Martin, a woodcutter, frees a fairy from an oak tree she has been trapped in for 500 years. The fairy gives him a ring that allows him to fulfil three wishes. Martin confides the secret to his wife Margreth, who tells Casperl, their neighbour. While Martin goes to ask the mayor and the priest for advice, Margreth, in conversation with Casperl, takes it upon herself to wish for a plate of sausages, even though she has the ring on her finger: her wish is immediately fulfilled. Seeing this, Martin retrieves the ring and, in his anger, vows that his wife will have sausages hanging from her nose. The wish comes true and the two men are no longer able to amputate Margreth's sausage appendages: all they can do is wish them away, and the gift of the three wishes is wasted.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Printed

Poverty

Spell

Dwarf

Ring

Secret

Beer

Hypocrisy

Sausage

Lust

Marvelous

Burlesque

Humorous

Grotesque

German

Fée

Bûcheron

Kasperl

Song

Off-stage voices

Metatheatre

Appearance

Metamorphosis

Die drei Wünsche

The three wishes

The widow Werner lives with her young son Ludwig in misery: a sad Christmas is coming. To surprise her son, Mrs Werner goes out to buy a small pine tree and some apples. In her absence, Ludwig writes a letter to baby Jesus, asking for an illustrated Bible: he throws the letter out of the window addressing it to the angels. On Christmas morning, a package is delivered containing the Bible he asked for. The donor is Friedrich Walter, an old friend of the deceased Karl Werner: he has just returned from a long trip to the Orient and is inquiring at the police station about the widow's address, when some officers tell him of the amusing discovery of Ludwig's letter. Friedrich Walter takes the widow and child under his protection.

Reading

Education

Hanswurst

Bible

Childhood

Crib

Piety

Sentimentalism

Social realism

Christmas

Realist

Pathetic

Monologue

Letter

Transforming scenery

Chorus

Deus ex machina

Der Weihnachts-Brief

Christmas Letter

The rich Niflanguille goes to buy a bag of coal. He comes across the hungry Pierrot, who asks for his help in vain. The coalman cheats Niflanguille out of the weight of the bag. Pierrot hides in the bag and beats up the coalman, Niflanguille and the servant. Back home, Niflanguille looks for a sword to pierce the recalcitrant bag, but Pierrot gets it out in time and forces the servant to take his place. While Niflanguille pierces the bag and his servant with it, Pierrot runs away with a bag of money. A Gendarme wants to hang Niflanguille for murder, Pierrot for theft and the coalman for swindling. Pierrot kills the Gendarme and puts him in the sack, which he throws away, while Niflanguille flees through the window. Pierrot kills the coalman to avoid sharing the money, then orders wine which he pays for by beating the innkeeper with a stick. The Commissaire arrives with Niflanguille; he hangs Pierrot, but confiscates the money to punish the bad rich man.

Glove-puppet

All audiences

France

Paris

Duranty Louis Émile Edmond

Charcoal

Hunger

Swindling

Trade

Deception

Contempt

Punishment

Hanging

Money

Bad rich

Farcical

Didactic

French

Pierrot

Niflanguille

Coal merchant

Domestic

Gendarme

Commissioner

Hidden character

Running gag

Blow-with-a-stick

Hanging scene

Le Sac de charbon

The Bag of Coal

While all poor people on the outskirts of Munich deposit their savings in Adele Spitzeder's bank, sometimes even selling their businesses to live on their income, Kasperl is looking for a job. Through his brother Baldhauser (also known as Baldes), a door-to-door salesman, he was placed as a doorman at Adele Spitzeder's house. He introduces the bank's customers to the bank office, where she receives them with her proverbial frankness. But at the end of his first day on the job, the police come and arrest the banker for fraud and close the place down: Kasperl beats down the poor people who come to claim their money. The fourth act or epilogue is a picture of country life: following a quarrel with his wife, Kasperl's other brother, Melchior, goes drinking with the town crier. Kasperl and Baldes enter the stage to conclude the play with a song.

Not specified

Gailler Gabriel

Scandal

Finance

Stock exchange

Bank

Embezzlement

Bavaria

Politics

Society

Peasantry

Popular class

People

Misery

Bankruptcy

Satirical

Comical

Marionettenspiel um einen Münchner Finanzskandal im Jahre 1873

Waiter

Peasant

Shepherd

Police officer

Employé municipal

Flying machine

Spectacular turn of events

Inn scene

Catastrophe

Conversation

Political allegory

Slang

Argument

Dialect as a social marker

Caricature

Brawl

Adele Spitzeder

Martin is secretly in love with the beautiful Eleonora Lambriani, a mysterious dancer with a legendary reputation. However, he has already sworn his love to Sophie. When Martin prepares to leave in order to offer his life and his money to Eleonora, his cousin Cassian arrives at his house. Initially inconsolable because of the departure of her lover, Sophie changes from the virtuous girl to the woman expressing her desire for Cassian, then she elopes with him by jumping out of the window. Martin dies by the hand of Cassian, poor as a church mouse, as he has lost all his money in a dice game against Cassian.

Schnitzler Arthur

Austria

Vienna

Berlin

Secret love

Unexpected visit

Plot twist

Unfaithfulness

Dice game

Death

Journey

Loyalty in love

Sadness

Nostalgia

Seduction

Encounter

Temptation

Confession

Luck

Battle story

Duel

Suicide attempt

Femme fatale

Parodistic

Der tapfere Kassian

Puppenspiel in einem Akt

Valet

Domestic scene

Love story

Deceived naivety

Teichoscopy

Der tapfere Cassian

The brave Cassian

After performing a traditional guarattelle show, the puppeteer and his Pulcinella think they won’t have anything to eat as the audience left without paying. They both decide to leave Naples for France. When they arrive at court, the King carefully examines Pulcinella with a magnifying glass, and finds him too poor, so drives him away. Pulcinella beats the King with a stick and the guards come to arrest him. The puppet escapes from the puppet booth with the Puppeteer, who explains that if the puppet wants to eat, he must “change his face”.
The Puppeteer then turns Pulcinella into Polichinelle, giving him new, luxurious clothes decorated with ribbons and little bells, two bumps (one on the belly and the other on the back) and a white mask to hide his black half-mask. Thus transformed, Pulcinella moves and speaks far more slowly, but his new lazzi with a cock amuse the King greatly. The puppet and the Puppeteer are able to eat a big plate of pasta in front of the puppet booth and go to sleep with a full belly. Woken by the Marseillaise, they enter the puppet booth, believing a party is going on. On stage, in front of a guillotine, Robespierre and Danton debate whether the King should be tried. After cutting off the heads of Danton and the King, Robespierre also wants to kill Polichinelle, who is friends with the King. First, he cuts off one bump, and then the other, and finally the white mask. Polichinelle, who has now gone back to being “Pulcinella the revolutionary”, cuts off Robespierre’s head and then, like Napoleon Bonparte, proclaims himself emperor and uses a stick to beat, one after the other, the emperor of Austria and the Pope who has come to crown him. He shows his emperor’s crown to the Puppeteer: it means he’ll be able to eat for 200 years. The Puppeteer comes out of the booth for a last monologue at the end of which he dons the black half-mask and proclaims himself to be Pulcinella.