Faust leads a destitute life as a scholar, until he lay hands on a book of black magic. He then sells his soul to the devil Mefistofeles, in exchange for services. Demons also appear to Kasper, whom Faust’s famulus – Wagner – has recently hired. But Kasper adamantly refuses to sell himself to the devil. Mefistofeles takes Faust and Kasper to Parma to lead a loose life. After living in luxury for twelve years, Faust is abandoned by Wagner, who disapproves of his way of life. Faust repents, but eventually gives in to carnal temptation when Mefistofeles presents him the fair Helen, whom he knew in Ancient Greece. Everyone rejects Faust. Kasper, now a night watchman, finds him out in the street within curfew hours and wants to throw him behind bars. But Faust’s final hour has come, and he is taken away by demons.

String marionette

Not specified

Geisselbrecht Johann Georg

Germany

Printed

University

Scholar

Wittenberg

Philosopher's stone

Foreign languages

Laziness

Sorcery

Necromancy

Perlicke

Middle Ages

Crow

Pluto

Coffee

Penitence

Eroticism

Future punishment

Tragic

Burlesque

German

Comödie vom D. Faust ; Schauspiel von dem Doctor Faust

Oder : Der große Negromantist

Faust

Christoph Wagner

Kasperl

Mephistopheles

Devil

Auerhahn

Vizibuzli

Helen of Troy

Night watchman

Monologue

Metadiscourse on puppet theatre

Tragic irony

Song

Macaronism

Misunderstanding

Lazzi

Word for another

Thunderbolt

Apparition of the Devil

Word reiteration

Pact with the devil

Dream

Versified passages

Bawdy equivocation

Doctor Faust

Doctor Faust is disillusioned with academic disciplines. He learns black magic and makes a deal with the devil Mephistopheles, promising him his soul if the latter accepts to serve him for twenty-four years. Faust’s new domestic servant, Casperle, also learns to summon demons, and engages the services of the devil Auerhahn. However, he refuses to sell his soul to him. During the wedding of the Duke and Duchess of Parma, Faust makes the Ancient Testament appear before them and attempts to seduce the duchess. But he is pursued by her husband, the Inquisition and the outraged people, because Casperle has used his links with the devil to carry out miracles. Faust flees to Constantinople and Auerhahn brings Casperle to Mainz. The final act relates Faust’s damnation. He does penance, but he is doomed when Mephistopheles promises him the most beautiful woman in the world – Helen of Troy. Faust is carried off by demons, while Casperle, now a night watchman, takes his revenge on his wife at the end of the play, for the domestic violence she inflicted on him.

Simrock Karl

Bonn

Magic

Monkey

Mainz

Drink

Pigtail

Dragon

Seduction

Inquisition

Italy

Couch

Vanity

Repentance

Nightwatchman

Lust

Spousal abuse

Humorous

Dilemma

Off-stage voice

Comic equivocation

Aside

Apparition

Pyrotechnics

Chase

Theatre within the theatre

Domestic scene

Dance

Doctor Johannes Faust

Don Juan overhears a conversation between Amarillis and Don Philippo, who agree to a romantic rendezvous. He sets out to kidnap Amarillis, when her father, Don Pietro, appears. Don Juan stabs him, and then robs his relative Don Alvaro Pantolfius, before fleeing Seville with his servant Schängche. The latter, tormented by a devil, is carried into the air on a giant sausage. After a shipwreck in which Schängche is swallowed and then spat out by a whale, the two fugitives wander through the woods. They meet a hermit, who, under threat, lends Don Juan a suit to disguise himself. Lost in the forest, Amarillis meets Schängche's fiancée, the innkeeper Greta de la Rosa. Don Juan finds the two women and tries to seduce them, but Don Philippo finds him in the meantime. Don Juan murders him. Schängche still has to fight a monster they meet in the forest. They arrive by chance at Greta's inn, where Don Juan seduces the bride of a wedding that has just taken place. At the cemetery, he invites the statue of Don Pietro to supper, who accepts his invitation. But Don Juan refuses to repent and is damned. Schängche, on the other hand, marries Greta.

Rod puppet

Will Hermanns (Peter Josef Wilhelm Hermanns)

Aachen

Abduction

Murder

Money

Debauchery

Leviathan

Monster

Sausage

Forest

Tavern

Dramatic

Don Juan der Fraulütstrüester

Ein schauerlich-schönes Spiel in 5 Akten mit Sing-, Flieg- und Keilerei

Don Pietro

Donna Marillis

Don Filippo

Don Juan

Pantolfius

Hermit

Court usher

Dialect

Stichomythia

Blow-with-a-stick

Disguise

Murder on stage

Der steinerne Gast

The stone guest

The play opens with a “Prologo in cielo” (prologue in the sky) during which the Teatro Vagante (an itinerant theatre) is brought down from the fly towers to the stage: the Teatro Vagante is at once a cave, a house, a cradle, a cart and a theatre. The actors have seen the theatre of the gods, which they have to try recreating now because “a mystery must be revealed”. The mystery is about a country where people are insatiable and keep wanting to eat fresh meat, even though resources are scarce. There are no cattle, an epidemic has broken out in the countryside and rubbish produced by their residents is piling up in the suburbs. This jungle of metal is thought to be the home of spirits called “rottamat”, which people believe to be responsible for the disappearance of several villagers. Everyone praises the butcher for his excellent meat, but he turns out to be an evil character who commits murders to supply meat for his shop. Just like the devil, he takes on numerous shapes: he is simultaneously the Butcher, the Father, the crazy man Matteo and the Emperor. Every morning, the Mother and the Father (the Butcher himself) wait for the butcher’s shop to open so they can buy the best meat, even when their son is in a hospital after having been attacked by the Father. The Mother flirts with the Butcher – who embodies her erotic ideal – until she becomes his victim. Nobody suspects the Butcher. Or maybe everybody keeps quiet so they can keep enjoying his excellent meat? The killings go on until all the villagers have eaten one another. Ultimately, only the Watchman understands that the Butcher is behind the murders, but even he is killed in the end. According to the actors of the Teatro Vagante, only hope remains: “even hell can be transformed – I hope”, one of the actors declares.

Actor and puppet

Glove-puppet

Shadow theatre

Brescia

Consumer society

Meat

Pollution

Famine

Cannibalism

Love

Death

Ecology

Evil

Grotesque

Lyrical

Giuliano Scabia, Fantastica visione, stage direction by Alessandro Marinuzzi, 1993.

Italian

sopra il taglio e la vendita di carne con cenni alla questione degli attori, dell'arte, del teatro e del mercato generale degli oggetti nel disarmonico presente

Actor

Butcher

Apprentice

Mother

Father

Student

Police officer

Fool

Smuggler

Puppet

Butterfly

Shadow

Voice

Emperor

Minister

Valet

Angel

Interlude

Prologue

Metatheatre

Political allegory

Double characters

Hidden corpse

Fight

Flying character

Masked characters

Dead talking character

Apparition of an angel

Puppet theatre within the theatre

Stabbing

Scene of recognition

Splitting of the body

Revelation

Scene in the dark

Seduction scene

Fantastica visione

Fantastic vision

The puppeteer apologises to the audience because he is not ready to perform Macbeth: instead, he will perform an unpublished comedy by Goldoni, The Jealous Emigrant (which is, in fact, a fake written on purpose by Brunello). But one of his glove puppets, Arlequin, disagrees and organises a rebellion, convincing the other puppets to perform Macbeth. The tragedy begins, but Arlequin, who has dared to step out of his role, must die like Macbeth. The same applies to his antagonist King Duncan, who - as we discover at the end - is no other than the puppeteer himself.