Manuscript117 pagesMarianeDer weibliche Straßenräuber | First half of the 18th century | Crottendorf, Germany | GermanCross-dressingFinal weddingMonologueDisguiseDisguised character (false identity)RobberEmancipationKidnappingWomen's conditionFatherHypocrisySlaveryNobilitySpainLiterary tonesComical, DramaticAnimations techniquesString marionetteAudienceNot specified
Manuscript21 pagesLa Prise d'une troupe de comédiens par un corsaire de Tunis au mois de septembre 1740 | 1741 | Paris, France | FrenchTheatre within the theatreSongMasked charactersAvistaPrologueComical foreign accentDialogue with a character in the audienceCurrent affairsNaval combatRelationship between Christians and MuslimsTunisiaCorsairSlaveryTreasonRenegadeHarassmentMinor newsAgricultureCensorshipLiterary tonesDramaticAnimations techniquesRod and string marionetteAudienceNot specified
Printed33 pagesLa Clémence de TitusMaurice Sand (Maurice Sand) | 1867 | Nohant, France | FrenchComedy of languageDinner sceneSung scenesPrologueAddress to the publicAllusion to the audienceMonologueStorytellerQuoteAncient historyLovePiracySlaveryAdventureEmperorRelationship between father and sonWeddingLiterary tonesComical, SatiricalAnimations techniquesGlove-puppet
Manuscript264 pagesGuignol à Fachoda | 1899 | FrenchVersified passagesOff-stage voiceComical foreign accentSongFinal songApotheosisRaciologyRacismSlaveryHomelandWoman doctorTradeKidnappingColonialismAfricaLiterary tonesComicalAnimations techniquesGlove-puppetAudienceNot specified
Printed14 pagesI, Caliban | 2003 | Great Britain | EnglishThrowing objectsMagic actMusicPlot sceneLonelinessSavoirShipwreckMagicSlaveryShakespeareLiterary tonesComical, DramaticAnimations techniquesObject theatreAudienceYoung audiences