The play begins on the banks of the Tiber river, where Costantino (Constantine) is about to fight the usurper Massenzio (Maxentius), son of Massimiano (Maximian), whose crown he stole. The Sky opens, and Religion appears to announce Costantino’s victory to him. Costantino promises to avenge his sister Costanza (Constantia), who was betrayed by Licinio (Licinius): the latter was supposed to marry her and make her queen of Orient, but he joined the enemy. In Rome, Arsace passes on Costantino’s offer of peace to Massimiano, who rejects them. Fausta, Massimiano’s daughter, announces her brother’s defeat: her father asks her to swear fealty to the winner. Arsace, whom the audience believed to be in love with Fausta, gives unclear reasons to explain that he cannot love her. During a triumphant procession, the legitimate Emperor moves with the chariot of Fama (Renown), pulled by winged horses; then Fama promises Costantino victory. When the latter makes a speech to the Romans to bring them peace, Fausta throws herself at his feet. In the procession, Planco, Costanza’s servant, is looking for Licinio. Thanks to a portrait, he recognises Arsace as his mistress’ future husband. Convinced that Licinio betrayed her, Costanza promises that she will take revenge on him. Informed by Planco, Costanza pretends not to have recognised Licinio—she wants to feel just how badly she was betrayed. Licinio is won by love and reveals himself to her; he manages to make her reconcile with him: she suggests that she remains hidden before she is certain that her brother will be merciful. Drusilla learns from Planco that Costantino no longer has a wife, and that he can therefore become Fausta’s lover. But Massimiliano despairs and asks his daughter to avenge her dead brother by leading Costantino into a trap, at which point Arsace will kill him; then, he promises to marry his daughter with the murderer. Fausta refuses; Costantino finds her as she is crying. When he tells her that he wishes everyone could unite thanks to his peace proposal, she lets him know that his father left to cry from sorrow. He asks her to take him to her father, insistent despite Fausta’s vague warnings. In the forest, Massimiano is waiting for Costantino; he is with Arsace, who vainly tries to talk him into choosing peace. Costantino arrives with Fausta. As he is about to embrace the defeated king, conspirators ambuscade him. Arsace intervenes to save him; so does Fausta. Not knowing who to believe in this confusing situation, Costantino sends the three suspects to prison. When he tries to find out who the culprits are, Costantino reconciles with Arsace, whom he recognises as Licinio. But Costanza, convinced that her husband betrayed her with Fausta, wants him dead. Announcing that Massimiano is threatening his own daughter as punishment for having saved Costantino, Drusilla tells Costanza the truth. Fausta flees into the forest, looking for her father who went insane. She manages to control him, then denounces herself to Costantino. In the dungeons of the place, Arsace is locked up; Costanza meets him there. Suspecting that the two conspirators, Arsace and Fausta, are meeting, Costantino walks in on them: Costanza, leaving the prison, throws herself at his feet to tell him the truth. In the final scene, Costantino is accompanied by a procession and celebrates peace; he gives up his plan to take revenge. The play ends with two marriages, and Massimiano is said to be on the run. Then, Faith appears, surrounded by the Liberal arts.

Not specified

Ottoboni Pietro

Italy

Rome

Printed

Faith

Emperor

Ancient history

Usurper

Roman History

Fantasy

Edifying

Heroic

Il Costantino pio (1710), title page

Italian

Sister

Servant

Lady-in-waiting

Music

Chorus

Interlude

Play in verse

Disguised character (false identity)

Revelation

Vision

Miracle

Monologue

Allegory

Apparition of an angel

Procession

Attempted assassination

Crowd

Running away

Flying machine

Apparition

Clouds

Apotheosis

Il Costantino Pio

Constantine the Pious

The Knight Soleie has lost his horse and weapons. He believes he has landed on a desert island. Tchantchet shows him he has not. The Knight wants to find his father and, once he arrives at his family’s castle, asks his mother about his whereabouts. She tells him that his father has gone to war. The Knight believes he can see his wounded father – a fact which alarms his mother. But it is only a passing vision. Tchantchet brings a letter announcing the return of the father, the Bon Ténébreux. The latter arrives at the castle, reunites with his family and relates his achievements, especially his duel against Don Quixote, whom he has killed. The Knight Soleie also relates his fights, one of which ended with Malbrouke’s death. The Knight Mastique, one of Soleie’s cousins, introduces himself. He asks for the permission to bring Soleie with him, on a boat, to free the woman he loves. The Queen Rosemonde worries about this journey and has them promise to ring her or send a telegram if the boat sinks. Mastique and Soleie have landed on a new shore. The Géant Bras d’Acier (the Giant with the Steel Arm) appears suddenly and wants them to pay for the right of way. He wounds Soleie but the latter kills him. Mastique tends to Soleie. They both decide to leave the island and are flung in the air by an Enchanter, who brings them back home.

Single rod marionettes

Belgium

Liège

Knighthood

Adventure

Navigation

Giant

Comical

Epic

Parodistic

Walloon

Knight

King

Queen

Tchantchès

Magician

Story

Fight

Apparition of a wizard

Flying character

Le Chevalier Soleie

The Knight Soleie

In the spring, around 1840 in Paris, Jean-François Billembois, a young artisan-carpenter, struggles to find the words to describe to his friend Pancrace the show he saw the night before at the Théâtre des Funambules. Nanette, a sweet young girl, arrives and reminds Billembois that he promised to take her on a walk to Montmorency the following Sunday. But Billembois finds an excuse to break his promise. When Pancrace expresses surprise at this change of heart, Billembois confides that he is madly in love with the beautiful Zéphyrine, an actress at the Théâtre des Funambules, but that he loses his nerve every time he sees her. His friend Pancrace invites him for a drink to cheer him up. Across from Billembois's shop, in a former mansion, a mysterious foreigner, Mr Tenorio, has taken up residence. Pursued to his home by Anaïs, an old bigot, Tenorio instructs Jasmin, his servant, not to let anyone in. Old Anaïs accuses Tenorio of using the church to spy on the prettiest women and seduce them with his devilish ways. After a torrent of curses, Anaïs faints in front of the seducer's door. She is rescued by some women and taken to the herbalist, Mrs Fouillechat. In the evening, on the deserted street, Ratapoil appears, a strange figure in uniform who knocks on Tenorio's door and introduces himself as the Commander. But Jasmin does not let him in. In the back room of the herbalist-witch's shop, Billembois, in despair, complains to Madame Fouillechat that none of the potions or talismans she has given him have made Zéphyrine fall in love with him. She attempts an incantation, but is regularly interrupted by the arrival of other customers. She then asks Billembois to go home and perform a ritual by plucking three hairs, which she will incorporate into a love cake intended for Zéphirine. Meanwhile, Jasmin comes to fetch rejuvenating enemas for his master and a remedy for his fear. When questioned by Mrs Fouillechat, he reveals that Mr Tenorio is in fact the famous Don Juan (albeit aged), who fled Spain to escape the vengeance of the Commander he killed. But the Commander has found Don Juan and has been knocking on their door every night for a week. Jasmin, proud to serve such an illustrious master, makes Mrs Fouillechat swear to keep the secret. When Billembois returns, Mrs Fouillechat changes her plan and sends him to her neighbour Mr Tenorio, so that he can teach him the secret of the secret of making women love him. Meanwhile, Jasmin complains to Mrs Fouillechat that rejuvenating enemas she preapared for his master are ineffective. Offended, Mrs Fouillechat publicly reveals that Tenorio is none other than the famous Don Juan, now ravaged by old age. Hearing this, the other women, fascinated by the presence of the mythical seducer, bombard Jasmin with questions about him and end up quarrelling. Meanwhile, Zéphyrine manages to break into Tenorio's house. In the countryside, in Montmorency, near a guinguette, everyone is gathered together, walking, playing music, singing, dancing or flirting. Zéphyrine allows herself to be seduced by Don Juan and regains her confidence. Billembois falls in love with Nanette, whose purity of soul he perceives, and immediately forgets Don Juan's secret. The Commander has followed Don Juan's trail to Montmorency. Don Juan sees Nanette and wants to seduce her, but she rejects him, calling him ‘old’. It is then that Don Juan accepts the Commander's punishment, as his life as a seducer is over. Hailed as the glory of having been Don Juan's last mistress, Zéphyrine is courted by the wealthy Arthur. While Billembois is overjoyed to have found true love, Nanette seems lost in her thoughts, and her last line refers to the colour of Don Juan's eyes.

Il Costantino Pio

Le Chevalier Soleie

Le Miroir aux alouettes (variation sur le mythe à Don Juan)

Conte fantastique en cinq scènes pour marionnettes