The play begins at the Court of Pella, with a choir of grooms seeing Ipomene, King Atrace’s sister, waiting for the return of her lover Cloridoro. When Cloridoro comes back, the couple sings their mutual love. In the woods, Atamira, daughter of the Corinthian King, is miserable as she waits for the return of her husband Acrimante. Witnessing the sinking of a ship, she saves two unlucky men, who turn out to be Acrimante and his servant Bibi. After recognising her, Acrimante rejects Atamira’s love and instead chooses to follow young shepherdesses. Atamira grieves, then falls asleep: Atrace and Cloridoro, gone hunting, find her in this state. Atrace immediately falls in love with Atamira and promises to help her. Acrimante arrives at Court and falls in love with Ipomene, while Bibi wooes the nurse Delfa. When he comes back from hunting, Atrace learns about Acrimante’s arrival and tasks Cloridoro with looking after their host, to whom he is a loyal friend. While Cloridoro reunites with Ipomene, Acrimante asks Bibi to find a cure to his love for the Infanta. During a farcical duo involving two lovers, Bibi learns from Delfa that Ipomene loves Cloridoro. Bibi asks the nurse to take the young woman to Acrimante’s bedroom, where she is told that she will meet with her lover. During another meeting between Acrimante and Atamira, Acrimante mistreats his wife, who becomes miserable again. The act concludes with a dance of Squires or Moors around the King, who is deeply in love with Atamira.
When he tries to kiss Delfa from his balcony, Bibi falls. Atrace, who sees him flee on his mule dressed in his master’s clothes, believes that Acrimante has betrayed him; he imagines that he is the lover of his sister or of the woman he loves. He decides to avenge himself and has him called. Summoned by the King when he was with Ipomene, Acrimante must leave her. Atrace and Cloridoro are jealous of him—one about Atamira, and the other about Ipomene. The King puts Acrimante in prison, which is a source of distress for Atamira: her husband rejects her love once again. Cloridoro believes that Ipomene has betrayed him and reproaches her for things she does not understand. Atrace decides to sentence Acrimante to death, and Atamira offers to carry out his order. She gives him a vial of fake poison, and he falls apart after asking his wife for forgiveness. Atamira has the body carried to her room. Cloridoro is upset over Ipomene’s betrayal, and Delfa tells him the truth: the two lovers reconcile and agree to meet at night, in the garden. Atrace, who rejoices over Acrimante’s death, proposes to Atamira; she refuses, without saying that she is already married. After dark, Bibi falls asleep while he is guarding his master’s body. Delfa, who came to meet him, caresses him and pretends to be Acrimante’s spirit. Bibi is frightened for a moment. Then, embarrassed to talk about love next to the body, he takes Delfa outside the room. The demon arrives and claims Acrimante’s soul, in a dreaming scene taking place in Proserpina’s kingdom. The monsters and spirits dance during an interlude, while the Queen of the Underworld declares her love to Acrimante. Atamira is waiting for her husband to wake up. When he arises from his lethargic state (greatly scaring Bibi), she declares her love to him. Accusing his wife of attempting to kill him, Acrimante dismisses her again. Bibi informs him of the rendez-vous planned between Ipomene and Cloridoro: Acrimante shows up instead of his friend, in a night scene secretly witnessed by Atrace. When she realises her mistake, Ipomene screams for help; Tidemo, a counsel, rushes to her rescue. Acrimante kills him and flees. Atrace is set on finding the culprit and sentencing him to death. A Corinthian ambassador informs the King that they will be at war, unless he marries Atamira: the King formally proposes to the young Princess, but she refuses to marry him; when he tells her that he will marry her whether she wants it or not, so as to avoid the war, she decides to kill herself. On the run, Acrimante arrives at the garden in Tidemo’s palace, where he finds a statue of his owner. He begins to speak with the statue, which he eventually invites to dinner. The statue tilts its head forward, then goes have dinner with its host. One table and six statues appointed by Pluto appear: Tidemo sits down at the table, as the statues dance and praise Pluto in a song. The earth opens, Acrimante sinks towards the abyss while Tidemo flies off in the sky. Once in the abyss of the Cocytus, Acrimante asks for forgiveness; Caronte (Charon) takes him to the Underworld. At court, Bibi tells Atamira about her husband’s death. She can now agree to marry Atrace. The play ends with three weddings.

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Apolloni Giovanni Filippo

Italy

Ronciglione

Rome

Printed

Jealousy

Seduction

Shipwreck

Statue coming to life

Unfaithfulness

Forced marriage

Lyrical

Melodramatic

Dramatic

Burlesque

Fantasy

L'Empio punito (libretto, title page)

Italian

King

Sister

Cousin

Prince

Princess

Counselor

Servant

Nurse

Ambassador

Sheperherdess

Devil

Proserpina

Captain

Charon

Sailor

Groom

Music

Interlude

Chorus

Avista

Speechless character

Love rivalry

Love story

Thwarted love

Shipwreck scene

Scene of recognition

Hunting scene

Character leaning against the window

Fall of a character

Comical fall of a character

Seduction scene

Monologue

Confinement

Fake death

Dreamt scene

Dream

Nightmare

Apparition of a god

Apparition of a monster

Apparition of demons

Demons dance

Night scene

Scene in the dark

Sword thrust

Sword fight

Duel scene

Gunshot

Messenger

Ascent to heaven

Flying machine

Final wedding

L'Empio punito

The Non-believer punished

At the market, Esopo (Aesop) is sold to a new master: the philosopher Xanto. Xanto’s daughter, Filena, is in love with one of her father’s followers, Periandro: Esopo is bought as a matchmaker. Xanto confides in him: he is in love with his wife’s lady-in-waiting, Geringonça. The latter becomes infatuated with Esopo, who rejects her. During a symposium, Xanto bets that he can empty the sea: Esopo helps him untangle himself from this bet, in exchange for freedom. Esopo, drunk, tells Geringonça that his master loves her; his wife Eurípedes hears this too: upset, she leaves the house. Disguised as another woman, Filena is courted by Periandro: she accuses him of being unfaithful and leaves him. Esopo has been sent to prison. He is freed by Xanto, who thus settles his promise; he now promises to free Esopo on condition that he bring Eurípedes back. While Temístocles (Themistocles) and Cresso are waging war against Athens, one of Jupiter’s eagles lands on Esopo, who becomes commander of the armies. Esopo manages to make Eurípedes so jealous that she decides to go back to her husband. As Cresso’s army is standing outside Athens, Esopo begins to tell a fable about love, punctuated with macaronic Latin. The two couples (Xanto and Eurípedes, Periandro and Filena) reconcile. Esopo, who is in love with Filena, recites a sonnet to her, and makes her write an ambiguous letter intended for him. Called to duty, Esopo triumphs over Temístocles, through betrayal and plays on words. During a night scene, Eurípedes goes to the court where Xanto is meeting Geringonça. Xanto meets his daughter there, waiting for her lover. Eurípedes pretends to be Geringonça, to expose her husband’s infidelity. Esopo is fooled, and Geringonça shouts that she has been robbed. After the defeat of the town has been announced, Esopo dresses as a woman and draws Temístocles’ attention: he has fallen in love with the beautiful young woman. Esopo is imprisoned and Cresso tasks him with building a tower in the air. After another turnaround, the King pardons him and he goes back to Athens, where his fellow citizens make peace with him as he narrates a fable to them.

Rod and string marionette

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Slave

Philosophy

Love

Enfranchisement

Parodistic

Comical

Philosophical tale

Esopaida, title page and summary of the play (1759)

Portuguese

ou Vida de Esopo

Croesus

Xeno

Philosopher

Slave master

Lover (man)

Disciple

Themistocles

General

Daughter

Wife

Maid

Aesop

Soldier

Choir

Philosophical dialogue

Dinner scene

Change of social status

Allusion to theatrical events of the time

Metadiscourse on puppet theatre

Macaronic Latin

Fight

Oracle

Battlefield scene

Cross-dressing

Esopaida

Aesop’s Life

The Emperor is moved by the sadness of Guerrino il Meschino, who learnt about his origins through the perfidious Brunoro: when he was an infant, some privateers took him away from his parents, who were left at the mercy of the waves. The Emperor convokes an Enchanter who reveals to Guerrino that he must go to the Trees of the Sun in order to find his parents. He leaves with his squires, Faggiolino and Giuppino. The journey is not easy and Guerrino has to overcome many obstacles, such as the encounter with a cannibal whom he manages to kill. Once he has arrived at the Trees of the Sun, Guerrino manages to communicate with the Oracle of the Sun, whose voice tells him about his noble origins and explains that, in order to find his parents, who are still alive, he needs to head west. Guerrino and his squires are helped by the Solitario (“Solitary”), who tells them to find the fairy Alcina. There, Guerrino risks being caught in her net: Alcina does everything she can to seduce him and make him stay forever in her enchanted garden. But Guerrino comes back to his senses, threatens her with his sword, and she transforms into a statue. Alcina’s statue reveals that Guerrino’s parents are living in prison, in a state of famine. Guerrino resumes his journey and finally arrives at Taranto, where he helps his cousin Antinisca, Queen of Taranto, fight the villainous Saracen prince, Nadar. It is he who has usurped the throne of Durazzo, stealing it from Milone, Guerrino’s father, and who has separated the prince from his parents. Antinisca and Guerrino fall in love. The Queen gives Guerrino permission to search Taranto’s prisons for his parents, and to free them if he finds them, which he does. When Nadar learns about it, he abducts Guerrino’s parents again. Guerrino, with the help of his friend Alessandro, attacks Durazzo and finally manages to kill Nadar. The kingdom is handed over to Milone, and everyone joyfully celebrates the wedding of Guerrino and Antinisca.

Glove-puppet

Cuccoli Angelo

Bologna

Handwritten summary

Foundling

Filiation

Quest

Journey

Power

Fairy

Epic

Guerrino detto il Meschino Agl'alberi del Sole Alla grotta della Fata Alcina Con Faggiolino suo scudiero

Emperor

Astrologer

Fagiolino

Page

Guerrino il Meschino

Cannibal

Innkeeper

Valet

Priest

Hermit

Voice

Alcina

Snake

Queen

Father

Mother

Head of the Guard

Dragon

Unexpected turn of events

Enchantment

Release of a prisoner

Talking animal

Fight with an animal

Parody of formal language

Nursery rhyme

Dialect

Guerrino Meschino

Tired of always being surrounded by unwelcome suitors, Pimpernelle organises a fake game of blind man’s buff with Lydia. Blindfolded, Pimpernelle will have to guess who is the man kissing her: the first one to be recognised will be the lucky man. Worried about the unpredictable outcome of the game, Estragon, Pimpernelle’s lover, is immediately reassured: at Lydia’s signal, Pimpernelle will know when it is Estragon's turn to kiss her. It is arranged that the game will start the same evening in a garden. As planned, Estragon is recognised and their love is revealed. At nightfall, the statues of a nymph and of a faun come to life, express their mutual desire, and then lament the rising of the sun. At dawn, the nuptial ceremony begins and the procession sets forth.

Shadow theatre

Bernus Alexander von

Germany

Munich

Fool’s game

Gallantries

Lust

Garden

Secret

Rolf Erik von Hörschelmann, silhouettes and sets for the second scene of Estragon und Pimpernelle.

German

Chambermaid

Suitor

Faun

Statue

Nymph

Setup

Love duet

Estragon und Pimpernelle

Estragon and Pimpernelle

In Palermo, outside an inn, several characters are waiting for the cuntista who, like every evening, will recount a new episode of the history of French paladins. When he arrives, Mastru Ramunnu relates the battle between Rinaldo and Gattamugliere, interrupting his story halfway through to collect money. Tistuzza comes on with Leporello, whom he met on the boat from Naples to Palermo. The cuntista and the other characters ask him to recount the adventures he had in Spain, while serving his master Don Giovanni – a count and a seducer. 
Don Giovanni killed the Commandeur (Commandant), the father of Donna Anna – the woman he wanted to seduce. Then the valet helped Don Giovanni get rid of Donna Elvira – his master’s previous conquest. While Leporello lists all the women his master conquered to Donna Elvira, the pupo Orlando kills several Saracens. Don Giovanni seduces Zerlina again and, during a masked ball, Leporello is nearly knocked unconscious in his master’s stead. Don Giovanni defies even the dead and invites the statue of the Commander for dinner. The statue arrives and leads Don Giovanni to Hell. Don Giovanni wants Leporello to go with him, because he hopes to find new women in Hell, but the valet rebels against his master in the end and goes to Palermo.