In the Underworld, Plutone (Pluto) and Proserpina dispatch their armies of Erinyes on Earth, ordering them to punish Odoardo, the tyran from Thebes. Filone and Ormondo, the King's counsels, are waiting for the King to return and celebrate his wedding with the young Erminda. Ormondo confesses his love to Pasquella, Girello's wife, who turns him down: Girello says that he will beat him and, taking revenge, Ormondo sends him to prison. At Court, Doralba, the King's sister, is desperately in love with the slave Mustafa. Filone and Ormondo demand that Girello be punished, and he is sentenced to exile. Mustafa gives him a little money, before joining Doralba and singing his love to her: as he is overeager, Doralba denounces him to Odoardo. Girello, exiled in the woods, meets a magician who introduces himself as the Patriarch of the abyss. To prove his title, he shows him several diabolical creatures. Scared, Girello tries to send him off, but the magician offers to help him. The stage transforms into the entrance of the Underworld: demons are coming out of it to dress Girello with kingly clothes. If he keeps these clothes on and puts a magic root next to the King, Girello will look like Odoardo, and Odoardo will look like Girello. Girello arrives at Court in his new clothes and announces a series of harebrained laws, before calling his counsels “Governator delle galline” (governor of hens) and “Segretario maggior della brachetta” (Secretary General of the (Trousers) Fly). He arrives without his sword, is recognised as Girello, comes back with his sword and is seen as the King, even though his servants think that he has changed because he is no longer greedy. The old Pasquella prays to Girello, whom she believes to be the King, asking him to allow her to marry again so her youth is not lost in waiting for her husband. As for Mustafa, who has been accused of trying to rape the King's sister, he asks for his forgiveness. Girello throws Ormondo and Filone behind bars, chooses Mustafa as his favourite, and tells Pasquella to wait and see what is coming for her. The real Odoardo, surprised to find his counsel in prison, asks Tartaglia to release them. From this arises a first misunderstanding, as Tartaglia cannot make sense of the King's inconsistent orders. Conversely, Mustafa thanks Odoardo for his good deed; the King does not understand why, and he puts him in prison, with Doralba, who confessed that she was in love with the slave. Girello asks for the lovers to be released, then he marries them and sends Filone and Ormondo to the galleys. When Tartaglia tells him about his contradictory behaviour, Girello demands that he be beaten with a stick the next time he loses his memory. Pasquello, begging for a husband, is willing to react positively to the advances of the so-called King, who swears that she will be beaten; Erminda is getting ready to spend the night with Girello, whom she believes to be her husband. Girello manages to slip the root in Odoardo's belongings. The King, standing in front of his doppelganger, fails to understand the situation, and he despairs when Tartaglia asks him to bow before Girello. In prison, where he was sent, Odoardo asks for his wife to intervene in his favour: it is Pasquella, and not Erminda, who answers him. At this point, the magician decides to remove the veil from the mortals' eyes—he turns Tartaglia into a statue, and tells Girello that he is taking his royal status away, for he has misused it. Girello tries to have him beaten, but the magician reveals the truth to everyone. Neither Pasquella nor Erminda knows where her real husband is anymore; as for Mustafa, it is revealed that he is the son of the King of Cyprus and Erminda's brother, which makes his marriage with the King's sister acceptable. The magician sets the example of forgiveness to the King by giving Tartaglia his human form back: Odoardo then forgives Girello.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Italy

Ronciglione

Venice

Printed

Revenge

Magic

Apparences

Reign

Love

Social condition

Fantasy

Burlesque

Comical

Farcical

Girello, 1668 (front cover).

Italian

Pluto

Proserpina

King

Queen

Sister

Slave

Brother

Pedant

Counselor

Nurse

Gardener

Prison guard

Magician

Music

Play in verse

Prologue

Macaronism

Confinement

Avista

Demons dance

Change of social status

Apparition of a wizard

Apparition of demons

Interlude

Enchantment

Transforming one character into another

Disguised character (false identity)

Role reversal

Misunderstanding

Blow-with-a-stick

Seduction scene

Thwarted love

Love duet

Allusion to the audience

Revelation

Girello

The Wandering Man

A runaway slave meets a dragon which threatens to breathe fire on him; he asks the dragon whether it has the sultan’s permission to do so, predicting that the dragon will eat his former master before the guard kills it. But things do not turn out exactly as expected. Right before the audience, the dragon meets a knight who wants the sultan to recognise his superiority to become a knight too. The sultan refuses to talk, appointing the dragon to speak in his stead and authorising him to breathe fire on the knight. The slave returns in order to sit on the throne that he thinks empty – and it is indeed soon to be the case, because the sultan suddenly decides to follow in the deceased knight’s footsteps and take his place. Meanwhile, the fat Katja, who was dancing and singing for the sultan, has moved in with the dragon, and everyone is invited for coffee.

String marionette

Young audiences

Fühmann Franz

Germany

Märkisch Buchholz

Tyranny

Emancipation

Animals, Mythical

Despotism

Turkey

Forecast

Discussions

Tolerance

Vocation

Coffee

Slogan

Politics

Civism

Couple

Society

Black

Humorous

Satirical

German

Wie wird man Oberdiskutierer

Fat lady

Dragon

Sultan

Knight

Spectacular turn of events

Intervention of the audience

Imbroglio

Talking animal

Song

Object coming to life

Political allegory

Address to the public

Personification

Optional scene

Dialogue of the deaf

Improvised scene

Der glückliche Ritter von Trinitat

The happy Knight of Trinitat

Kaspar is picking flowers in a forest for the birthday of his wife, Grete. He catches Hubertus the hunter about to murder Schneewittchen (Snow-White) following the order of Schneewittchen’s own mother, the queen Tausendschön. Kaspar convinces Hubertus to let her go and suggests to the princess that she seeks refuge at the seven dwarfs’ house. However, when the magic mirror tells the truth to the queen, the hunter denounces Kaspar and hands him over to the queen. She then tries to poison Schneewittchen twice. As she attempts it the second time, Kaspar escapes from prison and seeks refuge at the seven dwarfs' home as well. Schneewittchen passes out before his eyes, and he shakes her so much that she spits out the piece of apple that was poisoned with pesticide. Learning once again from her mirror that her daughter has survived, the queen gets so angry that she dies. Schneewittchen then takes her place on the throne and, in the final act, begins to behave as tyrannically and capriciously as her mother.

Berlin

Mother

Mother-in-law

Beauty

Vanity

Haughtiness

Power

Jail

Poison

Assassination

Doll

Denunciation

Corruption

Pesticide

Forest

Wealth

Fashion victim

Parodistic

Snow White

Hunter

General

Jailer

Valet

Guard

Mirror

Dwarf

Kasperl

Madame Kasperl

Monologue

Murder on stage

Metatheatre

Running away

Trap

Plot twist

Das Spiel von Kaspar, der Königin Tausendschön und der noch tausendmal schöneren Prinzessin Schneewittchen

The play about Kaspar, Queen Thousand Beauty and the thousands of times more beautiful Princess Snow White