Céliante and Dorimène ask the Marquis to tell them about new plays. The latter relates that the Chevalier (Knight) and his daughter Emilie, who follow him, have seen Didon. The Chevalier, Emilie and Céliante recount the play with songs.

Not specified

France

Paris

Manuscript

Society Theatre

Tragedy

Greek mythology

Comédie Française

Social Conversation

Parodistic

French

Knight

Criticism of actors' theatre

Song

Current affairs

Critique de Didon tragédie

Critique of Didon tragedy

In this expanded version of the play, Kasperl introduces himself to the Sultan as a botanist and impresses him with his knowledge of radishes (which go well with beer), so much so that he is hired into his service. But he is unhappy with his situation in a Muslim country where the consumption of alcohol is forbidden (except for the Sultan, in secret). He decides to flee with the slave Mimikatzi, who is being held in Schuriburi's seraglio. Kasperl offers to rid the Sultan of the mosquitoes he has to complain about and beats him to death with his stick. Night falls: Kasperl and Mimikatzi flee.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Printed

Turkey

Despotism

Cruelty

Pipe

Black

Woman

Orientalism

Hunger

Wine

Muslim

Beer

Botany

Radish

Mosquitoes

Seraglio

Harem

Music

Comical

Farcical

German

Konstantinopolitanisches Lustspiel

Sultan

Jailer

Slave

Kasperl

Drum

Turk

Disguise

Word for another

Monologue

Murder on stage

Allusion to current literary events

Running away

Address to the public

Blow-with-a-stick

Epilogue

Versified passages

Confinement

Kasperl in der Türkei

Kasperl in Turkey

Mr. Casperl, a wealthy man of private income, has an appointment with Lieutenant Säbelmaier and the wife of the secretary Federspitzen for an excursion to Lake Starnberg near Munich, but his barber comes too late and he has to leave in a hurry to catch his train, which had been announced late. In the second part of the play, the boat of the three excursionists is wrecked by a sudden storm on the lake. Säbelmaier and Mrs. Federspitzen probably managed to save themselves. Casperl has been living like Robinson for eight days in a deserted forest by the lake. He finally meets a sheep with whom he can talk about philosophy, because it is in fact the reincarnation of a professor and living proof of the truth of metempsychosis. But they argue and the sheep flees in the face of another coming storm. A hunter then finds Casperl passed out and wants to bring him to justice as a poacher, but ends up recognising him as the man who disappeared eight days ago, and Casperl concludes by recommending that the audience take the steamboat instead.

Train

Railway

Train station

Independently wealthy person

Military

Secretary

Civil servant

Bourgeoisie

Barber

Robinson

Shipwreck

Lamb

Sheep

Professor

Metempsychosis

Reincarnation

Philosophy

Hinduism

Pantheism

Poacher

Loneliness

Burlesque

Humorous

Die Parthie nach Starnberg; Herr Casperl als Robinson

Die Parthie nach Starnberg

Lieutenant

Hunter

Dream

Unexpected turn of events

Talking animal

Scene of recognition

Off-stage voice

Aria

Argument

Caricature

Philosophical dialogue

Casperl als Robinsohn

Casperl as Robinson

Nigot (Simpleton), M. Pigetout (literally, Mr Understands-Everything) and M. Machin (Mr Thing) are having lunch together and waiting for M. X…, the author who is supposed to bring the manuscript. However, when M. X… arrives, he is forbidden to enter. Later, M. Forfrais [play on words between “forfait” (flat rate) and “frais” (cost/fee)] , the treasurer, and M. Machin, director of the theatre, have a meeting during which they count the money they made from the performances. M. Machin needs a great sum of money to stage the performance with the leading actor M. Chose (Mr Stuff). Shortly after, M. Chose arrives and asks M. Forfrais for ten thousand francs; the latter tells him that the performance he was hired for has been cancelled and offers to buy his royalties. Then, M. X… visits M. Forfrais and asks for an advance on his royalties. M. Forfrais also suggests for him to drop his share of royalties and tickets for a hundred francs. The young author signs the agreement. M. Chose wishes to modify the play so that his character is constantly on stage; M. Pigetout decides to write to M. X… and asks him to rewrite the play. The play is very successful, but when M. Chose mentions the producers of the performance, he omits the author, who was not even able to see the performance.

Glove-puppet

Lemercier de Neuville Louis

Meals

Playwright

Stardom

Show

Money

Manipulation

Theatre

Satirical

Lemercier de Neuville, I Pupazzi. Front cover of the first edition, 1866.