Faetonte (Phaethon) came to Italy to find the young woman whose portrait made him fall in love. He meets Egéria, the daughter of Tirreno (Tyrrhenus), who was dispossessed of her kingdom by her uncle Tages. The latter wants his daughter Ismene to become queen; he would like her to marry his nephew Albano. Faetonte does not know that he is the son of the Sun and introduces himself as a shepherd from Thessaly. Egéria falls in love with him and asks him to avenge her by killing Ismene. Faetonte meets the magician Fíton, who followed him from Thessaly. The servant Chichisbéu, who also followed his master Faetonte, is mistaken for the magician and taken prisoner by Tages’s soldiers. Albano worries because he betrayed Egéria, choosing Ismene instead. Tages announces the arrival of the great magician; he hopes that he will reveal the identity of the son of the Sun, who is known to be in the region. Faetonte arrives at Tages’s palace and reunites with Chichisbéu, who is tasked with finding the son of the Sun. On Faetonte’s suggestion, Chichisbéu pretends that his master is the son; he can therefore enter the palace. Chichisbéu tries in vain to charm Chirinola, Egéria’s maid: his nose grows longer with every lie he tells. Faetonte is about to kill Ismene when he realises that she is the young woman from the portrait. He stops his hand, and she calls the soldier, but Faetonte flees in the darkness cast by Fíton. Ismene asks Albano to avenge her. Albano asks Chichisbéu to reveal the murderer’s identity: the fake magician says that he will find him in the forest. The King admits that he would rather give his daughter’s hand to the son of the Sun rather than to Albano, whom he does not trust. Ismene goes into the forest to hunt and wounds Faetonte, believing that he is an animal. He falls to her feet and declares his love to her. Albano is convinced that Faetonte is Ismene’s murderer and tries to kill him. Chichisbéu stops him and reveals that Faetonte is the son of the Sun; the trees begin to move on orders of Apolo to signal that this is true, and he is escorted with great pomp to the King’s court. When Egéria finds blood on the ground, she believes that Faetonte has killed Ismene and been imprisoned. Faetonte declares his love to Ismene, who recognises the portrait in his hands as the one she sent to her future husband, the Prince of Rhodes. During the ceremony meant to unite Ismene and Albano, Fíton turns off the lights: claiming that this is a sign from Apolo, the King adjourns the wedding. Fíton tells Faetonte that he really is the son of the Sun, but that disclosing his identity would only cause his downfall. The King wants Ismene to marry the son of the Sun and have Egéria marry Albano. Albano and Faetonte fight, but they are interrupted by Ismene, who appeals to the gods. To curry favour with Chirinola, Chichisbéu reveals his true identity and says that Faetonte is only a shepherd. Ismene and Albano were spying on them and now believe that they know the truth: the King announces that he will marry his daughter to Albano, and Faetonte despairs. Quarreling with Fíton, he asks his father to confirm his identity. Apolo therefore entrusts his chariot to him: the horses bolt and run to the sea where Egéria is—she finds Faetonte’s lifeless body in her arms. Apolo brings his son back to life. Faetonte marries Egéria, and Chirinola agrees to marry Chichisbéu.

Not specified

António José Da Silva (António José da Silva, aka O Judeu)

Portugal

Lisbon

Printed

Portrait

Identity

Love

Inheritance

Metamorphosis

Filiation

Revelation

Fantasy

Pastoral

Lyrical

Burlesque

Antonio José da Silva, Precipício de Faetonte, 1759.

Portuguese

Phaethon

Shepherd

Prince

King

Magician

Servant

Niece

Princess

Daughter

Maid

Apollo

Music

Double intrigue

Love duet

Love rivalry

Set that comes to life

Apparition of a wizard

Attempted assassination

Hunting scene

Spectacular turn of events

Gunshot

Animated natural element

Scene of recognition

Scene in the dark

Warning signs

Duel scene

Spying scene

Flying machine

Clouds

Deus ex machina

Resurrected character

Final wedding

Precipício de Faetonte

The Fall of Phaethon

The enchanter Merlin captured Marie – the young woman loved by the painter Arthur. To free her, Arthur and his valet Guignol go through many adventures. Merlin comes into Arthur’s workshop so that he draws his portrait. Guignol also tries to paint Merlin’s portrait, but he fights with the painting, which keeps transforming because of the enchanter’s spells. Arthur then visits Merlin thanks to a gift from Marie’s godmother – the Fée Merveilleuse (Marvellous Fairy): a talisman that makes him invisible. Only Marie can see him. She advises him to go to the Sorcière’s hut (the Witch’s hut), which he does with Guignol. At the Sorcière’s hut, they meet the madman Richepance – her assistant. The Sorcière welcomes Arthur while Guignol is mistreated for a long time by the furniture of the house which keeps playing with him. Arthur and Guignol can finally save Marie. But she is under a spell by Merlin that makes her look very old. Arthur still wishes to free and marry her, but Marie believes that it would be too great a sacrifice for him to marry an old woman. Merlin is jubilant at the sight of the torn couple. The Fée Merveilleuse is moved by Arthur’s devotion. She sets Marie free from the spell and restores her true appearance. The lovers can finally marry, and Merlin is defeated.

Glove-puppet

All audiences

France

Saint-Étienne

Manuscript

Magic

Valet

Kidnapping

Test

Comical

La Case de la sorcière (cover page)

French

Guignol

Merlin

Fairy

Situation comedy

Word warping

Magic spell

Slaps

Change of age

Invisible force

La Case de la sorcière

The witch's Hut

A painter named Schmierpinsel is at an award-winning ceremony. In his absence, Casperl, his servant, pretends to be the painter to a lady who wants to have her portrait made. Casperl takes a down payment, then paints a donkey’s head and hits the outraged woman with the canvas. Upon his return, Schmierpinsel is called at the police station. After his statement, the police chief, Karrnpichler, interrogates Casperl. The latter smears paint on the police chief's face before throwing him out.

String marionette

Young audiences

Pocci Franz von

Germany

Munich

Painting

Originality

Genie

Cheekiness

Prestige

Stammering

Outrage

Drink

Wine

Beer

Interrogation

Tavern

Farcical

Satirical

German

Ein malerisches Lustspiel

Kasperl

Lady

Police Superintendant

Monologue

Song

Parody of formal language

Word for another

Brawl

Address to the public

Comic stuttering

Casperl als Porträtmaler

Casperl portrait painter

Cockatrice is made aware that he must not look at himself in a mirror, otherwise he will die. As he wants to admire his own beauty, he runs away and visits a painter to get a portrait of himself painted. To flatter him, the painter portrays him like an English gentleman. Blind-Boy finds Cockatrice and takes him away with him without paying the painter. Blind-boy tells Cockatrice that Columbus the Parrot and himself met a very old man named Old Man Adam, who owns a donkey, a table, and a stick which have magical powers. All three of them go to Old Man Adam’s house, and Old Man Adam gives them the objects as presents as they will lose their magical powers should they not change owners.