Quarlous and Winwife visit the office of their friend John Littlewit, a legal clerk. Both men want to marry Littlewit's mother, Lady Purecraft. They argue over which of them has the better chance of winning her heart. They are joined by other characters, including Bartholomew Cokes, who has come to collect a license to marry Grace Welborn. Littlewit invites the characters to come to the Bartholomew Fair to see the puppet show he has put on. Adam Overdo, a judge and Grace Welborn’s guardian, decides to disguise himself in order to uncover all the crimes committed during the fair. The plot shifts to the popular world of the Smithfield district, and Littlewit’s group soon finds itself confronted with the debauchery of the fair: Overdo is tricked by Mooncalf, a waitress, and Edgworth, a thief. Edgworth then steals money from Bartholomew Cokes. Overdo, in disguise, is suspected of being the thief’s accomplice. Quarlous and Winwife discover that the culprit is none other than Edgworth, and Quarlous hires him to steal Cokes’s marriage license. Overdo, Wasp (a servant of Cokes who caused a brawl) and the false preacher Zeal-of-the-Land Busy are sentenced to the gallows, while Win Littlewit and Mistress Overdo are encouraged to drink to excess. Trouble-All, a madman, has a fit of madness because no arrest warrant has been issued for Overdo, Wasp and Busy. His outburst creates a diversion and the three men manage to escape from their sentence. All the characters go to John Littlewit's puppet show, which brings together the love story of Hero and Leander and the friendship of Damon and Pythias. Zeal-of-the-Land Busy constantly interrupts the show to denounce its immoral and blasphemous nature. Puppet Dionysus puts an end to the debate by pulling up its costume, reminding Busy that puppets have no sex: its status as an "object" prompts Busy to change his mind, transforming him into a model spectator.

Not specified

Jonson Ben

Great Britain

London

Printed

Theatre

Debauchery

Fair

Religion

Love

Friendship

Comical

Farcical

English

Puppeteer

Léandre

Puppet

Waiter

Pythias

Damon

Hero (priestess)

Dionysos

Dialogue between actor and puppet

Undressed character on stage

Punching

Kicking

Puppet theatre within the theatre

Bartholomew Fair

La Foire de la Saint-Barthélemy

The opera is made up of two tableaux. In the first, El Titetero (the puppeteer) invites the audience to watch the farce to come. In the second, he provides a brief summary of what has happened earlier and reveals the scheme that is being plotted by two characters – Doneta and la Tía (her aunt, who is played by a puppet with the baritone voice of le Titerero’s actor). The two women are planning to trick a third character – Lindísimo. All through the opera, the puppets are the singers’ doubles: a dialogue takes place between the two levels of the opera. In the first scene, Doneta complains to the Tía about the wishes expressed in the testament of her very wealthy uncle – doctor Cerote. For her to receive her inheritance, he said she must marry a vain and elegant man: his nephew Lindísimo. Lindísimo does not wish to marry Doneta either, and he devises a plan to avoid marrying her. On their first encounter, he explains that don Cerote’s widow also died and that she had made modifications to his testament: Lindísimo will only receive his share of the inheritance if he does not marry Doneta. La Tía and Doneta are distraught, as they believe they have been disinherited. After Titerero’s speech at the beginning of the second tableau, the Bridge of Sights appears in the hand-puppet booth. It is first crossed by Lindísimo’s puppet then, without his noticing it, by Doneta’s, who hides behind a venetian mask. In a lavish salon, Lindísimo writes notes that he then distributes in town: he asks to meet with the most beautiful woman in Venice. Doneta finds one of these notes. She follows the Tía’s advice, puts on a mask and goes meet Lindísimo. They both engage in a game of seduction after which Lindísimo succumbs to Doneta’s advances and proposes to her. Doneta removes her mask and, despite being taken by surprise, Lindísimo accepts this outcome. In the end, le Titerero asks the following question: “What is best in love? Knowledge, innocence or experience?”. The three characters reply in unison: “The most charming one is the one wknows the most”. The libretto ends with an unspoken sentence, which can only be discovered upon on reading it: “And we are almost certain that once this little comedy is finished, they will marry, and she will cheat on him.”

Spain

Madrid

Inheritance

Arranged marriage

Seduction

Trickery

Venice

Narcissism

Tomás Borrás, Fantochines. Madrid: CIAP, 1931 (cover page)

Spanish

Masked characters

Reciter

Aria

Instrumental tune

Fantochines

Small string puppets

In Igor’s bar in Iceland, Erik le Rouge observes a curious whale that seems to be waiting for something. He relates his unhappy childhood and his life as a sailor to the barman, Benêt (the simpleton) and Vieux (the old man). He realises that the stranger, who took shelter from the rain in the bar, is his old captain. However, the stranger does not recognise him and leaves the bar. Then, Erik remembers the captain’s name – Igor – just before he (Erik) is swallowed by the whale.

France

Metz

Switzerland

Neuchâtel

Iceland

Whale

Navy

Tempest

Childhood

Father

Nostalgia

Tragic

Dramatic

Black comedy

French

Sailor

barman

Old man

Captain

Monologue

Object coming to life

Fight with an animal

Avista

Slaps

Off-stage noise

Song

Igor Hagard

In Palermo, outside an inn, several characters are waiting for the cuntista who, like every evening, will recount a new episode of the history of French paladins. When he arrives, Mastru Ramunnu relates the battle between Rinaldo and Gattamugliere, interrupting his story halfway through to collect money. Tistuzza comes on with Leporello, whom he met on the boat from Naples to Palermo. The cuntista and the other characters ask him to recount the adventures he had in Spain, while serving his master Don Giovanni – a count and a seducer. 
Don Giovanni killed the Commandeur (Commandant), the father of Donna Anna – the woman he wanted to seduce. Then the valet helped Don Giovanni get rid of Donna Elvira – his master’s previous conquest. While Leporello lists all the women his master conquered to Donna Elvira, the pupo Orlando kills several Saracens. Don Giovanni seduces Zerlina again and, during a masked ball, Leporello is nearly knocked unconscious in his master’s stead. Don Giovanni defies even the dead and invites the statue of the Commander for dinner. The statue arrives and leads Don Giovanni to Hell. Don Giovanni wants Leporello to go with him, because he hopes to find new women in Hell, but the valet rebels against his master in the end and goes to Palermo.

Rod and string marionette

Single rod marionettes

Armed rod marionette

Italy

Palermo

Tale

Valet

Murder

Phantom

Punishment

Hell

Epic

Don Giovanni all'Opera dei Pupi

Sicilian

Coachman

Horse

Nofrio

Garbage man

Virticchio

Innkeeper

Café owner

Waitress

Storyteller

Leporello

Don Juan

Anna

Commander

Don Ottavio

Donna Elvira

Orlando

Saracen

Moorish

Zerlina

Peasant (female)

Fiancée

Masetto

Peasant (man)

Fiancé

Noble

Lady

Old woman

Commoner (female)

Shepherd

Hunter

Devil

Skeleton

Narrator

Story

Analepsis (Flash-back)

Spectacular turn of events

Battlefield scene

Duel scene

Sword fight

Murder on stage

Seduction scene

Disguised character (false identity)

Statue coming to life

Don Giovanni all'Opera dei Pupi

Don Juan at the Opera dei pupi

Polichinelle no longer wants to play traditional puppet shows. He aspires to be modern and leaves his puppeteer to become a television star. The puppeteer, who is committed to tradition, grieves for Polichinelle and continues his shows with other puppets. Polichinelle is criticized by the viewers and causes trouble for the television program. He asks for the puppeteer’s help. Eventually, he comes back to him.

Glove-puppet

Adults

Montpellier

Modernity

Tradition

Rupture

Television

Whim

Stardom

Humorous

Satirical

Robert Destanque, Le Caprice de Polichinelle, 2003.

Polichinelle

Landlord

Constable

Colombine

Arlecchino

Pierrot

Announcer

Television presenter (woman)

Speakerine

Voice

Address to the public

Talking on the phone

Screen on stage

Throws

Word warping

Le Caprice de Polichinelle

Polichinelle's Whim

A human narrator, Giafar the magician, addresses the audience. One of his spirits tells him that he found the pure-hearted child Giafar was looking for. Giafar needed the child to capture the powerful genie of a magic lamp. At a marketplace, the narrator recounts the story of Scheherazade to some children. Among them was Aladdin – the pure-hearted child. Giafar pretends to be his uncle, and then leads Aladdin down into an underground cave to retrieve the magic lamp. But Aladdin does not give it to him, and so Giafar abandons him in the cave. With the help of a magic ring, Aladdin goes back to his mother’s house, bringing with him many precious stones as well as the lamp. He frees the genie, who helps him and his mother earn enough money to support themselves for years. Later, as a grown-up, the Sultan agrees to let Aladdin marry his daughter, thanks to the precious stones he found in the cave. But Giafar the magician finds out that Aladdin is still alive and that he grew rich with the help of the genie. He does everything in his power to retrieve the lamp and the genie. But in the end, Aladdin defeats Giafar. The genie seals him in the lamp and Giafar is doomed to come out only to tell the story of Aladdin to children.