Polichinelle wants to be loved while he is dressed as the shepherd Philemon, but is rejected by Issé. Doris accepts Pan's love for a while. Hylas is in turn rejected by Issé. Issé questions the oracle of the oaks of Dodona who tells her that she will fall in love with the god of light. Issé refuses because she prefers Polichinelle. Polichinelle reveals himself to her as Apollo.

Rod and string marionette

Not specified

France

Paris

Manuscript with songs and dialogue summaries

Oracle

God disguised as a mortal

Greek mythology

Shepherd

Unrequited love

Seduction

Rivalry in love

Parodistic

French

Polichinelle

Philémon

Mother Gigogne

Doris

The Interpreter

Pierrot

Hylas

Priest

Peasant (female)

Apollo

Misunderstanding

Unveiling

Spectacular turn of events

Ballet

Song

Dialogue with a character in the audience

Apollon Polichinelle

Apollo as Polichinelle

Florindo wants to marry Isabella, the daughter of a pork’s butcher. His father Balanzone opposes their union and wants Florindo to marry a baroness. Since his son refuses, Balanzone sends him to Venice for his studies, so that he will be far from Isabella. Florindo is hopeless and asks Brighella for help, and the latter takes him to the magician Arcaleus. The magician hands him two magic rings. Those who wear them will swap identities. The second ring falls into the hands of Fasolino, who owes a lot of debts in town. Florindo becomes Fasolino, and Fasolino, Florindo. After several misunderstandings and twists and turns, Fasolino, with the appearance of Florindo, ends up in jail, but people believe he is mad, and he is freed. Out of anger, he throws the ring on to the ground and thus regains his true appearance, which breaks the spell. Brighella reveals the plot. The story ends with a happy ending – Florindo is permitted to marry Isabella, and Fasolino expresses his joy because, while they swapped identities, Florindo repaid most of his debts.

Glove-puppet

Italy

Typewriting

Magic

Jail

Love

Magic object

Change of identity

Debt

Social classes

Comical

Emilian

Balanzone

Florindo

Brighella

Valet

Fagiolino

Sganapino

Guard

Monologue

Disguised character (false identity)

Aside

I due anelli magici

The two magic rings

The Prologue begins where Molière’s play ended: Don Juan is going down the long stairway into Hell with the statue of the Commander. When he hears Sganarelle scream “My wages!”, he climbs back up to kick his servant, then comes back down. The statue of the Commander is surprised by his courage and offers to bring him back to life. But La Griffe du Diable (The Devil’s Claw) holds Don Juan back by his clothes. In the end, Don Juan is granted another ten years of life, as he makes a deal with La Griffe: during these ten years, he will continue to corrupt women and claim new victims. Ten years later, this extension is about to come to an end. Don Juan lives in Venice and believes that the Devil has forgotten about him. He is getting ready to have dinner and then go out. A puppeteer is passing in the street, and he invites Don Juan to his home, where he performs his show for him. From the glove-puppet booth, Polichinelle talks to Don Juan, who is reminiscing about the shows he saw as a child. Polichinelle kills Pierrot and Cassandre. He is bitten by a dog then attempts to seduce a doll, using Don Juan’s advice, and finally kills her. Don Juan asks that the puppeteer cut some scenes and get to the moment the Devil takes Polichinelle away. Then he provokes the puppet of the Devil by saying that he would not fear being carried off by him. The puppeteer leaves the booth, reveals that he is the Devil and sits at a table to dine with Don Juan. Don Juan enthuses over his conquests. He asks Sganarelle for the list of the women he seduced, which he then tears up. The Devil turns into a violinist and makes the scraps of paper dance: the Shadows of the one thousand and three women seduced by Don Juan arrive in gondolas. The Devil challenges Don Juan to recognise these women, but he gets them all wrong. Don Juan, who believed he had seduced and possessed all these women, realises that they had him wrapped around their fingers, and that even the tears they shed because of him were fake. He claims his victories, but he is told that he never did anything with them, and that he never knew how to love. Out of desperation, Don Juan reminds the Devil about the scale of his provocation when he gave a coin to Le Pauvre (The Beggar) “out of love for humanity”. But the Devil makes the Pauvre appear, and the latter throws the coin in Don Juan’s face and forbids him from claiming that he has embodied any kind of revolt. The Devil proves to Don Juan that he was only controlled by ribaldry, like Polichinelle. Rather than sending him to the fires of Hell, which is what the seducer proudly demands, the Devil sentences him to become a puppet in a booth.

Rostand Edmond

Cambo-les-Bains

Printed

Haughtiness

Woman

Lust

Suffering

Presumption

Death

Future punishment

Evil

Ridiculous

Revolt

Venice

Deal with the Devil

Lyrical

Satirical

Dramatic

Sketch by George Barbier for the Puppetteer's costume in Edmond Rostand's La Dernière Nuit de Don Juan, 1922.