Quarlous and Winwife visit the office of their friend John Littlewit, a legal clerk. Both men want to marry Littlewit's mother, Lady Purecraft. They argue over which of them has the better chance of winning her heart. They are joined by other characters, including Bartholomew Cokes, who has come to collect a license to marry Grace Welborn. Littlewit invites the characters to come to the Bartholomew Fair to see the puppet show he has put on. Adam Overdo, a judge and Grace Welborn’s guardian, decides to disguise himself in order to uncover all the crimes committed during the fair. The plot shifts to the popular world of the Smithfield district, and Littlewit’s group soon finds itself confronted with the debauchery of the fair: Overdo is tricked by Mooncalf, a waitress, and Edgworth, a thief. Edgworth then steals money from Bartholomew Cokes. Overdo, in disguise, is suspected of being the thief’s accomplice. Quarlous and Winwife discover that the culprit is none other than Edgworth, and Quarlous hires him to steal Cokes’s marriage license. Overdo, Wasp (a servant of Cokes who caused a brawl) and the false preacher Zeal-of-the-Land Busy are sentenced to the gallows, while Win Littlewit and Mistress Overdo are encouraged to drink to excess. Trouble-All, a madman, has a fit of madness because no arrest warrant has been issued for Overdo, Wasp and Busy. His outburst creates a diversion and the three men manage to escape from their sentence. All the characters go to John Littlewit's puppet show, which brings together the love story of Hero and Leander and the friendship of Damon and Pythias. Zeal-of-the-Land Busy constantly interrupts the show to denounce its immoral and blasphemous nature. Puppet Dionysus puts an end to the debate by pulling up its costume, reminding Busy that puppets have no sex: its status as an "object" prompts Busy to change his mind, transforming him into a model spectator.

Not specified

Jonson Ben

Great Britain

London

Printed

Theatre

Debauchery

Fair

Religion

Love

Friendship

Comical

Farcical

English

Puppeteer

Leandre

Puppet

Waiter

Pythias

Damon

Hero (priestess)

Dionysos

Dialogue between actor and puppet

Undressed character on stage

Punching

Kicking

Puppet theatre within the theatre

Bartholomew Fair

La Foire de la Saint-Barthélemy

Dom Gilvaz and Dom Fuas become enamoured with Dona Clóris and Dona Nise, the two nieces of the miser Dom Lanserote; Semicúpio, Dom Gilvaz’s servant, falls in love with their maid Sevadilha. Dona Nise gives her suitor a sprig of marjoram, Dona Clóris gives hers a sprig of rosemary and Sevadilha gifts hers a daisy; they encourage them to make these symbols triumph. The old Fagundes, Dom Lanserote’s maid, agrees to help the lovers. She reveals that one of the young women is promised to the foolish Dom Tibúrcio, and that the other will be sent to a convent. While Dom Tibúrcio is wooing Sevadilha, Semicúpio sneaks into the house; he is carrying a bundle of rosemary for Dom Gilvaz. When he faints, Fagundes sprays water on him and then leaves him with Sevadilha. The two servants bond; this ingenious couple will drive the action of the play. Dom Gilvaz catches Dom Fuas as he is climbing a ladder to break into the house: everyone enters the house and the two rivals, envying each other, engage in dialogues with their beloved. Dom Lanserote stops these outpourings. To escape this bad situation, Semicúpio claims that there is a fire and breaks down the door: the two lords, cornered, pretend to have come to put out the fire. Dom Fuas hides in a trunk to get into the house; he is carried by Semicúpio, who then hides his master Dom Gilvaz in it. While Dom Tibúrcio is courting Sevadilha, Dom Lanserote urges him to choose which of his nieces he will marry. They sit on the trunk. When it is knocked down, the candle goes out: the women arrive on stage for a night scene filled with much confusion. Dom Tibúrcio and Dom Lanserote want to open the trunk, but Dona Nise chases them away by talking about a ghost. Dom Gilvaz thanks Dona Nise, which arouses Dom Fuas’s jealousy. Then Dom Fuas speaks with Dona Clóris, arousing Dom Gilvaz’s jealousy. Semicúpio falls into the trunk. Dom Lanserote and Dom Tibúrcio arrive with light: they open the trunk, out of which comes Semicúpio; as he flees, he blows out the candle and shoves the other characters, who all believe that they are being pushed by their respective companion. The wedding is temporarily cancelled after this quarrel. Dom Gilvaz is waiting for Dona Clóris. He asks Dona Nise to hide him, but Dom Fuas and Dona Clóris find him: they both believe that their lovers have betrayed them. Dom Lanserote has reconciled with his nephew; he summons his nieces and, once again, asks Dom Tibúrcio to choose between them. Dom Fuas, Dom Gilvaz and Semicúpio, dressed as women, accuse Dom Tibúrcio of polygamy: he is forced to leave. In his misfortune, Dom Tibúrcio requires medical care: Dom Fuas, Dom Gilvaz and Semicúpio, dressed as doctors, tell him that he is pregnant; they also prescribe natural remedies to their beloved—marjoram, rosemary and daisy. Dom Gilvaz and his servant break into the garden using a rope. Dom Lanserote is there; he catches Semicúpio and locks him inside the henhouse. By mistake, Dom Fuas sits by the marjoram, and Dom Gilvaz by the rosemary: their lovers come to water the plants and find them: this is the beginning of another fit of jealousy from Dom Fuas and Dona Clóris. Dom Lansarote arrives: the lovers hide in the henhouse, as does Dom Tibúrcio. A judicial officer—Semicúpio in disguise—is with Dom Lanserote: he asks the hiding man to come out of the henhouse and arrests all the lords who walk out of it. In a parodical trial, Semicúpio finds the young women guilty of theft for having stolen the heart of the two lords, and sentences them to marriage; he requests that the costs be covered by Dom Lansarote and Dom Tibúrcio. The weddings put an end to the quarrel between rosemary and marjoram.

Giant marionette

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Rivalry in love

Prétendants

Deception

Medicine

Justice

Wedding

Dramatic

Satirical

Lyrical

António José da Silva, Guerras do Alecrim e Mangerona (1759)

Portuguese

Lord

Legal guardian

Niece

Maid

Old woman

Servant

Music

Love duet

Love story

Jack of all trades

Seduction scene

Love rivalry

Fainting

Misunderstanding

Hidden character

Running away

Disguise

Cross-dressing

Night scene

Macaronic Latin

Arrest scene

Confinement

Court scene

Final wedding

Guerras do Alecrim e Mangerona

Wars of the Rosemary and of the Marjoram

Polichinelle stole a wizard's picnic and beat him up. The wizard made a giant hand appear. Chased by the hand, Polichinelle runned into an old woman's house. To get him out, the Hand trapped him with a smelly pâté. Feigning repentance, Polichinelle asked the wizard to free him from the Hand, then killed him and tried to control the Hand. But it threatened him with a pitchfork and carried him away like the Devil would do.

Glove-puppet

Bare hand

All audiences

France

Paris

Duranty Louis Émile Edmond

Hand

The Devil's Hand

Hunger

Thirst

Wine

Theft

Sorcery

Pâté

Cunning

False repentance

Fantastic

French

Polichinelle

Magician

Part of human body

Devil

Monologue

Song

Aside

Blow-with-a-stick

Chase

Magical formula

Hands visible

Plot twist

Address to the public

Thumbing one's nose

Slaps

Off-stage voice

Final intervention of the devil

La Grand'Main

The Big Hand

The collection brings together small stories or short heterogeneous dialogues, everyday or absurd scenes on various themes: family, school, work, social conflicts, justice, war, mendicancy, etc. The human turns out to be disposable, just like crumpled paper is.

Bartholomew Fair

Guerras do Alecrim e Mangerona

La Grand'Main

Histoires post-it

ou On est bien peu de chose quand même !