The poet meets Kasperl in the street. He proposes to him to attend his puppet theatre, leaving him alone in front of the puppet booth. The first character to emerge is Hanswurst, but he fails to amuse Kasperl, who kills him by hitting him with a stick. Next, an allegory portraying Art enters the stage and offers him fruits. Kasperl does not find them to his liking and spills the garbage can on the poor woman's head. Finally, Death comes for him, and Kasperl knocks his head off with a stick. The furious poet returns to chastise him, but Kasperl has had enough and beats him to death.

Glove-puppet

Not specified

Blümel Otto

Germany

Munich

Printed

Poetry

Beer

Gluttony

Bavaria

Radish

Sausage

Beauty

Symbolism

George, Stefan Anton

Burlesque

Parodistic

German

Poète

Kasperl

Hanswurst

Arts

Death

Monologue

Versified passages

Comical regional accent

Parody of formal language

Dialogue of the deaf

Song

Puppet theatre within the theatre

Metadiscourse on puppet theatre

Blow-with-a-stick

Murder on stage

Chorus

Allegory

Der Dichter

The poet

The puppeteer apologises to the audience because he is not ready to perform Macbeth: instead, he will perform an unpublished comedy by Goldoni, The Jealous Emigrant (which is, in fact, a fake written on purpose by Brunello). But one of his glove puppets, Arlequin, disagrees and organises a rebellion, convincing the other puppets to perform Macbeth. The tragedy begins, but Arlequin, who has dared to step out of his role, must die like Macbeth. The same applies to his antagonist King Duncan, who - as we discover at the end - is no other than the puppeteer himself.

Bare hand

Actor and puppet

Adults

Brunello Gigio

Molnár Gyula (aka Giulio Molnár)

Italy

Mogliano Veneto

Rebellion

Macbeth

Harlequin

Carlo Goldoni

William Shakespeare

Self-consciousness of puppets

Rewriting

Adaptation

Fake unpublished

Tragic

Ironic

Italian

Rodolfo

Colombina

Brighella

Arlecchino

Pantalon

Balanzone

Generico

Strega

Messaggero

Guardiano

Singe

Theatre within the theatre

Double characters

Address to the public

Rehearsal (theatre within a theatre)

Apparition of the puppeteer

Surprise effect

Captatio benevolentiae

Tragic irony

Tragic conflict

Set change in view of audience

Macbeth all'improvviso

Improvised Macbeth

Ondina Peteani was born in Trieste on 26 April 1925. As a teenager, she began to associate with the Fontanot family and attended communist meetings. At the age of seventeen, she chose to become an underground activist of the Italian Communist Party (PCI). She soon began to carry out her first resistance actions under the pseudonym "Natalia". During a police operation in a mountain refuge, Ondina managed to save herself with the help of comrade Cvetko. In June 1943, all the members of the resistance group to which Ondina belonged, Ondina herself, her mother and her sister were imprisoned because of a double agent. After the armistice on 8 September, they are all freed by the people. The informer turns out to be Ondina's sister, Santina, because she had a love affair with a young fascist. Santina is executed. Fighting against the Germans begins and the resistance fighters succumb after a fierce struggle. Ondine and comrade Stecchi are sent in pursuit of the traitor Blechi, who has caused the death of many resistance fighters after infiltrating among them. The comic sketch with the glove-puppets begins: Blechi notices the presence of Ondina and Stecchi and disguises himself as a priest so as not to be recognised, thus managing to escape. When he meets Ondina, he disguises himself as an old man, but she recognises him and Blechi is caught and killed. In 1944, Ondina is deported to the Auschwitz concentration camp as a political prisoner. She survives despite the physical and psychological hardships. The horror she experienced in the camp did not erase her conviction that she had to fight for resistance and freedom.

Der Dichter

Macbeth all'improvviso

È bello vivere liberi!

Progetto di teatro civile per un’attrice, cinque burattini e un pupazzo