Printed121 pagesHanswurst von Salzburg mit dem hölzernen GatJohann Friedrich Schink | 1778 | Berlin, Germany | GermanScene of recognitionBawdy equivocationSplitting of the bodyPrologueAddress to the publicLove storyHanging scenePlay in verseEpilogueUnexpected turn of eventsBrothel sceneFoul language registerAllusion to current literary eventsTurkeySultanSeraglioUnfaithfulnessProstitutionSuicideEducationLiterary criticismSturm und DrangGenieAdventureNavigationSeaSexHuman castrationMutilationChildbirthStormTempestScatologyColicFartFornicationTrivialityObscenityLiterary tonesSatiricalAudienceNot specified
Printed41 pagesThe Tragical Comedy, or Comical Tragedy, of Punch and JudyGiovanni Piccini, John Payne Collier | 1827 | London, Great Britain | EnglishPrologueVersified passagesAddress to the publicOff-stage voiceSongAriaDanceBlow-with-a-stickSplitting of the bodyDomestic sceneSpeechless characterSpectacular show actsBawdy equivocationConfinementHanging sceneBlind characterFinal intervention of the devilCharacter thrown out of the sceneAnimal dresséStickAnimalMarseillaiseInfantFatherHouseholdCoupleMurderSerial murderNoiseMusicGallowsJusticeCrueltyLiterary tonesFarcicalAnimations techniquesGlove-puppetAudienceNot specified
Printed98 pagesPolichinelle | 1827 | Paris, France | FrenchAddress to the publicOff-stage voiceSongDanceBlow-with-a-stickSplitting of the bodyDomestic sceneSpeechless characterHanging sceneBlind characterFinal intervention of the devilCharacter thrown out of the sceneComical foreign accentAnimal dresséStickAnimalMarseillaiseInfantFatherHouseholdCoupleMurderSerial murderNoiseMusicGallowsJusticeCrueltyLiterary tonesComical, FarcicalAnimations techniquesGlove-puppetAudienceNot specified
Printed56 pagesPolichinelle (de Guignol) | 1906 (actually 1836) | Paris, France | FrenchAddress to the publicOff-stage voiceSongDanceBlow-with-a-stickSplitting of the bodyDomestic sceneSpeechless characterHanging sceneBlind characterFinal intervention of the devilCharacter thrown out of the sceneComical foreign accentAnimal dresséStickAnimalMarseillaiseInfantFatherHouseholdCoupleMurderSerial murderNoiseMusicGallowsJusticeCrueltyLiterary tonesComical, FarcicalAnimations techniquesGlove-puppetAudienceNot specified
Printed2 pagesSimple SusanEdward Gordon Craig | 1916 | Marina di Pisa, Italy | EnglishMonologueAddress to the publicAnimalised characterSplitting of the bodyFeminismLabourWomen's conditionHouseJealousyObedienceSeductionLiterary tonesComical, SatiricalAnimations techniquesString marionetteAudienceNot specified
Printed6 pagesSchattenspielKurt Schwitters | 1925? | Hanover, Germany | GermanDuplicationSplitting of the bodyApparitionDoubleDismemberingAutonomous parts of the bodyLove argumentSeductionJealousyDadaismVanguardLiterary tonesComical, FantasticAnimations techniquesShadow theatreAudienceNot specified
Printed129 pagesFantastica visionesopra il taglio e la vendita di carne con cenni alla questione degli attori, dell'arte, del teatro e del mercato generale degli oggetti nel disarmonico presente | 1973-1988 | Italy | ItalianPrologueSongMetatheatrePolitical allegoryDouble charactersHidden corpseDialectBlow-with-a-stickFightFlying characterMasked charactersDead talking characterApparition of the DevilApparition of an angelPuppet theatre within the theatreChaseTragic ironyStabbingMurder on stageScene of recognitionSplitting of the bodyRevelationScene in the darkSeduction sceneDreamThunderboltInterludeConsumer societyMeatPollutionFamineCannibalismLoveDeathEcologyEvilLiterary tonesTragic, Grotesque, LyricalAnimations techniquesActor and puppet, Glove-puppet, Shadow theatreAudienceNot specified
Printed55 pagesL'èxit és l'ombraObra per a actriu i titellesPaco Zarzoso | 2001 | Valencia, Spain | CatalanMetatheatrePersonified objectTalking animalSplitting of the bodyMetamorphosisCelebrityDissatisfactionAnimalSiameseLoveOpportunismReificationHybridityTwinningLiterary tonesComical, Grotesque, FantasyAnimations techniquesManipulated object, Mannequin, VentriloquismAudienceNot specified