Bleue who lets him decide between becoming a real little boy or remaining a puppet. He chooses to remain a puppet so that he can always be a child in his father’s eyes.