Alvarès makes his son Guzman a bailiff and promises that he will marry Alzire. Alvarès convinces Alzire’s father, Monteze, to have her marry Guzman. Alzire believes that her fiancé Zamore is dead, but he is released from prison. When he learns that Alzire will marry Guzman, Zamore tries to kill him and thinks that he has succeeded. Zamore and Alvire, who is thought to be his accomplice, are sentenced to death. Just when Zamore is about to be hanged, Guzman appears, wounded. He forgives Zamore and lets him marry Alzire.

Rod and string marionette

Not specified

France

Paris

Manuscript with songs and dialogue summaries

Latin America

Forgiveness

Jail

Murder

Bailiff

Indigenous people

Death penalty

Obedience

Forced marriage

Parodistic

Comical

La Fille obéissante, manuscript Collection Soleinne (Ms FF 9313), Bibliothèque nationale de France.

French

Parodie d'Alzire

Polichinelle

Mother Gigogne

Waiter

Guard

Spectacular turn of events

Tragic conflict

Fake death

Hanging scene

La Fille obéissante

The obedient Daughter

The puppeteer apologises to the audience because he is not ready to perform Macbeth: instead, he will perform an unpublished comedy by Goldoni, The Jealous Emigrant (which is, in fact, a fake written on purpose by Brunello). But one of his glove puppets, Arlequin, disagrees and organises a rebellion, convincing the other puppets to perform Macbeth. The tragedy begins, but Arlequin, who has dared to step out of his role, must die like Macbeth. The same applies to his antagonist King Duncan, who - as we discover at the end - is no other than the puppeteer himself.

Glove-puppet

Bare hand

Adults

Brunello Gigio

Molnár Gyula (aka Giulio Molnár)

Italy

Mogliano Veneto

Printed

Rebellion

Self-consciousness of puppets

Rewriting

Adaptation

Fake unpublished

Shakespeare

Tragic

Ironic

Italian

Rodolfo

Colombina

Brighella

Lady Macbeth

Arlecchino

Macbeth

Pantaloon

Macduff

Balanzone

Generico

Witch

Messenger

Guardian

Sicaire

Monkey

Comical regional accent

Theatre within the theatre

Double characters

Address to the public

Rehearsal (play within a play)

Apparition of the puppeteer

Surprise effect

Captatio benevolentiae

Tragic irony

Parody of formal language

Avista

Macbeth all'improvviso

Improvised Macbeth

A TV presenter invites the audience to time travel to the year 2084; he ages rapidly and dies. A foetus floats in space and hums the music from 2001: A Space Odyssey. Numbers 3 and 5 harass number 11 who wants to be left alone, driving him to suicide several times. The voice from the speaker congratulates 3 and 5. Two robots talk using only letters and acronyms. Mozart, afraid of being forgotten, doubts his own identity. The creatures Têtedelard and Boutdechou reflect on their potential, and then the former dismembers the latter while Lumgo, a deceitful creature with disorganised syntax, tries to convince Boutdechou to become the king of humanity. Clones have to play family but no longer understand the concepts of man, woman or love. An alien mother listens absent-mindedly to her son tell stories of life on Earth in the past. Behind them, the planet Earth rises.

Tabletop Puppetry

Young audiences

Dorin Philippe

Strasbourg

Science fiction

Dystopia

Future

Violence

Despair

Love

Family

Monotony

Surveillance

Clone

Alien

Absurd

Dramatic

Un futur plein d'avenir

Announcer

Foetus

Haut-Parleur

Wolfgang Amadeus Mozart

Robot

Extraterrestrial

Saynète

Revelation

Spying scene

Comedy of language

Failed suicide

Metadiscourse on puppet theatre

Dance

Running gag

Argument

2084

Crows live in abundance on the corpses of humans who keep killing each other in war. The Fanes people, thousands of years ago, lived in peace and harmony with nature, thanks to a special bond with the marmots. Power was passed from mother to daughter, until Princess Dolasilla's mother was forced to break the old rules by abdicating and marrying the king of a foreign land who worshipped the god of war.From then on, under male control, the people of Fanes are at war.In the depths of the mountain, two little siblings, Aylan and Hudea, remain hidden. They wear a mouse costume to disguise themselves, because soldiers do not shoot mice. But the food in the cave is running out and the female ancestors of the Fanes people, their only hope of salvation, seem to be unresponsive. The king has finally decided to send his daughter Dolasilla, the rightful successor to the throne, to the battlefield: he wants to get rid of her so as not to lose his power. Aylan decides to separate from his sister and go out of the mountain to help Dolasilla in the battle, but they are both killed, along with many other Fanes. After the battle, the crows discuss the cruel nature of the human soul, while they eat the corpse of a child.