At the market, Esopo (Aesop) is sold to a new master: the philosopher Xanto. Xanto’s daughter, Filena, is in love with one of her father’s followers, Periandro: Esopo is bought as a matchmaker. Xanto confides in him: he is in love with his wife’s lady-in-waiting, Geringonça. The latter becomes infatuated with Esopo, who rejects her. During a symposium, Xanto bets that he can empty the sea: Esopo helps him untangle himself from this bet, in exchange for freedom. Esopo, drunk, tells Geringonça that his master loves her; his wife Eurípedes hears this too: upset, she leaves the house. Disguised as another woman, Filena is courted by Periandro: she accuses him of being unfaithful and leaves him. Esopo has been sent to prison. He is freed by Xanto, who thus settles his promise; he now promises to free Esopo on condition that he bring Eurípedes back. While Temístocles (Themistocles) and Cresso are waging war against Athens, one of Jupiter’s eagles lands on Esopo, who becomes commander of the armies. Esopo manages to make Eurípedes so jealous that she decides to go back to her husband. As Cresso’s army is standing outside Athens, Esopo begins to tell a fable about love, punctuated with macaronic Latin. The two couples (Xanto and Eurípedes, Periandro and Filena) reconcile. Esopo, who is in love with Filena, recites a sonnet to her, and makes her write an ambiguous letter intended for him. Called to duty, Esopo triumphs over Temístocles, through betrayal and plays on words. During a night scene, Eurípedes goes to the court where Xanto is meeting Geringonça. Xanto meets his daughter there, waiting for her lover. Eurípedes pretends to be Geringonça, to expose her husband’s infidelity. Esopo is fooled, and Geringonça shouts that she has been robbed. After the defeat of the town has been announced, Esopo dresses as a woman and draws Temístocles’ attention: he has fallen in love with the beautiful young woman. Esopo is imprisoned and Cresso tasks him with building a tower in the air. After another turnaround, the King pardons him and he goes back to Athens, where his fellow citizens make peace with him as he narrates a fable to them.

Rod and string marionette

Not specified

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Slave

Philosophy

Love

Unfaithfulness

Enfranchisement

Parodistic

Comical

Burlesque

Philosophical tale

Esopaida, title page and summary of the play (1759)

Portuguese

ou Vida de Esopo

Croesus

King

Xeno

Philosopher

Slave master

Lover (man)

Disciple

Themistocles

General

Daughter

Wife

Maid

Aesop

Soldier

Choir

Music

Philosophical dialogue

Love story

Thwarted love

Dinner scene

Statue coming to life

Change of social status

Allusion to theatrical events of the time

Metadiscourse on puppet theatre

Macaronic Latin

Fight

Oracle

Battlefield scene

Cross-dressing

Esopaida

Aesop’s Life

In the spring, around 1840 in Paris, Jean-François Billembois, a young artisan-carpenter, struggles to find the words to describe to his friend Pancrace the show he saw the night before at the Théâtre des Funambules. Nanette, a sweet young girl, arrives and reminds Billembois that he promised to take her on a walk to Montmorency the following Sunday. But Billembois finds an excuse to break his promise. When Pancrace expresses surprise at this change of heart, Billembois confides that he is madly in love with the beautiful Zéphyrine, an actress at the Théâtre des Funambules, but that he loses his nerve every time he sees her. His friend Pancrace invites him for a drink to cheer him up. Across from Billembois's shop, in a former mansion, a mysterious foreigner, Mr Tenorio, has taken up residence. Pursued to his home by Anaïs, an old bigot, Tenorio instructs Jasmin, his servant, not to let anyone in. Old Anaïs accuses Tenorio of using the church to spy on the prettiest women and seduce them with his devilish ways. After a torrent of curses, Anaïs faints in front of the seducer's door. She is rescued by some women and taken to the herbalist, Mrs Fouillechat. In the evening, on the deserted street, Ratapoil appears, a strange figure in uniform who knocks on Tenorio's door and introduces himself as the Commander. But Jasmin does not let him in. In the back room of the herbalist-witch's shop, Billembois, in despair, complains to Madame Fouillechat that none of the potions or talismans she has given him have made Zéphyrine fall in love with him. She attempts an incantation, but is regularly interrupted by the arrival of other customers. She then asks Billembois to go home and perform a ritual by plucking three hairs, which she will incorporate into a love cake intended for Zéphirine. Meanwhile, Jasmin comes to fetch rejuvenating enemas for his master and a remedy for his fear. When questioned by Mrs Fouillechat, he reveals that Mr Tenorio is in fact the famous Don Juan (albeit aged), who fled Spain to escape the vengeance of the Commander he killed. But the Commander has found Don Juan and has been knocking on their door every night for a week. Jasmin, proud to serve such an illustrious master, makes Mrs Fouillechat swear to keep the secret. When Billembois returns, Mrs Fouillechat changes her plan and sends him to her neighbour Mr Tenorio, so that he can teach him the secret of the secret of making women love him. Meanwhile, Jasmin complains to Mrs Fouillechat that rejuvenating enemas she preapared for his master are ineffective. Offended, Mrs Fouillechat publicly reveals that Tenorio is none other than the famous Don Juan, now ravaged by old age. Hearing this, the other women, fascinated by the presence of the mythical seducer, bombard Jasmin with questions about him and end up quarrelling. Meanwhile, Zéphyrine manages to break into Tenorio's house. In the countryside, in Montmorency, near a guinguette, everyone is gathered together, walking, playing music, singing, dancing or flirting. Zéphyrine allows herself to be seduced by Don Juan and regains her confidence. Billembois falls in love with Nanette, whose purity of soul he perceives, and immediately forgets Don Juan's secret. The Commander has followed Don Juan's trail to Montmorency. Don Juan sees Nanette and wants to seduce her, but she rejects him, calling him ‘old’. It is then that Don Juan accepts the Commander's punishment, as his life as a seducer is over. Hailed as the glory of having been Don Juan's last mistress, Zéphyrine is courted by the wealthy Arthur. While Billembois is overjoyed to have found true love, Nanette seems lost in her thoughts, and her last line refers to the colour of Don Juan's eyes.

Esopaida

ou Vida de Esopo

Le Miroir aux alouettes (variation sur le mythe à Don Juan)

Conte fantastique en cinq scènes pour marionnettes