In the Underworld, Plutone (Pluto) and Proserpina dispatch their armies of Erinyes on Earth, ordering them to punish Odoardo, the tyran from Thebes. Filone and Ormondo, the King's counsels, are waiting for the King to return and celebrate his wedding with the young Erminda. Ormondo confesses his love to Pasquella, Girello's wife, who turns him down: Girello says that he will beat him and, taking revenge, Ormondo sends him to prison. At Court, Doralba, the King's sister, is desperately in love with the slave Mustafa. Filone and Ormondo demand that Girello be punished, and he is sentenced to exile. Mustafa gives him a little money, before joining Doralba and singing his love to her: as he is overeager, Doralba denounces him to Odoardo. Girello, exiled in the woods, meets a magician who introduces himself as the Patriarch of the abyss. To prove his title, he shows him several diabolical creatures. Scared, Girello tries to send him off, but the magician offers to help him. The stage transforms into the entrance of the Underworld: demons are coming out of it to dress Girello with kingly clothes. If he keeps these clothes on and puts a magic root next to the King, Girello will look like Odoardo, and Odoardo will look like Girello. Girello arrives at Court in his new clothes and announces a series of harebrained laws, before calling his counsels “Governator delle galline” (governor of hens) and “Segretario maggior della brachetta” (Secretary General of the (Trousers) Fly). He arrives without his sword, is recognised as Girello, comes back with his sword and is seen as the King, even though his servants think that he has changed because he is no longer greedy. The old Pasquella prays to Girello, whom she believes to be the King, asking him to allow her to marry again so her youth is not lost in waiting for her husband. As for Mustafa, who has been accused of trying to rape the King's sister, he asks for his forgiveness. Girello throws Ormondo and Filone behind bars, chooses Mustafa as his favourite, and tells Pasquella to wait and see what is coming for her. The real Odoardo, surprised to find his counsel in prison, asks Tartaglia to release them. From this arises a first misunderstanding, as Tartaglia cannot make sense of the King's inconsistent orders. Conversely, Mustafa thanks Odoardo for his good deed; the King does not understand why, and he puts him in prison, with Doralba, who confessed that she was in love with the slave. Girello asks for the lovers to be released, then he marries them and sends Filone and Ormondo to the galleys. When Tartaglia tells him about his contradictory behaviour, Girello demands that he be beaten with a stick the next time he loses his memory. Pasquello, begging for a husband, is willing to react positively to the advances of the so-called King, who swears that she will be beaten; Erminda is getting ready to spend the night with Girello, whom she believes to be her husband. Girello manages to slip the root in Odoardo's belongings. The King, standing in front of his doppelganger, fails to understand the situation, and he despairs when Tartaglia asks him to bow before Girello. In prison, where he was sent, Odoardo asks for his wife to intervene in his favour: it is Pasquella, and not Erminda, who answers him. At this point, the magician decides to remove the veil from the mortals' eyes—he turns Tartaglia into a statue, and tells Girello that he is taking his royal status away, for he has misused it. Girello tries to have him beaten, but the magician reveals the truth to everyone. Neither Pasquella nor Erminda knows where her real husband is anymore; as for Mustafa, it is revealed that he is the son of the King of Cyprus and Erminda's brother, which makes his marriage with the King's sister acceptable. The magician sets the example of forgiveness to the King by giving Tartaglia his human form back: Odoardo then forgives Girello.

"On foot and by rod" puppet

Marionette with counterweight

Not specified

Acciaiuoli Filippo (aka Gran Burattinajo)

Italy

Ronciglione

Venice

Printed

Revenge

Magic

Apparences

Reign

Love

Social condition

Fantasy

Burlesque

Comical

Farcical

Girello, 1668 (front cover).

Italian

Pluto

Proserpina

King

Queen

Sister

Slave

Brother

Pedant

Counselor

Nurse

Gardener

Prison guard

Magician

Music

Play in verse

Prologue

Macaronism

Confinement

Avista

Demons dance

Change of social status

Apparition of a wizard

Apparition of demons

Interlude

Enchantment

Transforming one character into another

Disguised character (false identity)

Role reversal

Misunderstanding

Blow-with-a-stick

Seduction scene

Thwarted love

Love duet

Allusion to the audience

Revelation

Girello

The Wandering Man

Don Juan murders Don Pietro, who came running to his daughter Anna’s aid for a villain had tried to seduce her by night and, failing to do so, attempted to abduct her. In the following scene, Don Juan receives two successive visits. His servant Hans turns out the first visitor – a creditor asking for his money – while his master hides. Then a judge with a court clerk comes to investigate the death of Don Pietro. Don Juan pretends to be someone else. He then undertakes to leave town incognito by changing clothes with Hans, who boasts about his new role as the master. As the judge nearly recognises them, Don Juan kills him. The two fugitives reach the cemetery, where Don Juan asks Hans to invite Don Pietro’s statue. The ghost agrees and comes over. Don Juan refuses to repent. Hans, to whom the ghost assured there was nothing to fear, follow them to the cemetery out of curiosity, and he sees his master walk into hell.

Austria

Innsbruck

Assassination

Murder

Deaf

Creditor

Debt

Seduction

Abduction

Hell

Fart

Judge

Judgment

Laziness

German

Innsbrucker Don Juan

Don Juan

Hanswurst

Don Pietro

Anna

Domestic servant

Debtor

Clerk

Bourgeois

Serf

Soldier

Ghost

Devil

Disguise

Running gag

Word for another

Comical regional accent

Murder on stage

Political allegory

Running away

Replacement of one character by another

The devil steals the box in which Kasperl, in the previous play (<a href="https://puppetplays.eu/en/oeuvres/5777/frau-kasperl-und-die-köchin" target="_blank" rel="noreferrer noopener">Frau Kasperl und die Köchin</a>) had locked his wife, his lover and the night watchman. He replaces it with another box in which Kasperl almost gets his nose stuck when he comes to sniff if it does not contain sausages. Instead, the devil emerges and wants to take him away. But Kasperl has fun making him disappear and reappear with the magic formula "Parlucke! Parlicke" until the devil gets dizzy and cries for mercy. He insists that Kasperl follow him, who finally announces that he is going to draw his will and returns with a club, with which he kills the devil. He seals him up in the box and goes to throw it in the fire.

Glove-puppet

Reinhardt Carl

Germany

Munich

Woman

Drinking

Eating

Hunger

Stick

Perlicke

Grandparents

Future punishment

Excessive drinking

Drunkard

Tralala

Radirullala

Hits

Grotesque

Kasperl

Apparition of the Devil

Hidden corpse

Kasperl und der Teufel

Kasperl and the Devil

Sultan Mustapumpum still needs more soldiers to send his army to massacre the Christians, whom he wants to turn into tongue and ear salad for his meal. On the orders of Marshal Morackel, the recruiter of the Sultan's army tries to recruit the Jews Schmuel and Zwirn, who immediately flee; then he recruits Kasperl. But Kasperl knocks Morackel out with the rifle he gave him for the exercise. The marshal catches him in the act and wants to have him hanged. Kasperl does it so badly that Morackel puts the rope around his neck himself to show him how. Kasperl hangs him and then kills the Sultan by hitting him with the gallows.

Turkey

Sultan

Muslim

Black

Army

Military service

Gallows

Silliness

Despotism

Cruelty

Kasperl als Rekrut in der Türkei

Kasperl, a recruit in Turkey

Hans is drunk and comes upon the night watchman. He slaps him and beats him to take revenge for having arrested him earlier, when the curfew started. The watchman calls for help and a student arrives. But he also beats him with a cane, for the same reasons as Hans. At the end of the play, Grete comes fetch her husband to bring him home.

Müller Alphons

Frankfurt

Night

Curfew

Village

City

Municipality

Public order

Drunkenness

Front cover of the collection Sechs neue Lust-Spiele für das Porzinell-Theater

Nächtliches Schauergemälde mit Mondscheinbeleuchtung in einem Akt

Night watchman

Student

Sung scenes

Stichomythia

Hans und der betrunkene Nachtwächter

Hans and the drunk night watchman

Donna Anna turns Don Juan away – she prefers her more virtuous brother. Don Juan asks his father for three hundred ducats to win her over. When Don Pedro refuses and threatens to throw him behind bars, he loses his temper and murders him. Don Juan flees the town with his servant Kasperl, whom he pretends is the new sergeant, to fool the guards, and they hide in the woods. There, they meet a hermit and Don Juan wants to borrow his clothes to disguise himself. But Kasperl tells the hermit what crimes his master Don Juan has committed, and Don Juan eliminates this troublesome witness. In the meantime, the devil appears to Kasperl, who promptly gets rid of him. As they arrive to an inn, Don Pedro’s ghost appears to them and Don Juan invites him to dinner. The ghost agrees to the invitation and is poorly received by Kasperl, who go as far as throwing a chair on him. Don Juan refuses to repent. The ghost invites him back, then holds out his hand to him to seal their deal. At this moment, devils come and carry him into the air. Kasperl takes all of his master’s money and celebrates.