The play begins with Colombo (Colombus) sailing the sea with his wife Anarda and their son Fernando. They meet a choir of mermaids, then of tritons, all of which are taken away by Fortuna. The ship berths at Motenzuma, the capital of Peru. Tendilla, daughter of Ginacra, the king of Peru, advocates against welcoming the foreigners. Her lover Guascarre speaks against his wife’s empty fears. Ginacra sends him to the ships to meet the strangers, who have brought presents. When the Court and the strangers meet, Colombo fears that his wife Anarda will be tempted; she assures him that she is faithful. Their son falls in love with Tendilla. The servant Giumbè is leading two camels carrying many gifts. This is followed by a dance of monkeys trying to imitate human dances. Ginacra wooes Anarda. As she rejects him, he tries to force Colombo to give his wife to him. The two husbands ask for Guascarre’s help, although he himself is jealous of Fernando. Taken to the temple to be sacrificed, Anarda accepts her coming death—to prove her love for Colombo. Trying to make her change her mind, Ginacra turns her into a goddess: faced with a renewed rejection, he takes her to prison. Colombo is set on dying for his wife. Fernando asks Tendilla to intercede with the tyrant on behalf of his mother. The interlude stages the European nations dressed in colourful costumes. At night, Anarda is waiting in her cell for her husband to save her: Colombo arrives, carrying a torch, and with Giumbè’s help manages to see Anarda. Ginacra also arrives at the prison. Anarda pretends to like him and suggests that he kills Colombo in a duel, to win her love. Colombo hears the end of the conversation, displays jealousy and tries to kill himself at his wife’s feet. She prevents him from doing so and explains her plan to fight, disguised as him. Tendilla declares her love to Fernando: as a true gentleman, Guascarre promises his rival mutual love. Colombo cross-dresses and offers to fight the duel in Ginacra’s stead: the fight now opposes Anarda cross-dressed as Colombo, and Colombo cross-dressed as the king’s champion. Hurt by Anarda, Colombo falls to the ground; When she discovers her opponent’s true identity, she faints. Learning about Anarda’s feats, Ginacra decides to leave her alone. Tendilla hesitates between her two suitors: her father decides that she will marry Guascarre, the oldest of the two.

Automaton

Not specified

Italy

Rome

Printed

Peru

Geographic discoveries

Explorer

Rivalry in love

Sacrifice

Edifying

Heroic

Fantasy

Pietro Ottoboni, Il Colombo ovvero L'India scoperta, 1690.

Italian

overo L'India scoperta

Christopher Columbus

Wife

Slave

Interpreter

Young woman

King

Prince

Lady-in-waiting

Mermaid

Interlude

Chorality

Thwarted love

Love rivalry

Boat mounted on wheels

Clouds

Board meeting

Sleeping character

Night scene

Spying scene

Fall of a character

Release of a prisoner

Sword fight

Duel scene

Disguised character (false identity)

Character mistaken as a member of the other sex

Final wedding

Il Colombo

The Neuf Coriaces (Nine Tenacious) are the last remaining survivors of a species that was once composed of billions of individuals. Their hunger led them to devour each other. They understand that they are responsible for the survival of their species, but are still looking for a way to choose who will be the next to be devoured. One of the Coriaces suggests that they stop eating members of the species, without success. They discover La Fragile Créature (The Delicate Creature) that one of the Coriaces keeps hidden in a box, and welcome her in their Confrérie de la Marmite (Fellowship of the Cooking Pot). After contemplating for a while, they devour her. After this last meal, they start the same conversation they had at the beginning of the play, as if they had forgotten everything that just happened.

Object theatre

France

Lyon

Arcueil

Hunger

Survival

Cannibalism

Future

Dystopia

Darwinism

Deliberation

Philosophical tale

Black comedy

Satirical

Patrick Dubost, Les Neuf Coriaces, Collectif en 7, 2010.

French

People

Allegory

Echoing lines

Character eating another character

Song

Scream

Les Neuf Coriaces

The Nine Tenacious

In a former espadrille factory closed for years, abandoned objects, clothes and machines come to life to evoke the forty-five years of life of the factory and its workers. Former workers, former managers, and residents who lived by the rhythm of factory life recall with emotion the hours of hard work interspersed with joy, the strike pickets and union struggles, the resistance to successive factory closures and unemployment. Among them, Jacqueline makes her eight-year-old grandson Ulysse understand the place of the factory in her life. The factory, which was closed and left abandoned for a long time, was finally dismantled and demolished. The day the building is razed to the ground, the whole landscape of the city changes, leaving a gaping void for the inhabitants. The children of the school, worried and disoriented, wonder about this disappearance. The headmaster then asks them to draw the factory as they have always seen it or as they have been told about it, so that they will not forget it. Ulysse offers his drawing to his grandmother Jacqueline to console her: it shows the factory teeming with life, as she knew it. This is how this working-class memory is passed on from one generation to the next.