The bishop Simplicius invites Chrysogonus, the nephew of the governor of Patras, for lunch. A gorgeous young woman, Luce, appears to him and asks for his protection: she has vowed to remain a virgin and fled from her father, who wanted to force her to marry. She is alone for a short while, and she reveals that she is Lucifer. Simplicius is flustered: he invites Luce to have lunch with them, and falls in love with her. He appeals to the apostle saint André (Saint Andrew) to stop him from giving in to temptation. Le Pauvre (Poor Man) appears and asks to have lunch with them. Luce agrees to let him, if he can answer three riddles. Le Pauvre answers and reveals that she is Lucifer, and that he is Saint André. While Lucifer disappears in Hell, Saint André sits down to eat with Simplicius and Chrysogonus.

Not specified

France

Paris

Vegetarianism

Glutton

Charity

Lust

Devotion

Chastity

Temptation

Virginity

Devil

Religious

Fantasy

Lyrical

Comical

French

Apostle

Bishop

Servant

Poor

Saint Andrew

Address to the public

Aside

Metamorphosis

Disguise

Engulfment

Change of voice

La Dévotion à saint André

The Devotion to Saint Andrew

Miséria est un vieux forgeron qui passe ses journées à travailler le fer. Son seul plaisir est de prendre soin de son noyer. Un jour, São Pedro (Saint Pierre) vient lui rendre visite, demandant un fer à cheval. Comme il ne lui en reste plus, Miséria lui propose de prendre celui qui est un porte-bonheur en argent. Quelques temps plus tard, São Pedro retourne chez Miséria, disant qu’il peut demander un souhait. Miséria demande que ceux qui grimpent dans son noyer pour voler des noix finissent prisonniers de l’arbre. 
Quand la Mort arrive pour chercher Miséria, il fait un pacte avec le diable, avec lequel il gagne 20 ans. Au bout de 20 ans, la Mort revient. A ce moment, Miséria lui demande un dernier souhait : qu’elle grimpe à l’arbre pour lui chercher une noix. Ainsi, la Mort devient prisonnière du noyer. Tant qu'elle est prisonnière de l'arbre, le soleil ne se couche plus, il n’y a plus de vent, les feuilles restent immobiles ; le monde s’est arrêté. Miséria finit pas libérer la Mort à condition qu’elle lui promette la vie éternelle. La Mort accepte, mais le prévient qu’il regrettera son souhait. La pièce finit avec le vieux forgeron qui travaille le fer, se plaignant de son sort : son arbre qui était la raison de son existence vient de mourir et il reste condamné à la vie éternelle.

Rod puppet

Full-view manipulation

Adults

Portugal

Porto

Magalhães Álvaro

Electronic text

Death

Old age

Tree

Deal with the Devil

Tale

Desires

Human condition

Future punishment

Time

Immortality

Philosophical tale

Tragic

Dramatic

Miséria (Teatro de Marionetas do Porto, 1991)

Portuguese

Old man

Blacksmith

Saint Peter

Voice

Apparition of a Saint

Narrator

Apparition of Death

Song

Peasant accent

Smoke

Flying character

Music

Miséria

Misère

Two actors, first dressed up as gorillas, relate murders using a ventriloquist dummy and paper toys. The killers – represented by articulated heads – confess the reasons behind their crimes and reveal several details: the arms they used, the time it took for the victims to die, or the amount of blood they shed. They killed out of vengeance, passion, or even because of daily trivial conflicts. The killers’ heads often wear banners asking for forgiveness, and some crimes are told using shadow theatre. After reading each story, the actors stop to sing a nursery rhyme and play a clapping game. The show ends with a murder on stage.